Ring a bell for 'Silent Movie Day' with Lon Chaney in the 'The Hunchback of Notre Dame' (1923) this evening in Derry, N.H.

Happy Silent Movie Day!

I'm celebrating this not-quite-Hallmark holiday (yet) by accompanying a screening of 'The Hunchback of Notre Dame' (19230 starring Lon Chaney.

Showtime is tonight (Friday, Sept. 29) at 7 p.m. at the Derry Opera House. Details in the press release below.

And talk about celebrating—this evening's screening comes in the middle of a run of six screenings in six days!

Last Wednesday, it was Buster Keaton's 'Seven Chances' (1925) at the Rex Theatre in Manchester, N.H.; then yesterday is was Keaton's 'Our Hospitality' (1923) for a retirement community in Concord, N.H. 

Tomorrow, I'll be down in Cambridge, Mass. to accompany a screening of Keaton's 'Three Ages' (1923) at the Brattle Cinema; then it's another 'Hunchback' on Sunday, Oct. 1 in Natick, Mass., and then on Monday, Oct. 2 it's the John Barrymore 'Dr. Jekyll & Mr. Hyde' (1920) at the Garden Cinemas out in Greenfield, Mass. 

So as we observe Silent Movie Day 2023, I hope you'll join me for a silent film screening or two (or six) near you!

Here's the press release for tonight's 'Hunchback' screening:

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Lon Chaney in the title role of 'The Hunchback of Notre Dame' (1923).

THURSDAY, SEPT. 21, 2023 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Chaney as Quasimodo in 'Hunchback of Notre Dame' on Friday, Sept. 29 in Derry, N.H.

Celebrate 100th anniversary of classic silent version with screening at Derry Opera House; featuring live music by Jeff Rapsis

DERRY, N.H.—It was a spectacular combination: Lon Chaney, the actor known as the "Man of 1,000 Faces," and Universal's big screen adaptation of Victor Hugo's sprawling tale of the tortured Quasimodo.

The result was the classic silent film version of 'The Hunchback of Notre Dame' (1923), to be shown with live music on Friday, Sept. 29 at 7 p.m. at the Derry Opera House, 29 West Broadway, Derry, N.H.

The special 100th anniversary screening will be accompanied with live music by silent film musician Jeff Rapsis.

The screening is organized by the Derry Public Library. Admission is free and the program is open to all.

"We felt that with the upcoming reopening of Notre Dame Cathedral in 2024, audiences would appreciate a chance to see this film, which takes place throughout the iconic structure," Rapsis said.

The famous cathedral, a symbol of Paris and France, was severely damaged by fire in 2019.

The film is based on Victor Hugo's 1831 novel, and is notable for the grand sets that recall 15th century Paris as well as for Chaney's performance and make-up as the tortured hunchback Quasimodo.

The film elevated Chaney, already a well-known character actor, to full star status in Hollywood, and also helped set a standard for many later horror films, including Chaney's 'The Phantom of the Opera' in 1925.

While Quasimodo is but one of many interconnecting characters in the original Hugo novel, he dominates the narrative of this expensive Universal production.

A scene from 'The Hunchback of Notre Dame' (1923).

In the story, Jehan (Brandon Hurst), the evil brother of the archdeacon, lusts after a Gypsy named Esmeralda (Patsy Ruth Miller) and commands the hunchback Quasimodo (Chaney) to capture her.

Military captain Phoebus (Norman Kerry) also loves Esmeralda and rescues her, but the Gypsy is not unsympathetic to Quasimodo's condition, and an unlikely bond forms between them.

After vengeful Jehan frames Esmeralda for the attempted murder of Phoebus, Quasimodo's feelings are put to the test in a spectacular climax set in and around the Cathedral of Notre Dame.

As the hunchbacked bellringer Quasimodo, Chaney adorned himself with a special device that made his cheeks jut out grotesquely; a contact lens that blanked out one of his eyes; and, most painfully, a huge rubber hump covered with coarse animal fur and weighing anywhere from 30 to 50 pounds.

Chaney deeply identified with Quasimodo, the deformed bell-ringer at Notre Dame Cathedral who was deafened by his work. Chaney was raised by deaf parents and did a lot of his communication through pantomime.

“The idea of doing the picture was an old one of mine and I had studied Quasimodo until I knew him like a brother, knew every ghoulish impulse of his heart and all the inarticulate miseries of his soul,” Chaney told an interviewer with Movie Weekly magazine in 1923.

“Quasimodo and I lived together—we became one. At least so it has since seemed to me. When I played him, I forgot my own identity completely and for the time being lived and suffered with the Hunchback of Notre Dame.”

A scene from 'The Hunchback of Notre Dame' (1923).

The film was a major box office hit for Universal Studios, and Chaney's performance continues to win accolades even today.

"An awe-inspiring achievement, featuring magnificent sets (built on the Universal backlot), the proverbial cast of thousands (the crowd scenes are mesmerizing) and an opportunity to catch Lon Chaney at his most commanding," wrote critic Matt Brunson of Creative Loafing in 2014.

Screening this classic version of 'Hunchback' provides local audiences the opportunity to experience silent film as it was intended to be shown: on the big screen, in restored prints, with live music, and with an audience.

"If you can put pieces of the experience back together again, it's surprising how these films snap back to life," said Rapsis, a New Hampshire-based silent film accompanist who creates music for silent film screenings at venues around the country.

"By showing the films as they were intended, you can really get a sense of why people first fell in love with the movies."

In creating music for silent films, Rapsis performs on a digital synthesizer that reproduces the texture of the full orchestra and creates a traditional "movie score" sound.

'The Hunchback of Notre Dame' (1923) starring Lon Chaney, will be screened with live music on Friday, Sept. 29 at 7 p.m. at the Derry Opera House, 29 West Broadway, Derry, N.H.

Admission is free. For more info, visit www.derrypl.org or call (603) 432-6140.

Classic Buster Keaton comedy 'Seven Chances' (1925) to screen with live music on Wednesday, 9/27 at Rex Theatre in Manchester, N.H.

A Swedish poster for Buster Keaton's 'Seven Chances' (1925).

Up next: I accompany a screening of Buster Keaton's 'Seven Chances' (1925) on Wednesday, Sept. 27 at 7 p.m. at the Rex Theatre, 23 Amherst St. in Manchester, N.H. 

This is the one where Keaton and his team couldn't really figure out a memorable finish.

Then, during a preview, they noticed the audience perked up near the very end, when a fleeing Buster dislodged a few rocks while running down a hill.

The rocks began rolling after Buster, who had to speed up to avoid them.

This prompted Keaton and company to back to the open country outside Los Angeles and shoot one of the most memorable sequences in all of silent comedy.

What it is? Come see for yourself on Wednesday night at the Rex. Plenty more information is in the press release pasted in below.

Author Lara Gabrielle and me at the Town Hall Theatre in Wilton, N.H. on Friday, Sept. 22.

For now, I'm pleased to report that the just-completed New England book-signing tour of Lara Gabrielle went off smashingly.

Starting last Thursday, Gabrielle, author of the recently published Marion Davies biography 'Captain of Her Soul,' toured with me to venues in four states in four days. 

For the record: the Jane Pickens Theatre in Newport, R.I.; the Town Hall Theatre in Wilton, N.H.; the Harbor Theater in Boothbay Harbor, Maine; and the Somerville Theatre in Somerville, Mass.

Each appearance featured a screening of 'Show People' (1928) starring Davies, which I had the privilege of accompanying.

It was Lara's first visit to New England, other than a trip to Connecticut for an interview connected with the book. 

Audiences in all venues asked great questions and thoroughly enjoyed a chance to meet the author. And many books were sold and signed!

Thank you to all the theater managers and booksellers who helped make this tour possible.

Thanks also to Lara, who trekked all the way from her home in Oakland, Calif. to take part in a four-day odyssey to promote 'Captain of Her Soul,' which she worked on for 10 years.

Also, I'm pleased to report she gave thumbs up to coffee milk (a Rhode Island favorite) and also Moxie, Maine's contribution to the carbonated beverage world.  

More photos of the tour are posted on Facebook. Check it out!

And mark your calendars for Wednesday, Sept. 27, when I hope you'll join me for Buster Keaton's 'Seven Chances' at the Rex Theater in downtown Manchester. More info below!

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Buster and would-be brides in 'Seven Chances' (1925).

THURSDAY, SEPT. 21, 2023 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Buster Keaton comedy 'Seven Chances' (1925) on Wednesday, Sept. 27 at Rex Theatre

Silent film presentation with live music features classic race-to-the-finish romantic farce

MANCHESTER, N.H.—He never smiled on camera, earning him the nickname of "the Great Stone Face." But Buster Keaton's comedies rocked Hollywood's silent era with laughter.

See for yourself with a screening of 'Seven Chances' (1925), one of Keaton's landmark feature films, on Wednesday, Sept. 27 at 7 p.m. at the Rex Theatre, 23 Amherst St., Manchester, N.H.

General admission is $10 per person; tickets are available at the door or online at www.palacetheatre.org.

Live music for the movie will be provided by silent film accompanist Jeff Rapsis.

Adapted from a stage play, 'Seven Chances' finds Buster learning that he'll inherit $7 million if he's married by 7 p.m. on his 27th birthday—that very day!

Buster's hurried attempts to tie the knot on his own go awry. But then a newspaper story changes the game, creating an avalanche of would-be brides who relentlessly pursue Buster as he searches for his one true love before the deadline.

'Seven Chances' was the first screen adaptation of the now-familiar story, since used in movies ranging from the Three Stooges in 'Brideless Groom' (1947) to Gary Sinyor's 'The Bachelor' (1999), a romantic comedy starring Chris O'Donnell and Renee Zellwinger.

Keaton, along with Charlie Chaplin and Harold Lloyd, stands today as one of the silent screen's three great clowns. Some critics regard Keaton as the best of all; Roger Ebert wrote in 2002 that "in an extraordinary period from 1920 to 1929, (Keaton) worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies."

A remarkable pantomime artist, Keaton naturally used his whole body to communicate emotions from sadness to surprise. And in an era with no post-production special effects, Keaton's acrobatic talents enabled him to perform all his own stunts, including some spectacular examples in 'Seven Chances.'

The historic Rex Theatre opened in 1940, and was recently renovated into a modern performing arts space. Now affiliated with Manchester's Palace Theatre, the Rex hosts a busy schedule of live music, comedy shows, movie screenings, and more.

In reviving Keaton's 'Seven Chances,' the Rex aims to show silent film as it was meant to be seen—in restored prints, on a large screen, with live music, and with an audience.

"All those elements are important parts of the silent film experience," said Rapsis, who will accompany the film. "Recreate those conditions, and classics of early Hollywood such as 'Seven Chances' leap back to life in ways that audiences still find entertaining."

Rapsis performs on a digital synthesizer that reproduces the texture of the full orchestra, creating a traditional "movie score" sound. He improvises the complete score in real time during the screening.

"Creating a movie score on the fly is kind of a high-wire act, but it can often make for more excitement than if everything is planned out in advance," Rapsis said.

Other upcoming films in the Rex Theatre's silent film series includes:

• Wednesday, Oct. 25, 2023, 7 p.m. 'The Hunchback of Notre Dame' (1923). A 100th anniversary screening of the original screen adaptation of Victor Hugo's classic novel about a deformed bellringer in medieval Paris.

• Wednesday, Feb. 14, 2024, 7 p.m. 'Speedy' (1928). Celebrate Valentine's Day with this Harold Lloyd rom-com filmed on location in New York City—with a cameo appearance by Babe Ruth!

• Thursday, March 28, 2024, 7 p.m. 'The Ten Commandments' (1923). Long before Charlton Heston played Moses in Technicolor, director Cecil B. DeMille filmed this silent blockbuster on a grand scale.

Buster Keaton's 'Seven Chances' (1925) will be screened with live music on Wednesday, Sept. 27 at 7 p.m. at the Rex Theatre, 23 Amherst St., Manchester, N.H.

General admission is $10 per person; tickets are available at the door or online at www.palacetheatre.org.

For more information, call (603) 668-5588 or visit www.palacetheatre.org.

This week: The 'Marion Davies Late Summer Four-Places-in-New England Book Tour' with author Lara Gabrielle plus 'Show People' (1928) with live music

It's here! This week brings the New England book tour of author Lara Gabrielle, whose long-awaited Marion Davies biography 'Captain of Her Soul' came out last year and is winning raves.

Lara will host four book-signing/screening events starting Thursday, Sept. 21. Each will include a screening of 'Show People' (1928), one of Marion's most celebrated silent film hits, with live music by me.

Here's a quick run-down of each of Lara's appearances, which are (in order) in Rhode Island, New Hampshire, Maine, and Massachusetts:

• Thursday, Sept. 21, 2023, 7:30 p.m.: The Jane Pickens Theatre, 49 Touro St., Newport, R.I.; (401) 846-5474; https://janepickens.com/. Tickets $16 per person, available online or at the door. Screening and author book-signing in partnership with Charter Books, 8 Broadway, Newport, R.I.; (401) 236-8678.

• Friday, Sept. 22, 2023, 7:30 p.m.: Town Hall Theatre, 40 Main St., Wilton, N.H.; (603) 654-3456; www.wiltontownhalltheatre.com. Admission free, donations of $10 per person encouraged. Screening and author book-signing in partnership with Balin Books, Somerset Plaza, 375 Amherst St./Route 101A, Nashua, N.H.; (603) 417-7981.

• Saturday, Sept. 23, 2023, 2 p.m.: Harbor Theater, 185 Harbor Avenue, Boothbay Harbor, Maine; 207-633-0438; https://boothbaycinema.org/. Admission $10; members $8. Screening and author book-signing in partnership with Sherman's Books of Boothbay Harbor, 5 Commercial St., Boothbay Harbor, Maine.

• Sunday, Sept. 24, 2023, 2 p.m.: Somerville Theatre, 55 Davis Square, Somerville, Mass.; http://www.somervilletheatreonline.com. Tickets $16 adults, $12 seniors/students; on sale at the door or in advance online. For more info, call the theater box office at (617) 625-5700. Screening and author book-signing in partnership with Porter Square Books, Porter Square Shopping Center, 25 White St., Cambridge, Mass.

I first met Lara when she was the featured speaker at this year's Kansas Silent Film Festival back in February. She's done a great job crafting this long overdue comprehensive biography of Davies, one of the brightest stars of early Hollywood but whose career and life story have been neglected by critics and scholars. 

But don't take my word for it. Here's what critic and film historian Leonard Maltin had to say:

“Author Gabrielle has given us a gift: an honest biography of a woman whose life and career have long been misunderstood. . . .  In short, this is the book Marion Davies has always deserved.”

I think you'll find Lara is an eloquent advocate for all of Marion's accomplishments, both on screen and off. I'm thrilled that she agreed to include New England in her travels to promote the book. It's a real privilege to be working with her.

Each stop on the tour will include opening remarks from Lara to put Marion and her career in context. We'll then screen 'Show People' (1928), a crackerjack Davies comedy for which I'll provide live accompaniment. 

Afterwards, Lara will answer questions, then sign copies of her book, which will be on sale by local bookstores at each appearance. 

For more detail, here's the text of the press release that went out promoting the tour. (Details for each screening are above, if you missed them.) 

*   *   *   

William Haines and Marion Davies meet Charlie Chaplin in 'Show People' (1928).

Author Lara Gabrielle to embark on four-stop New England tour in September to promote new Davies biography

She was among Hollywood's top box office stars of the 1920s. But for many fans, her best-known role was longtime companion of media tycoon William Randolph Hearst.

She was Marion Davies, an actress (and later philanthropist) whose pioneering professional and personal journey was as remarkable as any role she played during a highly successful film career.

Davies's full life story is told for the first time in a new comprehensive biography, 'Captain of Her Soul: The Life of Marion Davies' by author Lara Gabrielle. Published by University of California Press in 2022, the book was the result of a decade of research and writing.

Gabrielle will travel to New England in September for a four-stop book tour that will include screenings of 'Show People' (1928), a popular MGM comedy showing Davies at the peak of her stardom.

Gabrielle will speak about Davies' multi-faceted life, which included significant work in the fields of entertainment, business, and charity. She will also sign copies of her new Davies biography, 'Captain of Her Soul,' in partnership with local independent bookstores at each appearance.

In writing the biography, Gabrielle removed layers of rumor and mistruth that have clung to the actress, who grappled with a stutter and rarely gave interviews. 

The story of Davies' life has long been overshadowed by her relationship with legendary press baron William Randolph Hearst.

Many movie buffs believe that the character of Susan Alexander in Orson Welles' landmark film 'Citizen Kane' (1941) was based on Davies, an assumption that has distorted Davies's reputation for decades. Gabrielle addresses and clarifies this idea in 'Captain of Her Soul,' bringing Davies back into view as she truly was.

"There's a common misconception that Marion Davies allowed Hearst to manipulate her work and her image," Gabrielle explains. "But in fact, Marion overhauled her whole persona when she felt it wasn't working for her, and became one of the greatest comedians of the silent era, entirely on her own. She was an independent, hard-working, exceptionally intelligent woman whose generosity knew no bounds. It's been an immense honor to tell her true life story."

According to the publisher, the book "reveals a woman who navigated disability and social stigma to rise to the top of a young Hollywood dominated by powerful men."

"The title of my book is 'Captain of Her Soul,'" says Gabrielle, "and that comes from a quote that Marion Davies said about herself. She took charge of her own career, negotiated her own contracts, and lived her life, her way."

 

A scene from 'Show People' (1928).
 

'Show People,' directed by King Vidor, shows Davies at the height of her 1920s popularity as a screen icon. The light-hearted story follows Peggy Pepper (Marion Davies), a beauty queen from small-town Georgia who hopes to break into the movies as a dramatic actress. William Haines plays Billy Boone, lead actor at a slapstick comedy studio where Pepper lands her first opportunity.

Can a young actress yearning for drama survive the indignity of pies in the face? When her big chance finally comes, will it mean sacrificing her growing friendship with Billy? Will low comedy win out over high drama?

In pursuing those questions, 'Show People' pokes fun at Hollywood phoniness and the culture of celebrity worship that had emerged by the 1920s. 

'Show People' also offers rare behind-the-scenes glimpses of movie-making at the very end of the silent period, when studios were rushing to prepare for sound.

"They knew an era was ending, and 'Show People' is kind of a Valentine to the whole silent film experience," said Rapsis, who will accompany the screening. "It's a love letter to the movie business."

 

A scene from 'Show People' (1928).

'Show People' features cameos by dozens of major stars of the period, including Charlie Chaplin, Douglas Fairbanks, Sr., William S. Hart, and John Gilbert.

In 2003, 'Show People' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

For more information about 'Captain of Her Soul: The Life of Marion Davies' and author Marion Davies, visit www.mariondaviesbook.com.

About Lara Gabrielle: Lara Gabrielle is a biographer and researcher, whose work on Marion Davies has been featured in Alta, The San Francisco Chronicle, The Missouri Review, The Wall Street Journal, and on PBS’s American Experience. Gabrielle has spoken at film festivals and retrospectives worldwide, and is acknowledged as the leading authority on Davies’s life and legacy, serving as a consultant on Marion Davies for books, dissertations, and film projects. Gabrielle’s biography, Captain of Her Soul: The Life of Marion Davies, has been included on many top book lists for 2022. She lives in Oakland, California.

Blockbuster 'The Ten Commandments' (1923) up next on Wednesday, Sept. 20 in Ogunquit, Maine

Take two and call me in the morning: an original release posted for 'The Ten Commandments' (1923).

Thou shalt not miss it!

On Wednesday, Sept. 20, I'll accompany the original silent version of 'The Ten Commandments' (1923) at the Leavitt Theatre, 259 Main St., Ogunquit.

Showtime is 6 p.m. Lots more info in the press release below.

Abbreviated post due to prep for the upcoming 'Early Fall Four-State 'Captain of Her Soul' book-signing with author Lara Gabrielle, which runs from Sept. 21-24.

Stay tuned. And see you in Ogunquit for 'The Ten Commandments' on Wednesday evening. More info below!

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Getting ready to part some waters in 'The Ten Commandments' (1923).

MONDAY, SEPT. 11, 2023 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Original 'Ten Commandments' movie to screen at Leavitt Theatre

Silent film Biblical blockbuster to be shown on 100th anniversary with live music on Wednesday, Sept. 20

OGUNQUIT, Maine—Decades before he directed Charlton Heston as Moses, filmmaker Cecil B. DeMille's original silent version of 'The Ten Commandments' (1923) wowed audiences the world over during the early years of cinema.

DeMille's pioneering Biblical blockbuster will be screened on Wednesday, Sept. 20 at 6 p.m. at the historic Leavitt Theatre, 259 Main St., Route 1 in Ogunquit.

Admission is $12 per person. Doors open at 5 p.m.; the Leavitt's full dinner menu and bar service will be available during the program.

The screening, the latest in the Leavitt's silent film series, will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

DeMille's original 'Ten Commandments' was among the first Hollywood films to tackle stories from scripture on a grand scale. The picture was a popular hit in its original release, and served as a blueprint for DeMille's later remake in 1956.

Despite the silent original's epic scale, the Moses story takes up only about the first third of the film. After that, the tale changes to a modern-day melodrama about living by the lessons of the Commandments.

An original release poster for 'The Ten Commandments' (1923).

In the McTavish family, two brothers make opposite decisions: one, John, to follow his mother's teaching of the Ten Commandments and become a poor carpenter, and the other, Danny, to break every one of them and rise to the top. The film shows his unchecked immorality to be momentarily gainful, but ultimately disastrous.

A contrast is made between the carpenter brother and his mother. The mother reads the story of Moses and emphasizes strict obedience and fear of God. The carpenter, however, reads from the New Testament story of Jesus' healing of lepers. His emphasis is on a loving and forgiving God. The film also shows the mother's strict lawful morality to be flawed in comparison to her son's version.

The other brother becomes a corrupt contractor who builds a church with shoddy concrete, pocketing the money saved and becoming very rich. One day, his mother comes to visit him at his work site, but the walls are becoming unstable due to the shaking of heavy trucks on nearby roads. One of the walls collapses, with tragic results. This sends the brother on a downward spiral as he attempts to right his wrongs and clear his conscience.

Throughout the film, the visual motif of the tablets of the Commandments appears in the sets, with a particular Commandment appearing on them when it is relevant to the story.

'The Ten Commandments' boasts an all-star cast of 1920s performers, including Theodore Roberts as Moses; Charles de Rochefort as Rameses; Estelle Taylor as Miriam, the Sister of Moses; Edythe Chapman as Mrs. Martha McTavish; Richard Dix as John McTavish, her son; Rod La Rocque as Dan McTavish, her other son; and Leatrice Joy as Mary Leigh.

The Exodus scenes were filmed at Nipomo Dunes, near Pismo Beach, Calif., in San Luis Obispo County, which is now an archaeological site. The film location was originally chosen because its immense sand dunes provided a superficial resemblance to the Egyptian desert.

After the filming was complete, the massive sets—which included four 35-foot-tall Pharaoh statues, 21 sphinxes, and gates reaching a height of 110 feet, which were built by an army of 1,600 workers — were dynamited and buried in the sand. 

However, the burial location at Nipomo Dunes is exposed to relentless northwesterly gales year-round, and much of what was buried is now exposed to the elements, as the covering sand has been blown away.

The visual effect of keeping the walls of water apart while Moses and the Israelites walked through the Red Sea was accomplished with a slab of gelatin that was sliced in two and filmed close up as it jiggled. This shot was then combined with live-action footage of actors walking into the distance, creating a vivid illusion.

Live music is a key element of each silent film screening, said Jeff Rapsis, accompanist for the Leavitt Theatre's silent film screenings. Silent movies were not shown in silence, but were accompanied by live music made right in each theater. Most films were not released with official scores, so it was up to local musicians to provide the soundtrack, which could vary greatly from theater to theater.

"Because there's no set soundtrack for most silent films, musicians are free to create new music as they see fit, even today," Rapsis said. "In bringing a film to life, I try to create original 'movie score' music that sounds like what you might expect in a theater today, which helps bridge the gap between today's audiences and silent films that are in some cases more than 100 years old."

‘The Ten Commandments’ (1923) will be shown with live music by Jeff Rapsis on Wednesday, Sept. 20 at the historic Leavitt Theatre, 259 Main St., Route 1 in Ogunquit.

Admission is $12 per person. Doors open at 5 p.m.; the Leavitt's full dinner menu and bar service will be available during the program.

For more info, call (207) 646-3123 or visit www.leavittheatre.com. 

Coming Sunday, Sept. 17: 'Eagle of the Night,' partially lost silent aviation thriller, shown with live music in Wilton, N.H.

What does the Venus De Milo have to do with silent movies?

Like so much of cinema from the silent era, some key parts are missing!

And I think sooner or later, that's something you run into while exploring early film. 

First, remember that most films from the silent era have completely disappeared—something like 75 percent.

And of those that remain, many are missing significant footage.

Raymond Griffith's great comedy 'Paths to Paradise' (1925) is intact, but missing its final reel, or about the last 10 minutes. 

Same thing with Gloria Swanson's drama 'Sadie Thompson' (1928). 

Ditto some of the middle reels for 'Bardelys the Magnificant' (1926) starring John Gilbert. 

In each case, it would be great to have the entire picture as originally released. But we don't.

Yes, occasionally footage is found and restored. Some time ago, nearly a half-hour of footage missing form Fritz Lang's 'Metropolis' (1927) was recovered in Argentina. 

More recently, about 10 minutes worth of footage missing from circulating editions of Todd Browning's thriller 'The Unknown' (1927) was interpolated back into a version that will be released this fall.

But what about the hundreds of titles that are doomed to exist only in partial state—films with missing footage that's likely never to be recovered?

Well, we might start thinking in terms of the Venus De Milo. You could argue that the statue's missing arms prompts a viewer to imagine what they might really look like. 

And because of that—because of the need to collaborate with the sculptor to fill in what's missing—each of us imagines our own vision of perfection. And this makes the statue perhaps more perfect that it would ever be if the arms were still attached. 

Same thing with Schubert's 'Unfinished' Symphony, which contains only the first two movements out of what should have been four. It's more beautiful because of what's missing.

All of this is worth mentioning prior to a screening of 'Eagle of the Night' (1928), an aviation thriller which I'm accompanying on Sunday, Sept. 17 at 2 p.m. at the Town Hall Theatre in Wilton, N.H.

Originally released as a 10-chapter cliffhanging serial, a good chunk of the original material (including four whole chapters) has not survived.

What remains has been edited into a 110-minute movie that I'm told still holds the screen. Well, we'll find out together with we uncorked what's left of 'Eagle of the Night' this coming Sunday afternoon.

Hope to see you there! 

And I promise to bring my arms, as I need them to play the keyboard.

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Car meets plane: a scene from 'Eagle of  the Night' (1928)

MONDAY, SEPT. 11, 2023 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Rare thriller 'Eagle of the Night' (1928) to screen with live music at Town Hall Theatre

Surviving footage of 10-part silent aviation drama starring stunt pilot Frank Clarke to run on Sunday, Sept. 17

WILTON, N.H.—Like the famous Venus de Milo sculpture, it's missing some parts.

But enough survives of 'Eagle of the Night,' a 1928 silent-era aviation adventure serial, for audiences to follow the story and enjoy the multi-part thriller.

What remains of the 10-chapter saga will be shown on Sunday, Sept. 17 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

Admission is free, with a suggested donation of $10. Live music will be provided by silent film accompanist Jeff Rapsis.

The screening is part of "Not Known to be Shown," a series of early films that never played at the Wilton venue when originally released.

'Eagle of the Night' is a 1928 American drama film serial directed by James F. Fulton.

Dismissed when released and completely forgotten in the modern era, the 10-chapter aviation serial starred real-life aviator Frank Clarke, a stunt pilot whose talents were featured in better-known films of the era, including 'Wings' (1927) and 'Hell's Angels' (1930).

'Eagle of the Night' was one of the last silent film serials produced by Pathé Studios. The entire serial is not known to exist, with half of chapters 3 and 6, all of 7, 8, and 9, and the beginning of the 10th and final chapter considered lost.

The surviving footage runs about 1 hour and 50 minutes.

In 'Eagle of the Night,' unscrupulous smugglers are attempting to steal the "Magic Muffler," a device that can make an aircraft practically silent. Flying at night would make the smugglers and their forays across the border, impossible to detect.

The smugglers led by rancher Paul Murdock (Earl Metcalfe), capture the inventor, Professor Payson (Josef Swickard), holding him hostage until they get the secrets to his invention.

Unable to get Payson to make another device, the gang then kidnaps Professor Payson's daughter (Shirley Palmer) to force her father to work for them. Even faced with torture, she refuses to help the smugglers.

Secret Service Agent Frank Boyd (Frank Clarke) is called in to confront Murdock and his gang. With the Professor and his daughter on a speeding train, Frank manages to land his Curtiss "Jenny" aircraft on a flat car of the moving train, in time to effect a rescue and win the girl in the end.

The 'Not Known to be Shown' series runs through October and features obscure dramas, comedies, and adventure flicks from the silent era.

"In putting together this series, we wanted to give audiences a chance to see some rarely screened titles from the first years of motion pictures," Rapsis said.

"Also, they're all movies I've never scored before," Rapsis added. "So it's also a chance to work with 'new' material, although the films themselves are about 100 years old," Rapsis said.

Upcoming films in the Town Hall Theatre's 'Not Known to be Shown' series include:

• Sunday, Oct. 8, 2 p.m.: 'The Red Kimona' (1925). A small-town girl finds escape from her cruel home life in the arms of a handsome stranger, a situation that leads her to work as a prostitute in New Orleans.

What remains of 'Eagle of the Night' (1928), a 10-part silent adventure serial starring stunt pilot Frank Clarke, will be shown on Sunday, Sept. 17 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

Admission is free, with a suggested donation of $10. For more information, call (603) 654-3456.

Fight the French Revolution tonight in 'Scaramouche' (1923) at the Flying Monkey in Plymouth, N.H.

A scene from 'Scaramouche' (1923).

Tonight: Join me for two hours spent fighting the French Revolution! 

That's what you'll get with 'Scaramouche' (1923), a big Rex Ingram-directed swashbuckler that I've never accompanied before, but will this evening.

The show starts at 6:30 p.m. Lots more detail in the press release pasted in below.

Meanwhile, a report from this past weekend: I had a great time accompanying 'The Freshman' (1925) on Saturday night up in Brandon, Vt. (they cheered at the end!), and then 'The Fire Brigade' (1926) on Sunday at the Somerville Theatre in Somerville, Mass.

Top billing on the Somerville Theatre's marquee! 

'The Fire Brigade' was eventful in that to simulate the sound of a large fire bell being struck by a hammer (seen on-screen multiple times during the film), I borrowed a big mounted boxing bell from fellow silent film musician Ken Winokur, who happens to live not far from the Somerville Theatre.

The bell came with a little hammer for hitting it, which was attached to the base by a length of twine to keep the bell and hammer from ever separating. What could go wrong?

Well, during the film, the first time I went to strike the bell, the hammer's metal head flew off the handle (hey, is that where that expression comes from?) and landed out into the darkness somewhere in front of me.

So there went that plan! For the rest of 'The Fire Brigade,' the bell tolled for no one, for lack of a hammer. The now bell-free score, however, went fine, and afterwards I found the hammer head, reattached it to the handle, and packed the whole thing up to return to Ken via a box on his porch.

Well, the next day, Ken pinged me to ask about the hammer's little metal head, which somehow didn't make it back with the bell after all! 

So I checked and found it still in the back of my car. It had apparently fallen off (and out of the bag) during transit. 

 Well, yesterday I mailed the hammer head to Ken—but not before using it to knock some sense into my own head for this whole sorry escapade.

But that's all in the past. Let's now look ahead to the future, in the form of a 1923 film with a story set during the French Revolution. 

Wait—let me rephrase that...

*     *     *

An original lobby card promoting 'Scaramouche' (1923).

TUESDAY, AUG. 29, 2023 / FOR IMMEDIATE RELEASE
Contact: Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent swashbuckler 'Scaramouche' with live music at Flying Monkey on Wednesday, Sept. 13

Ramon Novarro stars in big budget adaptation of sprawling novel set during the French Revolution

PLYMOUTH, N.H.— It was a big story filmed on a big scale—a movie with a big budget and featuring a big star.

It was 'Scaramouche' (1923), a swashbuckler set during the French Revolution. Starring heartthrob Ramon Novarro, the picture ran into big problems during production, but went on to be one of the year's box office hits.

See for yourself with a screening of 'Scaramouche' on Wednesday, Sept. 13 at 6:30 p.m. at the Flying Monkey Moviehouse and Performance Center, 39 Main St., Plymouth, N.H.

The screening will feature live music for the movie by silent film accompanist Jeff Rapsis. General admission is $10 per person.

The show is the latest in the Flying Monkey's silent film series, which gives audiences the opportunity to experience early cinema as it was intended: on the big screen, with live music, and with an audience.

Alice Terry and Ramon Novarro in 'Scaramouche' (1923).

Based on a 1921 novel by Rafael Sabatini, 'Scaramouche' tells the story of Andre-Louis Moreau (Novarro), a young lawyer whose close friend is killed by a prominent and powerful aristocrat.

Vowing revenge, Moureau disguises himself and joins a theater troupe, where he plays the title role of Scaramouche while working to avenge his friend's untimely death.

Along the way, there are swordfights, plot twists, and scenes of French Revolution rioting staged on a massive scale. The film co-start Alice Terry and Lewis Stone.

Director Rex Ingram pioneered movie adaptations of large-scale stories, creating some of the first true Hollywood epics in the early 1920s while employed by Metro Studios, which later became part of Metro-Goldwyn-Mayer.

Prior to 'Scaramouche,' Ingram directed megahits 'Four Horsemen of the Apocalypse' (1921) starring Rudolph Valentino and 'The Prisoner of Zenda' (1922) which also featured Novarro and Stone.

'Scaramouche' was an elaborate and unwieldy production that suffered from delays and cost overruns.

Ingram had secured the rights to Sabatini's novel in September 1922, and worked on the project for seven months before the cameras rolled.

Extensive outdoor sets, representing 18th-century Paris, were built both on the Metro lot and at a separate site in the San Fernando Valley, and 1,500 extras were used.

An experimental sequence was shot in Technicolor, with the Technicolor company picking up the tab; the sequence proved unsatisfactory and was ultimately discarded.

Despite production problems and cost overruns, 'Scaramouche' went on to rank as one of the top-grossing films of 1923, earning more than $1 million at the box office—a phenomenal sum for the day.

Modern viewers find much to admire about 'Scaramouche.'

"Scaramouche is easily one of Rex Ingram’s best films," wrote reviewer Fritzi Kramer of 'Movies Silently' in 2013.

"It is big, bold and beautiful yet it never loses sight of its characters. Their hopes, dreams and hatreds work in tandem with history to drive the plot steadily onward.

"And, unlike some of Ingram’s works, it is never slow-moving. This is historical spectacle done right. You owe it to yourself to check this film out."

Accompanist Jeff Rapsis will improvise an original musical score for 'Scaramouche' live as the movie is shown, as was done during the silent film era.

"When the score gets made up on the spot, it creates a special energy that's an important part of the silent film experience," said Rapsis, who uses a digital synthesizer to recreate the texture of a full orchestra for the accompaniment.

With the Flying Monkey's screening of 'Scaramouche,' audiences will get a chance to experience silent film as it was meant to be seen—in a high quality print, on a large screen, with live music, and with an audience.

"All those elements are important parts of the silent film experience," Rapsis said. "Recreate those conditions, and the classics of early Hollywood leap back to life in ways that can still move audiences today."

‘Scaramouche’ (1923) starring Ramon Novarro will be shown with live music on Wednesday, Sept. 13 at 6:30 p.m. at the Flying Monkey Moviehouse and Performance Center, 39 Main St., Plymouth, N.H.

General admission tickets are $10 at door or in advance by calling the box office at (603) 536-2551 or online at www.flyingmonkeynh.com.

Prepare to be alarmed! 'The Fire Brigade' (1926) on Sunday, 9/10 in 35mm at Somerville Theatre

Bert Woodruff answers the call in the action/thriller 'The Fire Brigade' (1926).

It's a murky morning—perfect for indoor activities such as being part of the audience later today for a fantastic and rarely screened action thriller at the Somerville Theatre.

It's 'The Fire Brigade' (1926), a film famous among film buffs for the inclusion of its climax in Kevin Brownlow's 'Hollywood' documentary series to show how exciting silent cinema could be.

You can see for yourself today at 2 p.m., when I'll accompany a restored 35mm print of 'The Fire Brigade' at the Somerville Theatre, 55 Davis Square, Somerville, Mass.

There's a lot more info in the press release below. Me, I'm thrilled to be doing music for this new 35mm print produced by the Library of Congress and the Film Foundation, which includes restored color sequences that were a highlight of the original release prints. 

Prior to this, the film hasn't been easily available other than through archival screenings. My whole life, all I've known is the climactic scenes featured in Brownlow's documentary. So I've been very curious to see the whole film, which we'll all get to do together this afternoon.

I want to thank Ken Winokur of Psychedelic Cinema for loaning me a big mounted bell at the last minute to help out with this screening. I should have realized that any film about firefighters is bound to have a lot of bells in it.

Sure enough, previewing the film via a horrible bootleg DVD (no film should EVER be viewed this way, but you do what you have to do), bells are just about everywhere.

I have a few bells of my own, but nothing like a big clangy bell that's shown again and again in 'The Fire Brigade.' So just the other day, I pinged Ken about borrowing his mounted full-size boxing bell  (complete with miniature metal hammer), knowing that he has a gig at the same time.

Well, Ken came through. And so we'll have a full assortment of bells and whistles (literally) to help bring 'The Fire Brigade' to life for this afternoon's audience.

And that's where you come in. Really—you come into the theater and take a seat for 'The Fire Brigade.'

More info on the film and the screening below. Hope you'll answer the call this afternoon!

That way, if someone yells "Fire!" it'll be in a crowded theater.

*    *    *

Original release poster for 'The Fire Brigade' (1926). In the film Charles Ray actually saves an orphan, not May McAvoy, but this makes for a much better image.

TUESDAY, SEPT. 5, 2023 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Get alarmed! 'The Fire Brigade' (1926) to screen with live music on Sunday, Sept. 10 at Somerville Theatre

Classic silent firefighting thriller to be shown via newly created 35mm print featuring restored color sequences

SOMERVILLE, Mass.—Early on, the movies recognized the drama in firefighting.

The celebration of firefighters as brave life-saving heroes reached its peak in 'The Fire Brigade' (1926), a big-budget MGM thriller often cited as silent film story-telling at its peak.

See for yourself with a screening of a newly issued version of 'The Fire Brigade,' including restored hand-colored fire sequences, to be shown on Sunday, Sept. 10 at 2 p.m. at the Somerville Theatre, 55 Davis Square, Somerville, Mass.

The film will be shown using a 35mm print on loan from the Library of Congress, which restored 'The Fire Brigade' in 2021 in partnership with the Film Foundation.

'The Fire Brigade' will be screened with live music by Jeff Rapsis, a New Hampshire-based composer who specializes in accompanying silent films.

Charles Ray and May McAvoy in a quieter moment of 'The Fire Brigade' (1926).

MGM’s blockbuster production stars Charles Ray, playing the youngest in a long line of fearless Irish American firefighters, who falls in love with the daughter (May McAvoy) of a crooked building contractor.

The film climaxes with a spectacular sequence in which firefighters must rescue orphans from a burning building in the city's downtown.

Spectacular color effects have been restored to this rip-roaring tale of a tight knit group of firefighters who modestly bear their birthright to heroism.

Moving Picture World’s advance review declared: “The conflagration scene is the most stupendous from the standpoint of realism and proportion that has ever been incorporated in a feature production.”

'The Fire Brigade' enjoys legendary status among film buffs due to its prominent inclusion in film historian Kevin Brownlow's 1980 'Hollywood' documentary series about the silent film era.

"For its professionalism alone it deserves a place in the canon," wrote Brownlow, introducing a screening of the restored version in 2021. "And it wasn’t lurid melodrama; it had an intelligent, socially conscious storyline involving municipal corruption."

To demonstrate silent film at its peak, Brownlow first showed a primitive early film of firefighting, then cut directly to the climax of 'The Fire Brigade.'

"Yes, it was an outrageous thing to do, but I’ll guarantee that that sequence with Charles Ray rescuing a baby from an inferno won us an audience—instantly," Brownlow wrote.

The appearance of both two-color Technicolor, plus a new color process invented by Max Handschiegl for the climactic fire scenes, stunned the film's original audiences.

Trade journals of the day recognized 'The Fire Brigade' as a movie with one aim: to dazzle movie-goers with on-screen spectacle.

A scene from 'The Fire Brigade' (1926).

Variety called the film “an out-and-out hokum thriller of the type mass audiences eat up”; while Photoplay fully endorsed it: “hokum is a quality that cheats you … This film doesn’t cheat. The thrills in it are not only tremendously exciting, but real.”

To drum up publicity for 'The Fire Brigade,' MGM studio boss Louis B. Mayer pledged to contribute 25 percent of the movie's profits to a college for the training of firefighters.

In reviving 'The Fire Brigade' and other vintage films, the Somerville Theatre aims to show silent film as it was meant to be seen—in restored prints, on a large screen, with live music, and with an audience.

"All those elements are important parts of the silent film experience," said Jeff Rapsis, who will accompany the film. "Recreate those conditions, and classics of early Hollywood leap back to life in ways that audiences still find entertaining."

Rapsis performs on a digital synthesizer that reproduces the texture of the full orchestra, creating a traditional "movie score" sound. He improvises the complete score in real time during the screening.

"Creating a movie score on the fly is kind of a high-wire act, but it can often make for more excitement than if everything is planned out in advance," Rapsis said.

The Somerville Theatre's ongoing 'Silents, Please!' schedule features a broad range of titles, from well-known classics to obscure films rarely seen since their release, which in some cases was more than a century ago.

All films in the series are shown using 35mm prints, with most on loan from the U.S. Library of Congress.

A roster of upcoming films in the 'Silents, Please!' series includes:

• Sunday, Sept. 24, 2023, 2 p.m.: 'Show People' (1928) starring Marion Davies, William Haines. Comedy about a would-be film actress (Davies) who can only find work at studio producing low-budget comedies. Screening plus Q & A and book-signing with Lara Gabrielle, author of 'Captain of Her Soul: The Life of Marion Davies'

• Sunday, Nov. 12, 2023, 2 p.m.: 'The Big Parade' (1925) starring John Gilbert, Renée Adoree. We salute Veterans Day with this sweeping saga about U.S. doughboys signing up and shipping off to France in 1917, where they face experiences that will change their lives forever—if they return. MGM blockbuster directed by King Vidor; one of the biggest box office triumphs of the silent era.

'The Fire Brigade' (1926) will be shown on Sunday, Sept. 10 at 2 p.m. at the Somerville Theatre, 55 Davis Square, Somerville, Mass. The film will be shown in 35mm with live music.

Admission $16 per person; seniors/children $12. For more information and to purchase tickets, visit www.somervilletheatre.com or call the box office at (617) 625-5700.

With that admission price, a poster for what was probably a special "road show" screening of 'The Fire Brigade' with full orchestra.

This weekend, it's 'The Freshman' in Vermont, then 'The Fire Brigade' in Somerville, Mass.

Harold Lloyd hangs on in 'The Freshman' (1925).

Football season! What better time to uncork 'The Freshman' (1925)?

Harold Lloyd's comedy about college football was his top-grossing film up to that time, and one of the major hits of the entire silent era.

We'll be screening it (and I'll be accompanying it) on Saturday, Sept. 9 at Brandon Town Hall in Brandon, Vt.

Showtime is 7 p.m. More details in the press release below.

Also this weekend: a screening of 'The Fire Brigade' (1926), an MGM thriller that I'll be accompanying on Sunday, Sept. 10 at 2 p.m. at the Somerville Theatre, 55 Davis Square, Somerville, Mass. (More about that in a future post.)

I have a fondness for 'The Freshman' that predates my time as a silent film accompanist.

In 1993, at the time of Harold's 100th birthday, celebrations included a major retrospective at the Film Forum in New York City. (Yikes! I wasn't yet 30 years old!)

We were hosting a visitor from Russia at the time. It was his first trip ever outside what until recently had been the Soviet Union. We were visiting New York at the time the Lloyd films were running. 

Hey, what more American thing to do than to bring a Russian guy to a Harold Lloyd film?

And so we did. It happened to be 'The Freshman' (1925), with piano accompaniment by the Film Forum's longtime accompanist Steve Sterner.

I knew it would be fun. But I wasn't prepared for how 'The Freshman' absolutely took over the theater. Once the film got going, the laughs built fast until—well, it became one of the three greatest audience experiences I've ever been a part of.

(The other two: a screening of 'Duck Soup' (1933) at the old Metro on New York's upper West Side back when I was at Fordham, and then later the stage musical version of 'The Producers' in London.)

Will Saturday's screening of 'The Freshman' produce the same result? Only one way to find out—come join us and be a part of the experience.

Press release below. See you in Brandon!

*   *   *

Harold Lloyd and Jobyna Ralston in 'The Freshman' (1925).

TUESDAY, AUG. 22, 2023 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent film classic 'The Freshman' on Saturday, Sept. 9 at Town Hall in Brandon, Vt.

Celebrate football season with Harold Lloyd's comic masterpiece about college life, with live music

BRANDON, Vt.—What happens when a first-year student's dreams of college collide with the realities of campus life?

The result is Harold Lloyd in 'The Freshman' (1925), one of the most popular comedies of the silent film era. Filled with classic scenes and a great story, 'The Freshman' endures as one of Lloyd's most crowd-pleasing movies.

See for yourself with a screening of 'The Freshman' (1925) on Sept. 9; kick-off time is 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt.

All are welcome to this family-friendly movie. Admission is free, with free will donations accepted in support of ongoing Town Hall renovations.

The screening, the latest in the venue's silent film series, will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

"Put the whole experience back together, and you can see why people first fell in love with the movies," Rapsis said.

'The Freshman,' the most successful film of Lloyd's career, was an enormous box office smash. Its release sparked a craze for college films that lasted well beyond the 1920s, and even a popular hit song, the collegiate fox trot "Freshie."

The story follows Lloyd, small town newbie, to Tate College, where he hopes to achieve fame as Big Man on Campus. Instead, his quest to win popularity becomes a humiliating college-wide joke, with Harold getting tricked by upperclassmen into hosting the school's annual "Fall Frolic" at his own expense.

Realizing he's an outcast, Lloyd decides he can make his mark on the college football team, where he holds the lowly position of waterboy and serves as tackling dummy. On the day of the Big Game, can the bespectacled "freshie" somehow save the day and bring gridiron glory to dear old Tate?

For football fans, the film's climactic game sequence was shot on the field at the actual Rose Bowl in 1924. The crowd scenes were shot at halftime at California Memorial Stadium during the November 1924 "Big Game" between UC Berkeley and Stanford University. Other exterior scenes were filmed near the USC campus in Los Angeles.

Beyond its comic appeal, 'The Freshman' today has acquired an additional layer of interest in its depiction of college life in the 1920s—a time of raccoon coats, ukeleles, and many other long-gone fads and fashions.

"It was long before television, the Internet, cellphones, or Facebook," said Rapsis. "To us today, it looks like college on another planet, which I think adds to the appeal of a film like 'The Freshman.' "

"But at its core, 'The Freshman' is still a great story about people, and that's why it remains such an entertaining experience today, especially when shown as Lloyd intended it," Rapsis said.

In 1990, 'The Freshman' was selected for preservation in the U.S. National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant," named in only the second year of voting and one of the first 50 films to receive such an honor.

Lloyd, along with Charlie Chaplin and Buster Keaton, is recognized as one of the silent screen's three great clowns. Lloyd's character, a young go-getter ready to struggle to win the day, proved hugely popular in the 1920s. While Chaplin and Keaton were always critical favorites, Lloyd's films reigned as the top-grossing comedies throughout the period.

Despite the passage of time, audiences continue to respond just as strongly as when the films were new, with features such as 'The Freshman' embraced as timeless achievements from the golden era of silent film comedy.

Critics review 'The Freshman':

"Regarded as the quintessential Harold Lloyd vehicle.”
—TV Guide

"Gag for gag, Lloyd was the funniest screen comic of his time. Passionately recommended. "
—Dave Kehr, Chicago Reader

The screening of 'The Freshman' is sponsored by local residents Frank Mazza and Linda Zaragoza; Kathy and Wayne Rausenberger; and Edward Loedding and Dorothy Leysath.

Upcoming programs in the Brandon Town Hall's silent film series include:

• Saturday, Oct. 7, 7 p.m.: 'My Best Girl' (1927) starring Mary Pickford, Charles 'Buddy' Rogers. In a big city department store, romance blossoms between a humble stockroom clerk and the store owner's son—who is already engaged! A sparkling “rich man, poor girl” romantic comedy from 1927 starring screen icon Mary Pickford and Charles 'Buddy Rogers,' her future real-life husband. Sponsored by Harold and Jean Somerset; Fyles Brothers, Inc.; and Jeanette Devino.

• Friday, Oct. 27, 7 p.m.: 'The Cat and the Canary' (1927). Can a group of distant relatives survive the night in a haunted house to learn the secret of a madman's will? Find out in the original Gothic thriller from silent film director Paul Leni. Just in time for Halloween, a movie filled with deep shadows, dark secrets, and a surprisingly timeless mix of humor and horror that will keep you guessing. Sponsored by Pam and Steve Douglass.

• Saturday, Nov. 11, 7 p.m.: 'The Big Parade' (1925) starring John Gilbert. We salute Veterans Day with this sweeping saga about U.S. doughboys signing up and shipping off to France in 1917, where they face experiences that will change their lives forever—if they return. MGM blockbuster directed by King Vidor; one of the biggest box office triumphs of the silent era. Sponsored by Donald and Dolores Furnari; Jeanette Devino; and Lorrie Byrom.

Head back to school with ‘The Freshman’ (1925), to be shown with live music by Jeff Rapsis on Saturday, Sept. 9 at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt.

Admission is free, with free will donations accepted in support of ongoing Town Hall renovations. For more info, visit www.brandontownhall.com.

Harold Lloyd and Jobyna Ralston in 'The Freshman' (1925).

Up next: Harry Houdini silent film at historic Leavitt Theatre on Wednesday, Sept. 6

Harry Houdini gives a restrained performance in 'Haldane of the Secret Service' (1923).

It's a different kind of 'escape-ism.'

On Wednesday, Sept. 6, I'll do live music for 'Haldane of the Secret Service' (1923), a silent adventure thriller starring none other than legendary illusionist Harry Houdini.

Showtime is at 6 p.m. Lots more info in the press release below.

First, let me report on "opening night" of this season's silent film series at the Garden Cinemas of Greenfield, Mass., which took place on Monday, Sept. 4.

About 60 people turned out to catch Buster Keaton in 'Our Hospitality' (1923), which the theater screened to celebrate the 100th anniversary of its original release.

We didn't have a cake, but we did have a lot of first-time Keaton fans who responded warmly to Buster's comedy/drama set in the 1830s. 

The Garden Cinema's "First Monday Silent Film Series" runs through December. And there's no lack of promotion, especially in the theater, where seemingly every whiteboard or changeable sign has been commandeered in support.

That includes hand-written message boards outside the theater, too:

And it's nice to see Buster's title on the inside marquee for Screen #1:

Hope we get an equally healthy turnout for our next outing, which is the John Barrymore version of 'Dr. Jekyll & Mr. Hyde (1920) on Monday, Oct. 2. 

For now, here's the press release for Harry Houdini in 'Haldane of the Secret Service' (1923), which I'm accompanying on Wednesday, Sept. 6 at the Leavitt Theatre in Ogunquit, Maine. 

Hope to see you there!

*    *    *

Original promotional art for Harry Houdini in 'Haldane of the Secret Service' (1923).

TUESDAY, AUG. 22, 2023 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Rare Houdini film 'Haldane of the the Secret Service' at Leavitt Theatre on Wednesday, Sept. 6

Legendary 'Handcuff King' escape artist returns to the big screen with live music in stunt-filled early silent adventure movie

OGUNQUIT, Maine—He reigned for decades as the legendary "Handcuff King," famous for daring and impossible escapes staged around the world.

But Harry Houdini also had a brief movie career, starring in a series of silent adventure films that showed off his athletic prowess and his talent for illusion, stunts, and escape.

See Houdini back on the big screen in 'Haldane of the Secret Service' (1923), one of his few surviving feature films.

The film will be shown on Wednesday, Sept. 6 at 6 p.m. at the historic Leavitt Theatre, 259 Main St., Route 1 in Ogunquit.

Admission is $12 per person. Doors open at 5 p.m.; the Leavitt's full dinner menu and bar service will be available during the program.

The rarely screened film will be shown with live musical accompaniment by Jeff Rapsis, a New Hampshire-based performer regarded as one of the nation's leading silent film musicians.

Houdini made only a handful of movies in the 1910s and 1920s, and much of his film work is lost.

But enough escaped oblivion to provide a glimpse of the world-renowned escape artist at the peak of his worldwide fame.

In 'Haldane of the Secret Service,' U.S. Government agent Heath Haldane is determined to bring to justice the mysterious Dr. Yu, all-powerful head of the Chinese underworld

Dr. Yu is suspected of international counterfeiting, narcotics smuggling, and the murder of Haldane's father.

Haldane soon encounters the beautiful Adele Ormsby, whose family might be connected to Yu's criminal activities.

The pursuit of justice then takes the story from New York to Scotland, London, and Paris.

Time and again, the bad guys trap Haldane in ropes, chains and strongboxes. Each time, our hero wriggles out of his predicaments with the skill of—well, Harry Houdini.

Our hero disguised, apparently, as Harold Lloyd—although without the glasses.

Although Houdini's films were well-received, he eventually abandoned his movie career, preferring to perform in front of live audiences.

Houdini, born Erik Weisz, was a Hungarian-born, American-Jewish illusionist and stunt performer noted for his sensational escape acts.

He first attracted notice in vaudeville in the U.S. and then as "Harry Handcuff Houdini" on a tour of Europe, where he challenged police forces to keep him locked up.

Soon he extended his repertoire to include chains, ropes slung from skyscrapers, straitjackets under water, and having to escape from and hold his breath inside a sealed milk can with water in it.

In 1904, thousands watched as he tried to escape from special handcuffs commissioned by London's Daily Mirror, keeping them in suspense for an hour.

Another stunt saw him buried alive and only just able to claw himself to the surface, emerging in a state of near-breakdown.

In 1913, Houdini introduced the Chinese Water Torture Cell, in which he was suspended upside-down in a locked glass-and-steel cabinet filled with water, holding his breath for more than three minutes. He would go on performing this escape for the rest of his life.

Houdini died prematurely in 1926, at age 52, of peritonitis following a burst appendix that may have been caused by blows received to the abdomen by a visitor backstage at a performance in Montreal.

Following his death, Houdini's reputation as a legendary performer continued to make his name a household world in the decades that followed.

Although not well known as a film actor, Houdini's work in motion pictures was not forgotten. In a posthumous ceremony on Oct. 31, 1975, Houdini was given a star on the Hollywood Walk of Fame at 7001 Hollywood Blvd.

This season's Leavitt Theatre silent film schedule features movies all celebrating their 100th anniversaries. Upcoming shows include:

• Wednesday, Sept. 20 at 6 p.m.: 'The Ten Commandments' (1923). Long before Charlton Heston played Moses in Technicolor, director Cecil B. DeMille filmed this silent blockbuster in black and white, and on a grand scale.

"These films are audience favorites, and people continue to be surprised at how engrossing and exhilarating they can be when shown as they were intended: in a theater, and with live music," said Rapsis, who accompanies more than 100 screenings each year at venues around the nation.

Rapsis improvises live scores for silent films using a digital synthesizer to recreate the texture of the full orchestra.

"It's kind of a high wire act," Rapsis said. "But for me, the energy of live performance is an essential part of the silent film experience."

Harry Houdini in 'Haldane of the Secret Service' (1923) will be shown with live music on Wednesday, Sept. 6 at the historic Leavitt Theatre, 259 Main St., Route 1 in Ogunquit.

Admission is $12 per person. Doors open at 5 p.m.; the Leavitt's full dinner menu and bar service will be available during the program.

For more info, call (207) 646-3123 or visit www.leavittheatre.com.