Six days, five screenings, three states: a busy stretch of silent film accompaniment beckons

I guess if you're going to show a silent film to open a new festival, 'Sherlock Jr.' (1924) is a better choice than most.

Well, at least I get Monday off. 

Starting tomorrow (Friday, Aug. 12), I embark on a mini-marathon of silent film accompaniment that will take me to five venues in three states, including three former town halls.

All in a week's work of actively practicing the craft of creating live music for silent film screenings. The way I do it—mostly improv and without significant advance preparation—means iteration is most important.

Thus do I traipse about the landscape of my native northern New England, and sometimes farther afield, to maintain the fluency needed to perform at what I consider an acceptable level. 

I'm not a naturally gifted performer. So I have to work at it, which I'm willing to do, when opportunities present themselves.

The next opportunity comes tomorrow afternoon, where I am, improbably, the opening act in the first annual Manchester (N.H.) International Film Festival. I get to say a few words, and then do music for Buster Keaton's 'Sherlock Jr.' (1924) for my home city's most recent attempt to cultivate a cinema culture. 

Then it's Valentino's 'Blood and Sand' (1922) on Saturday, Aug. 13 in Brandon, Vt.; Marion Davies in 'Beverly of Graustark' (1926) on Sunday, Aug. 14 in Wilton, N.H.; Buster again in 'Steamboat Bill Jr.' (1928) on Tuesday, Aug. 16 in Alton, N.H.; and then 'Blood and Sand' again on Wednesday, Aug. 17 in Ogunquit, Maine.

If you're Somewhere North of Boston (capitalized because it's the name of another local film festival that is no longer active), please join me for one or two or all. 

I didn't do a separate press release for the Manchester International Film Festival, but here's a link to all the action.

Below, I'm pasting in the release for 'Blood and Sand' on Saturday night up in Brandon, Vt., which also works for the screening on Wednesday, Aug. 17 in Ogunquit, Maine except it's at the Leavitt Theatre and admission is $12 per person.

See you in a darkened theater—at least before the lights go down...

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MONDAY, AUG. 8, 2022 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Valentino's bullfighting epic  'Blood and Sand' to screen at Brandon Town Hall

Top-grossing silent film to be shown with live music on Saturday, Aug. 13 to celebrate 100th anniversary of box office hit

BRANDON, Vt.—It's an intense romantic drama that helped catapult actor Rudolph Valentino to worldwide fame.

It's 'Blood and Sand' (1922), a bullfighting epic to be screened on Saturday, Aug. 8 at 7 p.m. at the Brandon Town Hall and Community Center, 1 Conant Square, Route 7 in Brandon, Vt.

Admission is free; donations are welcome to help support ongoing Town Hall renovation efforts.

The classic drama will be shown with live music by silent film accompanist Jeff Rapsis, a New Hampshire-based performer and composer who specializes in scoring and presenting silent films.

The No. 3 box office hit of 1922, 'Blood and Sand' combined exotic Spanish locales with Valentino's iconic performance as a bullfighter.

The film tells the story of Juan Gallardo (Valentino), a village boy born into poverty who grows up to become one of Spain's greatest matadors.

Gallardo marries a friend from his childhood, the beautiful and virtuous Carmen. But after achieving fame and fortune, he finds himself drawn to Doña Sol (Naldi), a wealthy, seductive widow.

They embark on a torrid affair. But then Gallardo, feeling guilty over his betrayal of Carmen, tries to free himself of Doña Sol.

Gallardo's troubles spill over to the bullfighting arena, where he becomes reckless.

Can he cope with the gravest challenges of his young life—both in romance, and in the arena?

The movie's immense popularity helped establish Valentino as one of the megastars of the silent film era.

Directed for Paramount Pictures by Fred Niblo, the cast includes leading ladies Lila Lee as Carmen and Nita Naldi as Doña Sol.

'Blood and Sand' was based on the 1909 Spanish novel "Sangre y arena" (Blood and Sand) by Vicente Blasco Ibáñez and the play version of the book by Thomas Cushing.

Unusual for Hollywood at the time, women played key roles in the production of 'Blood and Sand.'

The story was adapted by June Mathis, the screenwriter credited with first recognizing Valentino's appeal, and edited by future director Dorothy Arzner.

The film inspired the 'Blood and Sand' cocktail, a Prohibition-era mixed drink.

The screening is part of the Brandon Town Hall's ongoing silent film series.

"Putting 'Blood and Sand' back on the big screen is a great way to celebrate this classic movie's 100th anniversary," said Rapsis, the silent film accompanist who creates live music for all screenings.

The screening of 'Blood and Sand' is sponsored by Edward Loedding and Dorothy Leysath, the Hanson Family in memory of Pat Hanson, and Sally Wood.

Other films in this year's Brandon Town Hall silent film series include:

• Saturday, Sept. 10, 7 p.m.: 'The Flying Ace' (1926), rare example of movies produced for black-only theaters in segregated parts of the nation; added to the National Film Registry in 2021. Sponsored by Nancy and Gary Meffe.

• Saturday, Oct. 22, 7 p.m.: 'Nosferatu' (1922) Just in time for Halloween! Celebrate the 100th anniversary of F.W. Murnau's original adaptation of Bram Stoker's 'Dracula' story. Sponsored by Bar Harbor Bank and Trust.

• Saturday, Nov. 19, 7 p.m.: 'Her Sister from Paris' (1925) starring Constance Talmadge, Ronald Colman. The scene: Europe. The cast: Rich people. Effervescent battle-of-the-sexes comedy. Sponsored by Harold & Jean Somerset.

"These are the films that set the standard for Hollywood, and still retain their power to entertain, especially when shown in a theater with live music and an audience," Rapsis said.

'Blood and Sand' starring Rudolph Valentino will be screened with live music on Saturday, Aug. 13 at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt.

All are welcome to this family-friendly event. Admission is free, with free will donations accepted in support of ongoing Town Hall renovations.

Up to Vermont to score Keaton's 'Battling Butler,' but first a note of thanks to Guitar Center

Buster in training: a scene from Battling Butler (1926).

Today it's up to Brandon, Vt. for a screening of Buster Keaton's 'Battling Butler' (1926).

But first, a note of thanks to the staff at the Guitar Center in North Attleboro, Mass.

I wasn't planning a visit there yesterday until I was about a half-hour from Newport, R.I. 

That was when I realized (during a raging electrical storm dumping pellet-sized hail) that I did not have the two Roland speakers I use for venues without house sound. 

And the Jane Pickens Theatre in Newport, R.I., where I was to accompany Harold Lloyd's 'Safety Last' (1923) at 7 p.m., does not have house sound.

What to do? I figured there had to be a Guitar Center somewhere (they've become kind of like a public utility) and there was, but in North Attleboro, Mass.—not exactly on my way, but beggars can't be choosers.

So I set a course for North Attleboro, then called the venue, saying I was running late but would try to make the start time of 7 p.m.

To my great relief, Guitar Center fixed me up with a powered speaker. And then the fastest way to Newport was a big loop around Providence and over the Claiborne Pell suspension bridge—the longest in New England.

The way I drove to get there on time—well, 'Safety Last' could not have been a more appropriate title. 

So I pulled up to the theater at 6:55 p.m. and get the parking space right in front (a minor miracle), and then see the marquee promoting SAFETY LAST 7:30 P.M.

Well, better early than later. But there would not have been a show at all without Guitar Center renting me a speaker, which turned out to be perfect for the job. 

One weird note: loading out after the show, a ghost tour in progress in a park across the street. They were excited about something, which turned out to be a rabbit that had unexpectedly turned up.

A ghost tour and bunny wrangling on the streets of Newport, R.I.

I'll take that as a sign of good luck, as the drive home was uneventful—no electrical storms, anyway.

Now it's up to Brandon, Vt., for 'Battling Butler,' Buster's boxing comedy. The bell rings at 7 p.m. (NOT 7:30 p.m.) See you there! Press release with more info is below.

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Buster geared up for pugilism in 'Battling Butler.'

MONDAY, JULY 25, 2022 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Buster Keaton's 'Battling Butler' at Brandon Town Hall on Saturday, Aug. 6

Silent film program postponed from July 23 due to excessive heat; film to be screened with live musical accompaniment

BRANDON, Vt.—He never smiled on camera, earning him the nickname of "the Great Stone Face." But Buster Keaton's comedies rocked Hollywood's silent era with laughter throughout the 1920s.

Acclaimed for their originality, clever visual gags, and amazing stunts, Keaton's films remain popular crowd-pleasers today.

See for yourself with a screening of 'Battling Butler' (1926), one of Keaton's landmark feature films, on Saturday, Aug. 6 at 7 p.m. at the Brandon Town Hall and Community Center, 1 Conant Square, Route 7 in Brandon, Vt.

The program was originally planned for Saturday, July 23, but was postponed to Saturday, Aug. 6 due to excessive heat.

Admission is free; donations are welcome to help support ongoing Town Hall renovation efforts.

Live music for the 'Battling Butler' and a companion Keaton feature, 'Sherlock Jr.' (1924) will be provided by Jeff Rapsis, a New Hampshire-based performer and composer who specializes in scoring and presenting silent films.

'Battling Butler' tells the story of pampered millionaire Alfred Butler (Keaton) who tries to impress the girl of his dreams (Sally O'Neil) by pretending to be a championship boxer with the same name.

The masquerade leads to knockout comedy both in and outside the ring, giving Keaton ample opportunity to display his gifts for physical and visual comedy.

In the 1920s, boxing rivaled baseball as the nation's most popular sport. Neighborhoods, communities, and ethnic groups all rooted for their favorite fighters, and heavyweight champion Jack Dempsey ranked as an international celebrity.

Because of this, boxing stories were popular with early movie audiences as well.

"As an elemental contest between two opponents, boxing inspired early filmmakers to do some great work," Rapsis said. "It's a visual sport that doesn't require a lot of dialogue or commentary to understand, and so was perfect for silent movies."

Keaton, along with Charlie Chaplin and Harold Lloyd, stands as one of the silent screen's three great clowns.

Many critics regard Keaton as the best of all; Roger Ebert wrote in 2002 that "in an extraordinary period from 1920 to 1929, (Keaton) worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies." But while making films, Keaton never thought he was an artist, but an entertainer trying to use the then-new art of motion pictures to tell stories and create laughter.

All those talents are on display in 'Battling Butler,' which holds the distinction of being the top-grossing title of Keaton's silent features.

The program will open with another Keaton comedy, 'Sherlock Jr.' (1924), in which Keaton plays a movie projectionist who dreams of being a detective.

The screening of 'Battling Butler' and 'Sherlock Jr.' is sponsored by Kathy and Bill Mathis in memory of Maxine Thurston.

Buster is shown the ropes in 'Battling Butler' (1926). (Showing someone the ropes is actually a phrase taken from the world of sailing ships, not boxing, which I didn't realize for a long time.)

Other films in this year's Brandon Town Hall silent film series include:

• Saturday, Aug. 13, 7 p.m.: 'Blood and Sand' (1922) starring Rudolph Valentino in his first starring role, as a sexy bullfighter in this romantic thriller. Celebrating its 100th anniversary! Sponsored by Edward Loedding and Dorothy Leysath, the Hanson Family in memory of Pat Hanson, and Sally Wood.

• Saturday, Sept. 10, 7 p.m.: 'The Flying Ace' (1926), rare example of movies produced for black-only theaters in segregated parts of the nation; added to the National Film Registry in 2021. Sponsored by Nancy and Gary Meffe.

• Saturday, Oct. 22, 7 p.m.: 'Nosferatu' (1922) Just in time for Halloween! Celebrate the 100th anniversary of F.W. Murnau's original adaptation of Bram Stoker's 'Dracula' story. Sponsored by Bar Harbor Bank and Trust.

• Saturday, Nov. 19, 7 p.m.: 'Her Sister from Paris' (1925) starring Constance Talmadge, Ronald Colman. The scene: Europe. The cast: Rich people. Effervescent battle-of-the-sexes comedy. Sponsored by Harold & Jean Somerset.

'Battling Butler' (1926) and 'Sherlock Jr.' starring Buster Keaton will be screened with live music on Saturday, Aug. 6 at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt.

All are welcome to this family-friendly event. Admission is free, with free will donations accepted in support of ongoing Town Hall renovations.

This Friday, 'Safety Last' in Newport R.I.; last Saturday, 'Caligari' in Brookline, Mass.

Accompanying a midnight screening of 'The Cabinet of Dr. Caligari' (1920) at the Coolidge Corner Theatre.

It's down to Rhode Island this Friday to accompany a screening of 'Safety Last' (1923) at the Jane Pickens Theatre in downtown Newport. 

Showtime is 7 p.m.; lots more detail in the press release below.

But before going onward to the Ocean State, let us go backward to the Bay State, where this past weekend I accompanied a midnight screening of 'The Cabinet of Dr. Caligari' (1920). 

It was at the Coolidge Corner Theatre in Brookline, Mass. (right outside of Boston), and to everyone's surprise, attendance was strong—something like 150 people, most of whom had never seen the film before.

I had a few simple motifs in mind, and enjoyed playing with them to help support the film. I don't "Mickey Mouse" the action, but I do tend to track pretty closely to the film's changing moods, which I think helps a modern audience stay with the film.

The film is divided into six "acts," which give the accompanist a chance to reset the music and signal that something different is coming. I don't know 'Caligari' that well, but I managed to reach some kind finality at the end of each act, and then went off in a total different direction, even if I wasn't sure what was coming next. It worked!

One thing no one expected was my big brass handbell, which I use exactly three times during the movie, when Caligari uses one to summon spectators. 

Great comments afterwards, which mean it was 2 a.m. and I'm not sure how coherent I was. (I'm never that coherent right after a film. Or before.) But I was delighted to find out that the sequence I picked to really build the music to a big climax—when Caligari hears voices saying he "must be Caligari"—was enough to send shivers up the spine of one attendee. Nice!

Shivers of a different kind are in store for those who attend Harold Lloyd's 'Safety Last' on Friday in Newport, R.I. Hope to see you there! If you're in California, an early morning flight into Providence, R.I. will get you there in plenty of time. 

So there's no excuse. What are you waiting for?

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From 'Safety Last': the image everyone remembers.

MONDAY, JULY 11, 2022 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent film classic 'Safety Last' on Friday, Aug. 5 at Jane Pickens Theatre

Thrill comedy climaxed by Harold Lloyd's iconic building climb; shown with live music

NEWPORT, R.I.—It's a cinematic image so powerful, people who've never seen the movie instantly recognize it.

The vision of Harold Lloyd hanging from the hands of a huge clock, from the climax of his silent comedy 'Safety Last,' (1923), has emerged as a symbol of early Hollywood and movie magic.

See how Harold gets into his high-altitude predicament with a screening of 'Safety Last,' one of Lloyd's classic comedies, on Friday, Aug. 5 at 7:30 p.m. at the Jane Pickens Theatre and Event Center, 49 Touro St., Newport.

General admission $15; members $13. Tickets available online or at the door.

The screening will feature live musical accompaniment by Jeff Rapsis, a New Hampshire-based silent film musician.

'Safety Last' follows young go-getter Lloyd to the big city, where he hopes to make his mark in business and send for his small town sweetheart.

His career at a downtown department store stalls, however, until he gets a chance to pitch a surefire publicity idea—hire a human fly to climb the building's exterior.

However, when the human fly has a last-minute run-in with the law, Harold is forced to make the climb himself, floor by floor, with his sweetheart looking on.

The result is an extended sequence blending comedy and terror that holds viewers spellbound.

Lloyd, along with Charlie Chaplin and Buster Keaton, is regarded as one of the silent screen's three great clowns.

Lloyd's character, a young go-getter ready to struggle to win the day, proved hugely popular in the 1920s.

While Chaplin and Keaton were always favored by the critics, Lloyd's films reigned as the top-grossing comedies throughout the period.

Silent film at the Jane Pickens Theatre gives today's audiences the chance to experience early cinema as it was intended: on the big screen, with live music, and with an audience.

"Put the whole experience back together, and you can see why people first fell in love with the movies," said Rapsis, who practices the nearly lost art of silent film accompaniment.

Rapsis performs on a digital synthesizer that reproduces the texture of the full orchestra, creating a traditional "movie score" sound.

"Seeing 'Safety Last' with an audience is one of the great thrill rides of the cinema of any era, silent or sound," Rapsis said. "Harold's iconic building climb, filmed without trick photography, continues to provoke audience responses nearly 100 years after film was first released."

Tributes to the clock-hanging scene have appeared in several contemporary films, most recently in Martin Scorsese's 'Hugo' (2011), which includes clips from 'Safety Last.'

See Harold Lloyd's iconic thrill comedy 'Safety Last' (1923) on Friday, Aug. 5 at 7:30 p.m. at the Jane Pickens Theatre and Event Center, 49 Touro St., Newport.

General admission $15; members $13. Tickets available online at www.janepickens.com or at the door. For more information about the JPT Film & Event Center, call (401) 846-5474.

Nearing the top.

CRITIC COMMENTS ON ‘SAFETY LAST’:

"Impossible to watch without undergoing visitations of vertigo, Safety Last's climactic sequence is all it's reputed to be.”
—TV Guide

"Harold Lloyd manages to make the characters sympathetic enough to carry the audience's concern on his journey of crazy stunts and mishaps. One of the best of this era."
—David Parkinson, Empire Magazine

"The climb has both comic and dramatic weight because it is both a thrilling exercise in physical humor and a thematically rich evocation of the pressures men feel to succeed, lest they be viewed as less than a man."
—James Kendrick, Q Network Film Desk