It's silent film aerobics. Three more! Two more! One more!
That's the feeling you get when accompanying nine separate feature films in six days.
Physically, it's not that demanding. I'm basically sitting and moving my fingers.
But mentally, it can be taxing. You're concentrating sometimes for hours without a break, again and again.
The trick, I think, is to pace yourself—take the films one a time, do the best you can with each, and always keep something in reserve.
It's like a 10-round boxing match. If you're in Round 7, you don't think about Round 10. You need to stay in the moment, or you'll get in trouble.
One odd effect of accumulated screenings is that the "silent film accompaniment" instinct sometimes keeps going even after a film has ended.
I find myself opening the car door and thinking "okay, F minor chord here."
It's like the old gag in which a punch-drunk boxer responds to any bell-like sound by instinctively going into a crouch and coming out swinging.
Well, the bout continues—in fact, it's actually heading toward something of a climax, this being the actual day of Halloween itself.
Today's action include a round with Lon Chaney in 'Where East is East' (1929), the actor's final collaboration with director Tod Browning. The bell rings at 2 p.m. at the Town Hall Theatre in Wilton, N.H.
Then I head down to Somerville, Mass. this evening to create a live score for a 35mm print of 'Dracula' (1931)—another Browning film, but this one a talkie, with Bela Lugosi in the lead role.
It's my first time back at the Somerville since accompanying a Rin Tin Tin double feature on March 15, 2020, the day before the venue shut down due to the pandemic.
I've never done music for the talking Dracula, but I think I have some good stuff ready. My aim is to bob and weave with the movie, to find opportunities where music can augment the movie without getting its way. We'll see how it all comes together this evening.
And I'll try to avoid getting too punchy in the process. Once the film starts, it's like the bell rings, and you must stay focused and in the moment to go the distance.
Or maybe it's a little of both.
Either way, see you at 2 p.m. in Wilton for Chaney is 'Where East is East' and then this evening in Somerville for 'Dracula' at 7 p.m.
More details in the press release below:
* * *
Halloween special: Lugosi's 'Dracula' on big screen in 35mm with new live score
Horror classic to be shown at the Somerville Theatre on Sunday, Oct. 31 for one screening only
SOMERVILLE, Mass. — Do you dare spend Halloween braving 'Dracula' on the big screen?
That's the question at the Somerville Theatre, where the classic 1931 version of 'Dracula' will run for one showing only on Sunday, Oct. 31.
The movie, starring Bela Lugosi in the title role, will be shown using a 35mm film print from Universal Studios, which released the early horror classic in 1931.
Showtime is 7:30 p.m. General admission tickets are $15, with senior/student discounts. Tickets are available online at somervilletheatre.com or at the box office.
The screening will feature live music by Jeff Rapsis, the Somerville Theatre's silent film accompanist.
Although 'Dracula' is a talking picture, it was released with virtually no musical score, a common practice during the transition period from silent to sound pictures.
Rapsis will perform original music live during the screening using a digital keyboard to recreate the texture of a full orchestra.
Directed by Tod Browning, 'Dracula' was a
sensational box office success and has mesmerized movie audiences ever
since with its eerie visuals and Lugosi's iconic performance.
The
story opens in far-off Transylvania, where mysterious Count Dracula
hypnotizes a British soldier, Renfield (Dwight Frye), into becoming his
mindless slave.
Dracula then travels to England and takes up
residence in an old castle. Soon the Count begins to wreak havoc,
sucking the blood of young women and turning them into vampires.
When
he sets his sights on Mina (Helen Chandler), the daughter of a
prominent doctor, vampire-hunter Van Helsing (Edward Van Sloan) is
enlisted to put a stop to Dracula's never-ending bloodlust.
Located
in Davis Square, the Somerville Theatre is one of the few first-run
venues in the region committed to preserving the ability to screen
movies using 35mm film prints.
"We feel it's important to show
films on actual film when possible, the way classic movies were intended
to be shown," said Ian Judge, creative director of the Somerville
Theatre.
The Somerville recently reopened after a 17-month
hiatus for the pandemic, during which significant renovations were made
to the 1914 theater.
The Halloween screening of 'Dracula' will
include live music by Jeff Rapsis, a local composer and performer who
specializes in creating accompaniment for silent films.
'Dracula'
was released when Hollywood and movie theatres were still undergoing
the transition from the silent era to pictures with synchronized sound
and dialogue.
During the silent era, studios did not produce
official scores for most films. Instead, accompaniment was left up to
local musicians, and could vary greatly from one moviehouse to another.
When
studios converted to talking pictures, the tradition of recording a
musical score was not well established. In the case of 'Dracula,'
Universal omitted music in part to save production costs.
As a result, after the opening credits, the 1931 'Dracula' contains no music except for a brief scene in an opera house.
In
recent decades, composers have experimented with creating original
music for the movie—most notably Philip Glass, who composed a score in
1998 for the Kronos string quartet.
Rapsis sees 'Dracula' as closely linked to the silent-era tradition of films shown with live music.
"Tod
Browning was a prolific director of silent films, including many
thrillers that anticipate 'Dracula,' " Rapsis said. "So even though
'Dracula' is a talking picture, Browning's filmmaking style is strongly
rooted in the silent era, when it was assumed that local musicians would
be important collaborators in a picture's effect on an audience."
Unlike
the Glass score, which plays almost continuously during the movie,
Rapsis will use music only in certain places where he feels it will
either enhance the mood, heighten tension, or signify a change in the
emotional line of the story.
Although 'Dracula' is not a silent
film, there are definitely places where the silence speaks volumes and
remains very effective," Rapsis said. "I hope to leave those intact, but
enrich other parts of the film in the way that only music can."
Rapsis works largely by improvising as a film plays in the theater, in the tradition of theatre organists of the 1920s.
"There's something very special about the in-the-moment energy of a live improvised performance," Rapsis said. "It's never the same, and at its best it really can help a film connect with an audience and make the whole experience come together."
The original 'Dracula' (1931) starring Bela Lugosi will be shown in 35mm and with live music for one screening only on Halloween night, Sunday, Oct. 31 at 7:30 p.m. at the Somerville Theatre, 55 Davis Square, Somerville, Mass.
Tickets are $15 per person, with discounts for students and seniors. For more info, call the theater at (617) 625-5700 or visit www.somervilletheatre.com.
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