Never mind the Apollo astronauts. I've been to the moon no less than four times in the last 10 days!
Take that, Richard Branson and Elon Musk and Jeff Bezos and all you other billionaire wannabees!
And I make my final voyage tonight, when the Regent Theatre in Arlington, Mass. screens Fritz Lang's epic moon journey pic, 'Woman in the Moon' (1929) at 7 p.m.
Details are in the press release below.
Yes, it's the fourth time I've blasted off for the moon since earlier this month: Saturday, July 13 in Brandon, Vt.; Wednesday, July 17 in Ogunquit, Maine; Thursday, July 18 in Concord, N.H., and now tonight in Ahh-lington, Mass.
That's a lot of space travel. Wish I got frequent flier credit for all these journeys.
Lots more coming up but wanted to make sure: your last chance to travel with me to the lunar surface (until anyone asks me to accompany 'Woman in the Moon' again) is tonight at the Regent in Arlington.
See you there! We blast off at 7 p.m.
THURSDAY, JULY 15, 2019 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com
Regent Theatre to mark Apollo 11 anniversary with vintage lunar voyage masterpiece
'Woman in the Moon,' early sci-fi fantasy about mankind's first space mission, to be screened Wednesday, July 24 with live musicARLINGTON, Mass.—A sci-fi adventure hailed as the first feature film to depict realistic space travel will be screened this month at the Regent Theatre in honor of the 50th anniversary of Apollo 11.
'Woman in the Moon' (1929), directed by German filmmaker Fritz Lang ('Metropolis,' 1927), will be shown with live music on Wednesday, July 24 at 7 p.m. at the Regent Theatre, 7 Medford St., Arlington, Mass.
The screening is open to the public. Admission is $10 per person in advance, or $12 on day of show. Tickets may be booked online at www.regenttheatre.com.
"We felt it was worth marking this important milestone by sampling visions of space travel before the Apollo program put mankind on the moon," said Leland Stein of the Regent Theatre. "And what better way to do that was to go back to the silent era and 'Woman in the Moon,' an epic fantasy about the German space program that never happened."
The rarely seen full-length version of 'Woman in the Moon' follows an intrepid band of space pioneers as they attempt mankind's first voyage to the lunar surface, where they hope to find large deposits of gold.
The film, made with German rocket experts as technical advisers, anticipated many of the techniques used by NASA for the Apollo moon launch program 40 years later. For example, a multi-stage rocket is employed to escape Earth's gravity, and a separate capsule is used to reach the lunar surface.
The film is also noted for introducing the idea of a dramatic "countdown" prior to launch, which later became standard procedure in actual space flight. Critics regard the film's extended launch sequence as a masterpiece of editing and dramatic tension.
But 'Woman in the Moon,' with its melodramatic plot, also stands as the forerunner of many sci-fi soap opera elements that quickly became clichés: the brilliant but misunderstood professor; a love triangle involving a female scientist and her two male crewmates; a plucky young boy who yearns to join the expedition; fistfights and gunfire and treachery on the lunar surface.
Added to the mix is a vision of the moon (created entirely on a massive studio set in Berlin, Germany) that features a breathable atmosphere, giant sand dunes, distant mountain peaks, and bubbling mud pits.
The film's showing at the Regent coincides with the 50th anniversary to the day (July 24) that Apollo 11 astronauts Neil Armstrong, Buzz Aldrin, and Michael Collins splashed down after their successful voyage to the moon. It's also the 90th anniversary of the original theatrical release of 'Woman in the Moon.'
"This is a great and at-times bizarre film, one that must be seen to be believed," said Jeff Rapsis, a New Hampshire-based silent film accompanist who will create live music for the Regent's screening. "It's as entertaining as any spy-thriller. And as a past vision of a future that didn't quite come to be, it really gets you thinking of time and how we perceive it."
Rapsis will improvise live musical accompaniment during the screening, using a digital synthesizer to recreate the sound of a full orchestra and other more exotic textures.
'Woman in the Moon,' a full-length feature than runs more than 2½ hours, should not be confused with the much earlier film 'A Trip to Moon,' a primitive "trick" short movie made by French filmmaker George Méliès in 1902 and famous for the image of a space capsule hitting the eye of an imaginary moon man.
"Unlike the Méliès film, there's nothing primitive about 'Woman in the Moon,' " Rapsis said. "It's silent film story-telling at the peak of its eloquence, with lively performances, imaginative camera angles, and superb photography."
Director Fritz Lang, responsible for the groundbreaking sci-fi epic 'Metropolis' (1927), planned 'Woman in the Moon' as another step in his quest to stretch cinema's visual, story-telling, and imaginative capabilities.
Bad timing is one reason that 'Woman in the Moon' (titled 'Frau im Mond' in German) is not as well known today as 'Metropolis,' its legendary predecessor. Lang completed 'Woman in the Moon' just as the silent film era was coming to a close.
As one of the last silent films of German cinema, 'Woman in the Moon' was unable to compete with new talking pictures then in theaters, making it a box office flop at its premiere in October, 1929.
However, German rocket scientist Hermann Oberth worked as an adviser on the movie, and it developed cult status among the rocket scientists in Wernher von Braun's circle starting in the 1930s. During World War II, the first successfully launched V-2 rocket at the German rocket facility in Peenemünde had the "Woman in the Moon" logo painted on its base.
During the war, the Nazis tried to recall and destroy all prints of 'Woman in the Moon' due to its detailed depiction of state-of-the-art rocket propulsion technology; in later years, this served to make the film even more hard to find. For many years, the film was available only in cut-down 16mm versions that ran as short as one hour.
But pristine and complete 35mm copies of 'Woman in the Moon' did survive in several European archives. Today, restored prints are amazingly clear and sharp, Rapsis said.
" 'Woman in the Moon' is technically one of the best-looking silent films I've ever seen," he said. "If you think all silent films are grainy and scratchy-looking, 'Woman in the Moon' will change your mind. It's like an Ansel Adams photograph come to life."
"Although 'Woman in the Moon' is available for home viewing, this is a motion picture that should be experienced as intended: on the big screen, with live music, and with an audience," Rapsis said. "There's nothing like it."
‘Woman in the Moon’ will be shown with live music on Wednesday, July 24 at 7 p.m. at the Regent Theatre, 7 Medford St., Arlington, Mass. The screening is open to the public. Admission is $10 per person in advance, or $12 on day of show. Tickets may be booked online at www.regenttheatre.com.
For more info on the music, visit www.jeffrapsis.com.
No comments:
Post a Comment