Raymond who?
He's the other Griffith—not director D.W., but the big screen's "Silk Hat" comedian.
He's Raymond Griffith, who rose to major comic stardom in the 1920s but is now entirely forgotten.
Well, except for this weekend.
On Sunday, Nov. 28, I'll accompany what are generally regarded as Griffith's best surviving features: 'Paths to Paradise' (1925) and 'Hands Up!' (1926).
The double feature starts at 2 p.m. at the Town Hall Theatre, Wilton, N.H. More details about screening are in the press release below.
One reason Griffith isn't better known is that a good portion of his output is lost.
And even the films we have aren't complete. 'Paths to Paradise,' for example, is missing its final reel, making it a sort of "Venus de Milo" of silent film comedies.
But the good news is that the films plays fine without the reel.
And there's more good news: Griffith's sly character holds up well. Modern audiences almost instantly "get" Griffith, with the laughs following.
So happy Turkey Day and see you at the movies Sunday afternoon. More info in the press release below:
* * *
MONDAY, NOV. 22, 2021 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com
Films of forgotten silent comedian to screen at Town Hall Theatre on Sunday, Nov. 28
Double
feature with live music resurrects work of Raymond Griffith, neglected
star of early cinema who had a Granite State connection
WILTON, N.H.—He was a silent film actor who really couldn't talk, thanks to a childhood vocal injury.
He
was Raymond Griffith, the "Silk Hat" comedian, whose film star
popularity in the 1920s rivaled that of Charlie Chaplin and Buster
Keaton.
But when talkies arrived in 1929, Griffith's lack of a speaking voice prompted an
abrupt end to his on-screen career. Most of
his starring silent films have since disappeared, causing Griffith to
be virtually unknown today.
But the elegantly dressed comic, who
as a youngster attended St. Anselm Prep School in Goffstown, N.H., will
return to the cinematic spotlight once again with a double
feature of two of his surviving works.
The screening is free and open to the public; a donation of $10 per person is suggested to support the Town Hall Theatre's silent film programming.
"Griffith's character was that of a worldly, shrewd, and quick-thinking gentleman, usually dressed in a top hat and a cape, who enjoyed outwitting con artists and crooks at their own game," said Jeff Rapsis, a New Hampshire-based silent film musician who will improvise scores for both films.
"It turns out he was very different from Chaplin or Keaton, and so were his films—they seem a bit more cynical and so perhaps more modern. But we've shown them before and they hold up well with a live audience today."
'Paths to Paradise' (1925) stars Griffith as a polished con man who competes with a feisty female jewel thief to steal a heavily guarded diamond necklace. The film finishes with a wild car chase through the California desert.
Unfortunately, all existing prints of 'Paths to Paradise' are missing the final 10 minutes, but the film ends at a point that completes the plot and provides a satisfying finish.
Raymond Griffith dances in 'Hands Up,' in one of the funniest scenes in all silent comedy. Come and find out why!
'Hands Up!' (1926) features
Griffith as a Confederate spy during the Civil War whose mission is to
prevent a shipment of gold from reaching Northern forces. The film
survives complete, and is considered by most critics to be Griffith's
masterpiece.
Both films were produced and released by Paramount
Pictures, where Griffith was under contract in the 1920s as one of the
studio's leading stars.
"These films were designed to be seen in
theaters by large audiences, not on a small television screen by people
sitting at home," said Rapsis, who provides music for the Town Hall
Theatre's silent film series.
Born in Boston in 1895, Griffith
injured his vocal cords at an early age, rendering him unable to speak
above the level of a hoarse whisper.
After appearing in circuses
and attending at least one year (1905-06) at St. Anselm Preparatory
School in Goffstown, N.H., he went on to serve in the U.S. Navy prior to
World War I and in 1915 wound up in Hollywood, where the movie business
was already booming.
Early on, Griffith worked at Mack Sennett's
Keystone studio, where he developed a reputation as an excellent actor
and a superb comedy writer and director. He eventually gravitated to
behind-the-camera duties, serving as Sennett's right-hand man for a
time.
He eventually moved to Paramount studios in the early 1920s, where he began to appear again in on-camera roles.
Griffith's mastery of character parts prompted Paramount to star him in his own movies starting in 1924. In the next few years, he completed a dozen feature films, most of which today are lost due to neglect or improper storage.
Following the arrival of sound pictures in 1929, Griffith's lack of a speaking voice forced a return to behind-the-camera work, with one notable exception: he played a non-talking role as a dying French soldier in Lewis Milestone's World War I classic 'All Quiet on the Western Front,' (1930) which won that year's Academy Award for Best Picture.
As a producer, Griffith's work included the classic family film 'Heidi' (1937) and 'The Mark of Zorro' (1940). He retired in 1940, and died in 1957 at age 62 after choking at a Los Angeles restaurant.
"Though he's not as well known today as Charlie Chaplin, Raymond Griffith was doing some really good work during the peak of his career," Rapsis said. "It's great that the public will get a chance to appreciate the two wonderful Griffith films as part of the Flying Monkey's series."
'Paths to Paradise' and 'Hands Up' will be shown on Sunday, Nov. 28 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.
The screening is free and open to the public; a donation of $10 per person is suggested to support the Town Hall Theatre's silent film programming.
For more information, visit www.wiltontownhalltheatre.com or call (603) 654-3456.
Review of 'Hands Up!':
"This
is one buried treasure that deserves a wider audience. Griffith is
thoroughly ingratiating; it's a pity that so many of his movies have
disappeared and the survivors are so seldom revived."
—Amazon.com
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