A 10-minute 'Christmas Carol'? Early holiday silent films with live music on Sunday, Dec. 14 at Town Hall Theatre in Wilton, N.H.

A scene from Thomas Edison's early version of 'A Christmas Carol' (1910), which runs all of 10 minutes.

Alas, there's no silent film equivalent of 'It's a Wonderful Life' (1946), the Christmastime classic starring Jimmy Stewart and directed by Frank Capra.

But there are some films from a century ago that make use of the holiday setting to good effect. 

For comedy, there's Charley Chase in 'There Ain't No Santa Claus' (1926), or Laurel & Hardy trying to sell Christmas trees door to door in 'Big Business' (1929).

For drama, there's Tod Browning's 'The Unholy Three' (1925), an extremely twisted Lon Chaney crime thriller made all the more twisted by taking place at Christmas.

On Sunday, Dec. 14 at 2 p.m. at the Town Hall Theatre in Wilton, N.H., we'll take a peek at a selection of holiday-themed films from the silent era to see what people were watching before 'Rudolph the Red-Nosed Reindeer' mesmerized us all starting in 1964.

Call it a program of "B.R." cinema. (That's "Before Rudolph.") And yes, it includes such oddities as early short versions of 'A Christmas Carol' and 'Twas the Night Before Christmas,' as well as a Mary Pickford drama with a heart-warming holiday ending.

It's a great way to take a break from the hectic holiday season and look at things a little differently. More info in the press release below. In the meantime, Merry Christmas and happy holidays to all, and to all a good silent night!

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Mary Pickford stars in 'Tess of the Storm Country' (1922).

MONDAY, DEC. 1, 2025 / FOR IMMEDIATE RELEASE
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'Christmas Past' silent film program at Town Hall Theatre on Sunday, Dec. 14

Celebrate the season with family-friendly holiday classics from a century ago, brought to life with live musical accompaniment

WILTON, N.H.—What did people watch before special holiday TV programs such as "Rudolph the Red-Nosed Reindeer" and "A Charlie Brown Christmas" made their debut in the 1960s?

See for yourself with a special program of holiday classics from way back during the silent film era, all accompanied by live music.

Included will be the first-ever film versions of such popular tales as 'A Christmas Carol' by Charles Dickens and 'Twas the Night Before Christmas,' the poem by Clement C. Moore; each are more than a century old and less than 10 minutes long.

The family-friendly program will be presented on Sunday, Dec. 14 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

The program is free and open to the public; a donation of $10 per person is suggested to support the Town Hall Theatre's silent film programming.

Live music will be provided by Jeff Rapsis, a New Hampshire-based silent film accompanist who performs regularly at screenings around the nation.

The program will be highlighted by a screening of 'Tess of the Storm Country' (1922), a full-length drama starring Mary Pickford that features a special Christmas-oriented ending.

 

Mary Pickford in a lighter moment from 'Tess of the Storm Country' (1922).

"Even in the early days of cinema, the movies helped popularize classic holiday stories," Rapsis said. "So it's a real treat for us to turn back the clock and see where the tradition of holiday movies and TV specials first began."

The program will include the first known movie versions of 'A Christmas Carol' (1910) and 'Twas the Night Before Christmas' (1905).

The films each run less than 10 minutes long and were both produced as novelties by Thomas Edison, the inventor credited with pioneering the motion picture.

'Tess of the Storm County' (1922), a full-length feature, has been hailed as among Mary Pickford's best pictures.

The film tells a story of conflict between residents of a poor fishing village who live near the estate of a wealthy family.

As the feisty daughter of a village leader who is unjustly put in jail, Pickford plays a key role in a melodramatic plot that takes many surprising turns.

Pickford, a pioneering film superstar, was a major force in early Hollywood, helping establish the United Artists studio and serving as a founding member of the Academy of Motion Picture Arts and Sciences, which gives out the annual Oscar awards.

However, Pickford's films receive comparatively little attention today, in part due to the myth that Pickford often played wholesome and traditional female characters that conformed with society's expectations at the time.

In truth, Pickford's best movies often featured her in roles that required her to take action, challenge authority, and play strong roles uncommon for a woman of the era.

The "Christmas Past" Program at the Town Hall Theatre will give local audiences a chance to experience silent film as it was meant to be seen—on a large screen, with live music, and with an audience.

"All those elements are important parts of the silent film experience," said Rapsis, who improvises a movie's musical score live as it screens. "Recreate those conditions, and the classics of early Hollywood leap back to life in ways that can still move audiences today."

Rapsis performs on a digital keyboard that reproduces the texture of the full orchestra and creates a traditional "movie score" sound.

Critics review 'Tess of the Storm Country':

"The most insistently moving picture ever made, its climax is the most stunning visual event ever arranged for a film comedy."
—The New York Times

"The reason to watch is Pickford's elfin grace; she is at her criminally cutest here. Tess boasts rapturous pictorialism and an all-stops-out-climax."
—Richard Corliss, Film Comment

A 'Christmas Past' silent film program featuring Mary Pickford in 'Tess of the Storm Country' (1922) will be shown at the Town Hall Theatre, 40 Main St., Wilton, N.H. on Sunday, Dec. 14 at 2 p.m. 

The program is free and open to the public; a donation of $10 per person is suggested. For more information, call (603) 654-3456. 

 

An ambitious two-page trade journal spread promoting 'Tess of the Storm Country' (1922). Right-click to enlarge the image to see more detail.
 

 

Coming up: a slate of pre-holiday silent film screenings, then a road trip to Cleveland

A lobby card for 'So's Your Old Man' (1926), which I'll accompany on Sunday, Jan. 18 at the Cleveland Cinematheque.

Welcome to the holiday preview edition of this blog, in which I try to catch up after several weeks of being just too busy to update it.

First, the big news is that the glamorous showbiz life of a silent film accompanist will take me to Cleveland, Ohio for a pair of screenings in January.

That's right! On Saturday, Jan. 17, I'll accompany the recently restored 'Algol: A Tragedy of Power' (1920) at the 51st Annual Sci-Fi Marathon, staged each year by the Case Western Reserve University Film Society.

Then, on Sunday, Jan. 18, I'll do music at the Cleveland Cinematheque, where they're screening a 35mm print of 'So's Your Old Man' (1926) starring a silent W.C. Fields. 

I encourage my fans in the area to check out both these events. I'm sure we can accommodate all two or three of you. More details of the "Cleveland Mid-Winter Lake Effect Silent Film Victory Tour" (get your T-shirts now!) can be found on my Upcoming Silent Film Screenings page. 

Also, while I'm in Cleveland, I encourage everyone to join me on Saturday, Jan. 17 for an early dinner at 'L'Albatros Brasserie,' my favorite restaurant in the entire Great Lakes basin. It's the not-so-secret reason I'm really making the trip to Cleveland in the dead of winter. 

Not sure of the time but seriously, if anyone would like to join in, email me at jeffrapsis@gmail.com and we'll make it happen.

But before any of that, December brings a bouquet (can you tell I'm already thinking of spring?) of silent film screenings closer to home:

• On Sunday, Dec. 7 (hey, that's today!) at 4 p.m., I'll accompany 'The Man Who Laughs' (1928) at the Natick Center for the Arts in Natick, Mass. More details about that screening are in the press release pasted in below.  

• On Tuesday, Dec. 9 at 7 p.m., I'll do music for a screening of Buster Keaton's great comedy/drama 'Our Hospitality' (1923) at the Coolidge Corner Theatre in Brookline, Mass.

• And on Sunday, Dec. 14 at 2 p.m. it's a holiday-themed program featuring Mary Pickford's 'Tess of the Storm Country' (1922) at the Town Hall Theatre in Wilton, N.H.

Hope you'll be able to make a silent film screening with live music part of your holiday season.

Okay, details of 'The Man Who Laughs' (1928) below. Happy holidays, and to all a 'Silent Night'!

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An original lobby card promoting 'The Man Who Laughs' (1928).

MONDAY, DEC. 1, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

'The Man Who Laughs' (1928) to screen with live music on Sunday, Dec. 7 in Natick, Mass.

Creepy silent film thriller anticipated 'Frankenstein' and 'Dracula,' inspired the look of Batman's nemesis 'The Joker'

NATICK, Mass. — Based on a Victor Hugo novel, it paved the way for early horror classics such as 'Dracula' (1931) and 'Frankenstein' (1931).

It was 'The Man Who Laughs' (1928), a silent film thriller that inspired the look of Batman's nemesis 'The Joker.'

The rarely screened film will be shown with live music on Sunday, Dec. 7 at 4 p.m. at TCAN Center for the Arts, 14 Summer St., Natick, Mass.

The screening, the latest in the Center for the Art's silent film series, will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

Admission is $12 per person for members; $14 for non-members. Tickets are available online at www.natickarts.org or at the door.

'The Man Who Laughs,' directed by Paul Leni and starring Conrad Veidt, is a silent thriller about a disfigured man forced to wear an insane grin all his life.

The movie was a popular and ground-breaking silent film adaptation of a sprawling Victor Hugo novel set in 17th century England. 

Veidt stars as Gwynplaine, a child born of English nobility. After his father is executed, a cruel King James II orders a royal surgeon to hideously disfigure young Gwynplaine's face into a permanent smile, so that he may always laugh at his father's foolishness.

Abandoned and shunned, young Gwynplaine is left to make his way on his own. He learns to conceal his face from strangers, befriending Dea, a blind girl who is not aware of his disfigurement.

The pair are then adopted and put to work by a traveling impresario, who makes use of Gwynplaine's startling face in his theatrical productions.

Gwynplaine and Dea grow to adulthood and eventually fall in love, but complications arise when Gwynplaine's noble lineage is revealed, entitling him to his father's estate—provided he marry another woman of noble birth.

 

Conrad Veidt and Olga Baclanova in a scene from 'The Man Who Laughs' (1928).

Veidt, who starred earlier in the German expressionist horror classic 'The Cabinet of Dr. Caligari' (1919), played the role of Gwynplaine by using a prosthetic device inside his mouth to force his face into a hideous grin and display outsized teeth.

This striking look was later adapted by Batman creator Bob Kane as a model for the physical appearance of iconic villain 'The Joker.'

Critics have praised 'The Man Who Laughs' for its dark visual style and daring story content.

"'The Man Who Laughs' is a melodrama, at times even a swashbuckler, but so steeped in Expressionist gloom that it plays like a horror film," wrote Roger Ebert in 2004. "The film is more disturbing than it might have been because of Leni's mastery of visual style."

Director Leni, originally trained as an artist, made ample use of shadows and darkness in 'The Man Who Laughs,' which set the stage for many legendary Universal horror classics soon to follow, including 'Dracula' (1931) and 'Frankenstein' (1931).

'The Man Who Laughs' (1928) will be screened with live music on Sunday, Dec. 7 at 4 p.m. at TCAN Center for the Arts, 14 Summer St., Natick, Mass.

Admission is $12 per person for members; $14 for non-members. Tickets available online at www.natickarts.org or at the door. For more info, call (508) 647-0097.

Up next: Buster Keaton in 'Seven Chances' (1925) on Saturday, Nov. 15 in Brandon, Vt.

A Swedish poster for Buster Keaton's 'Seven Chances' (1925).

Up next it's Buster Keaton's great comedy 'Seven Chances' (1925), which I'll accompany on Saturday, Nov. 15 at 7 p.m. at Brandon (Vt.) Town Hall.

It's the final screening of this year's silent film series in Brandon. We'll return in May with another schedule of great early cinema with live music. 

So be sure to get your fix this Friday to hold you over the long winter. More details on the screening and the film are in the press release pasted in below.

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Buster surrounded by would-be brides in 'Seven Chances' (1925).

MONDAY, NOV. 10, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Buster Keaton comedy 'Seven Chances' to screen on Saturday, Nov. 15 at Brandon Town Hall

Silent film with live music; Keaton must get married by 7 p.m. to inherit fortune; movie features uproarious chase climax

BRANDON, Vt.—He never smiled on camera, earning him the nickname of "the Great Stone Face." But Buster Keaton's comedies rocked Hollywood's silent era with laughter.

See for yourself with a screening of 'Seven Chances' (1925), one of Keaton's landmark feature films, on Saturday, Nov. 15 at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, Brandon, Vt. 

Admission is free; donations are welcome to help defray expenses.

Live music will be provided by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

Adapted from a stage play, 'Seven Chances' finds Buster learning that he'll inherit $7 million if he's married by 7 p.m. on his 27th birthday—that very day!

Buster's hurried attempts to tie the knot on his own go awry. But then a newspaper story changes the game, creating an avalanche of would-be brides who relentlessly pursue Buster as he searches for his one true love before the deadline.

A still of a scene that's not in the picture: Buster checks a sundial in 'Seven Chances' (1925).

 'Seven Chances' was the first screen adaptation of the now-familiar story, since used in movies ranging from the Three Stooges in 'Brideless Groom' (1947) to Gary Sinyor's 'The Bachelor' (1999), a romantic comedy starring Chris O'Donnell and Renee Zellwinger.

Keaton, along with Charlie Chaplin and Harold Lloyd, stands today as one of the silent screen's three great clowns. Some critics regard Keaton as the best of all; Roger Ebert wrote in 2002 that "in an extraordinary period from 1920 to 1929, (Keaton) worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies."

A remarkable pantomime artist, Keaton naturally used his whole body to communicate emotions from sadness to surprise. And in an era with no post-production special effects, Keaton's acrobatic talents enabled him to perform all his own stunts, including some spectacular examples in 'Seven Chances.'

In reviving Keaton's 'Seven Chances,' organizers aim to show silent film as it was meant to be seen—in restored prints, on a large screen, with live music, and with an audience.

"All those elements are important parts of the silent film experience," said Rapsis, who will accompany the film. "Recreate those conditions, and classics of early Hollywood such as 'Seven Chances' leap back to life in ways that audiences still find entertaining."

Similar to theatre organists from the silent film era, Rapsis improvises the complete score in real time during the screening.

"Creating a movie score on the fly is kind of a high-wire act, but it can often make for more excitement than if everything is planned out in advance," Rapsis said.

Buster Keaton's 'Seven Chances' (1925) will be screened with live music on Saturday, Nov. 15 at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt. Admission is free; donations are welcome to help defray expenses. 

 

A posted still from the production of 'Seven Chances' (1925).

Marching towards Veterans Day with John Gilbert in King Vidor's 'The Big Parade' (1925) on Sunday, Nov. 9 at Somerville Theatre

At the Crandell Theatre in Chatham, N.Y. Hey, that doesn't look like me on the marquee!

Pleased to report I've emerged intact from the annual Halloween silent film steeplechase. 

Yes, the last half of October is the busiest time of the year for this silent film accompanist, with screenings pretty much every night for two weeks straight.

But I'm not complaining! I played for audiences in six states, in venues ranging from a library basement to a genuinely spooky intact 1925 moviehouse. 

Made a lot of friends on the way, too, through which I hope to continue spreading the gospel of silent film with live music. 

And now comes Veterans Day. Next up is 'The Big Parade' (1925), the World War I epic from King Vidor starring John Gilbert and Renée Adorée. 

I'm accompanying it on Sunday, Nov. 9 at 2 p.m. at the Somerville Theatre, 55 Davis Square, Somerville, Mass.

It's a great film for music. Why? Not to give anything away, but I've found the film is divided into two very different parts, and if the music reflects that, it can amplify the overall impact. 

The first half almost plays like a romantic comedy as it follows the adventures of John Gilbert's character in rural France. I try to reflect that in the music: a "light opera" texture seems to fit just right.

But as soon as Gilbert's unit is called to the front, everything changes. And the music can bring that out, making use of the full orchestra to underscore the dramatic intensity.

If you're in the Greater Boston area this weekend, I encourage you to check out 'The Big Parade.' It's not only a great movie, but also a terrific way to get in the zone for Veterans Day on Tuesday, Nov. 11. 

And if you're not in the Greater Boston area—well, there's still time. It only takes six hours to fly in from the West Coast or Europe. You have plenty of time! 

To whet your appetite, check out the press release below.

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An original release poster for 'The Big Parade' (1925).

MONDAY, OCT. 20, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Veterans Day special: 'The Big Parade' with live music on Sunday, Nov. 9 at Somerville Theatre

MGM's highest grossing film until 'Gone With The Wind'; blockbuster drama changed how Hollywood depicted war 

SOMERVILLE, Mass. — It was the 'Saving Private Ryan' of its time — a movie that showed audiences combat as experienced by a soldier whose life is changed forever by the horrors of war.

It was 'The Big Parade' (1925), a sprawling World War I epic and a box office sensation that made MGM into a powerhouse studio in Hollywood's golden years. It's the latest installment of 'Silents, Please!,' a silent film series with live music at the Somerville Theatre.

'The Big Parade' will be screened one time only at the Somerville Theatre on Sunday, Nov. 9 at 2 p.m. General admission is $17; members $13; seniors/students $12.

The show will feature live accompaniment by silent film musician Jeff Rapsis.

'The Big Parade,' released just a few years after World War I ended, was hailed by critics as the first Hollywood film to depict the harsh reality of combat and its impact of troops in the trenches and foxholes. Its hellish battle scenes were staged on a massive scale and still retain their ability to shock audiences.

Hey, get a room!

The picture, based on the best-selling novel "What Price Glory?", follows the story of a young man (John Gilbert) who rebels against a privileged background by enlisting in the army just before the U.S. enters World War I.

He is shipped out to France, where he falls in love with a local French woman before being transferred to the front. There, he and his squadmates face the German war machine, where they must endure the ultimate tests of duty and honor in a battle they come to see as meaningless.

In addition to vivid war scenes, the film contains a famous dramatic sequence in which the French woman (Renée Adorée) realizes her love for the soldier, and tries to find him to say goodbye as the massive convoy of troops pulls out for the front. Another celebrated sequence depicts the light-hearted first meeting of the soldier and the girl, in which he teaches her how to chew gum.

'The Big Parade' went on to become the top-grossing movie of the entire silent film era, earning $6.4 million domestically and making director King Vidor into the Steven Spielberg of his day. It stood as MGM's biggest single box office hit until the release of 'Gone With the Wind' in 1939.

Rapsis will improvise a musical score to the film in real time. In creating accompaniment for the 'The Big Parade' and other vintage classics, Rapsis tries to bridge the gap between silent film and modern audiences.

"Live music adds an element of energy to a silent film screening that's really crucial to the experience," Rapsis said. " 'The Big Parade' is filled with great scenes that lend themselves well to music. It's a real privilege to create a score to help this great picture come back to life," Rapsis said.

MGM's silent blockbuster ‘The Big Parade’ will be shown with live music on Sunday, Nov. 9 at 2 p.m. at Somerville Theatre, 55 Davis Square, Somerville, Mass.

General admission is $17; members $13; seniors/students $12. For more info, call (617) 625-5700 or visit www.somervilletheatreonline.com.

 

Up next: 'Cabinet of Dr. Caligari' on Wednesday, Oct. 29 at Derry (N.H.) Opera House

A scene from 'The Cabinet of Dr. Caligari' (1920).

It's gonna be one crowded cabinet!

This morning I got word that more than 130 people have pre-registered for a screening of 'The Cabinet of Dr. Caligari' (1920), which I'll accompany on Wednesday, Oct. 29 at 7 p.m. at the Derry (N.H.) Opera House.

Wow! Unless a lot of people ghost us (it IS the Halloween season, after all), that's a big turnout, which always adds to the excitement.

But there's still room for more. Check out the press release below, which has info about the film plus how to register for the screening. 

For now, I'm pleased to report that last night's screening of 'Phantom of the Opera' (1925) attracted more than 100 spooks to what the final silent film program for the 100th anniversary season of the Leavitt Theatre in Ogunquit, Maine.

If it seemed even more crowded than that, it's because for the Halloween season the Leavitt Theatre populates is main screening room with stuffed scarecrow-like goblins that occupy a fair number of seats.

Such as:

Here's an overview...

Great crowd full of people willing to shriek at the famous "unmasking" scene—and which continued to shriek at all of Chaney's big moments afterwards. This might have had something to do with the Leavitt now offering bar service, but who can say?

I'll do 'Phantom' again this afternoon at the Mattapoisett Free Library in Mattapoisett, Mass. (showtime is 5:30 p.m.) and then once more on Saturday, Nov. 1 at the recently reopened Crandell Theatre in Chatham, N.Y. 

They're both new venues for me and I look forward to spreading the silent film gospel to newcomers and diehard fans alike. 

Boris Karloff makes a friend, sort of, in 'Frankenstein' (1931), an early talkie with no musical score. 

In addition, on Thursday, Oct. 30 at the Jane Pickens Theatre in Newport, R.I., I'm doing a live score for 'Frankenstein' (1931) starring Boris Karloff.

Wait, isn't that a talking picture? It is, but like many early sound films, studios hadn't quite gotten into the habit of creating recorded soundtracks as we know them today.

The Bela Lugosi' Dracula' (1931) is the same way—very eerie and atmospheric visuals, but not a scrap of dramatic music. 

With 'Frankenstein,' I've found adding music in certain places can—well, help bring the film to life.

It's alive! It's alive! 

To see what a difference music makes with 'Frankenstein' (especially in the laboratory sequences), check out a screening of this vintage horror classic on Thursday, Oct. 30 at 6 p.m. at the Jane Pickens Theatre in Newport, R.I.

And for now, here's all the details on 'The Cabinet of Dr. Caligari' on Wednesday, Oct. 29 at the Derry (N.H.) Opera House. 

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A scene from 'The Cabinet of Dr. Caligari' (1920).

MONDAY, OCT. 20, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Halloween special! 'Cabinet of Dr. Caligari' on Wednesday, Oct. 29 at Derry Opera House

Screening of breakthrough silent thriller to feature live musical accompaniment

DERRY, N.H.—This halloween, a creepy silent film regarded as the forerunner of all horror movies is coming to haunt southern N.H.

'The Cabinet of Dr. Caligari' (1920) will be shown live music on Wednesday, Oct. 29 at 7 p.m. at the Derry Opera House, 29 West Broadway, Derry, N.H.

The screening will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

The event is organized by the Derry Public Library, the Taylor Library, and the Greater Derry Arts Council.

Admission is free; advance registration is requested. To register, visit the Derry Public Library's website at derrypl.org and click on the online 'Events' calendar.

Set in an insane asylum, 'The Cabinet of Dr. Caligari,' is considered a landmark in early cinema. Nearly a century after its release, the film still has the capacity to creep out audiences.

"A case can be made that 'Caligari' was the first true horror film, critic Roger Ebert wrote in 2007.

Actor Conrad Veidt in the actual cabinet from 'The Cabinet of Dr. Caligari' (1920).

'Caligari,' made in Germany after World War I and directed in expressionist style by Robert Wiene, stars Werner Krauss and Conrad Veidt.

The film employs stylized sets, with abstract, jagged buildings painted on canvas backdrops and flats.

To add to its strange visual design, the actors used an exaggerated technique that employed jerky and dancelike movements.

The movie is also cited as having introduced the surprise "twist" ending to cinema.

"Silents such as 'Dr. Caligari' are films that first caused people to fall in love with the movies," Rapsis said. "The aim is to present them as they were originally intended to be shown: in a theater, on a big screen, with live music, and with an audience. If you can put all those elements together, these films leap to life."

In scoring 'The Cabinet of Dr. Caligari,' Rapsis plans to augment the traditional orchestral sound with the vocabulary of film music from later eras.

"Because I improvise the music, it's hard to know what will happen until the film actually starts running," Rapsis said.

'Caligari,' a forerunner of the 'film noir' genre, has influenced generations of movie-makers.

A sequel of sorts was released in the 1980s with the film 'Dr. Caligari,' which dealt with the granddaughter of the original Dr. Caligari and her illegal experiments on her patients in an asylum.

'The Cabinet of Dr. Caligari' (1920) will be shown with live music on Wednesday, Oct. 29 at 7 p.m. at the Derry Opera House, 29 West Broadway, Derry, N.H. 

Admission is free; advance registration is requested. To register, visit the Derry Public Library's website at derrypl.org and click on the online 'Events' calendar.

Next up: 'Phantom of the Opera' on Monday, Oct. 27 at Leavitt Theatre in Ogunquit, Maine

A poster for the original silent film version of 'Phantom of the Opera' (1925), which I'm accompanying six times this Halloween season!

It's a show 100 years in the making—in a vintage theater celebrating its 100th season!

It's the silent thriller 'The Phantom of the Opera' (1925), which I'll accompany on Monday, Oct. 27 at the Leavitt Theatre in downtown Ogunquit, Maine. 

It's the last hurrah for this season's schedule of silent films with live music at the Leavitt, which has been celebrating its 100th season in part by screening films released in 1925.

That includes 'Phantom,' with the timing just right for a spooky Halloween experience. Lots more about the movie and the screening are in the press release, which is pasted in below.

I can report a responsive crowd turned out for last night's screening of 'The Man Who Laughs' (1928), which I accompanied at the Flying Monkey Moviehouse and Performance Center in Plymouth, N.H. 

The event was augmented by something new at the Monkey: a promotional chalkboard set out on the sidewalk. Nice!

And here's me doing my best Conrad Veidt impersonation underneath the marquee before the show.

 How did I do?

I know, I need to work on the hair. And the wardrobe. And the eyes and face. And the posture. I think other than those minor details, it's dead on!

While I work on my impressions, you can work on making your way to the Leavitt Theatre in Ogunquit, Maine, where they're screening 'The Phantom of the Opera' (1925) on Monday, Oct. 27 at 7 p.m. with music by me. More details in the press release below. 

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Lon Chaney menaces Mary Philbin in 'The Phantom of the Opera' (1925).

MONDAY, OCT. 20, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

'Phantom of the Opera' starring Lon Chaney at Leavitt Theatre on Monday, Oct. 27

Just in time for Halloween Pioneer classic silent thriller to be shown with live musical accompaniment—see it if you dare!

OGUNQUIT, Maine—It was a film considered so frightening when first released that theaters were advised to have doctors standing by in case moviegoers fainted.

It was the original big screen adaptation of 'The Phantom of the Opera' (1925), starring iconic actor Lon Chaney in the title role.

This classic Universal thriller will be shown on Monday, Oct. 27 at 7 p.m. at the Leavitt Theatre, 259 Main St., Route 1, Ogunquit.

General admission tickets are $20 per person.

The screening will feature live musical accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

The film is suitable for all ages, although young children may find some scenes intense and frightening.

The show will enable audience members to experience the original silent 'Phantom' the way it was intended to be seen: on the big screen, with live music, and with an audience.  

'The Phantom of the Opera,' starring legendary actor Lon Chaney in the title role, remains a landmark work of the cinematic horror genre. To modern viewers, the passage of time has made this unusual film seem even more strange and otherworldly.

It's an atmosphere that silent film accompanist Jeff Rapsis will enhance by improvising live music on the spot for the screening.

"The original 'Phantom' is a film that seems to get creepier as more time passes," said Rapsis, who accompanies films at venues around the nation. "It's a great way to experience the power of silent film to transport audiences to strange and unusual places."

'The Phantom of the Opera,' adapted from a 19th century novel by French author Gaston Leroux, featured Chaney as the deformed Phantom who haunts the opera house. The Phantom, seen only in the shadows, causes murder and mayhem in an attempt to force the opera's management to make the woman he loves into a star.

The film is most famous for Lon Chaney's intentionally horrific, self-applied make-up, which was kept a studio secret until the film's premiere.

Chaney transformed his face by painting his eye sockets black, creating a cadaverous skull-like visage. He also pulled the tip of his nose up and pinned it in place with wire, enlarged his nostrils with black paint, and put a set of jagged false teeth into his mouth to complete the ghastly deformed look of the Phantom.

Chaney's disfigured face is kept covered in the film until the now-famous unmasking scene, which prompted gasps of terror from the film's original audiences.

"No one had ever seen anything like this before," Rapsis said. "Chaney, with his portrayal of 'The Phantom,' really pushed the boundaries of what movies could do."

Chaney, known as the "Man of a Thousand Faces" due to his versatility with make-up, also played Quasimodo in the silent 'Hunchback of Notre Dame' (1923) and circus performer 'Alonzo the Armless' in Tod Browning's 'The Unknown' (1927).

The large cast of 'Phantom of the Opera' includes Mary Philbin as Christine Daaé, as the Phantom's love interest; character actor Snitz Edwards; and many other stars of the silent period.

'The Phantom of the Opera' proved so popular in its original release and again in a 1930 reissue that it led Universal Studios to launch a series of horror films, many of which are also regarded as true classics of the genre, including 'Dracula' (1931), 'Frankenstein' (1931), and 'The Mummy' (1932).

The silent film version of 'Phantom' also paved the way for numerous other adaptations of the story, up to and including the wildly successful Andrew Lloyd Webber musical from 1986 that continues to run in productions around the world.

"Even with all the different versions of this story, Chaney's performance in the lead role stands the test of time," Rapsis said. "And remember—in silent film, no one can hear you scream!"

‘The Phantom of the Opera’ (1925) will be shown with live music on Monday, Oct. 27 at 7 p.m. at the Leavitt Theatre, 259 Main St. Route 1, Ogunquit, Maine; (207) 646-3123; admission is $20 per person, general seating. For more information, visit www.leavittheatre.com. 

Get into the Halloween spirit with 'The Man Who Laughs' on Thursday, Oct. 23 in Plymouth, N.H.

That look! That face! Conrad Veidt stars as 'The Man Who Laughs' (1928).

I suppose it's too late to approach the American Dental Association about sponsoring tomorrow's screening of 'The Man Who Laughs' (1928) in Plymouth, N.H. It's one film in which teeth play a featured role!

But it's not too late for you to make your way tomorrow night to the Flying Monkey Moviehouse and Performance Center, where I'll  accompany this classic silent thriller on Thursday, Oct. 23 at 7 p.m.

Lots more info on the screening and the film is in the press release pasted in below.

Meanwhile, a few recent notes from the road:

• Since late September, I've been out straight with my day job as director of the Aviation Museum of N.H., as this time of year brings our annual fundraising Gala plus holiday preparations and so much else. Hence the lack of silent film posts and updates as we head into high Halloween season. However, I do have a busy line-up of spooky screenings in the coming two weeks and I'll try to highlight them here.

• The first part of October brought several silent film adventures, including my debut at the Pittsburgh Silent Film Festival on Friday, Oct. 3 scoring 'The Big Parade' and then on Saturday, Oct. 4 (the next day!) accompanying a program of rare local silent films presented by noted archivist Ed Lorusso in Augusta, Maine. This was another of those occasions when I combined the art of silent film music with the joys of long haul trucking. I do plan to write about this and other screenings, so stay tuned.  

 • This is the first 'Nosferatu'-free Halloween season I've experienced in at least a decade. The main reason, I think, is that 2025 is the 100th anniversary of the Lon Chaney 'Phantom of the Opera,' and this time around everyone wants to run that. I've done it twice in recent weeks, and will do it three more times before Halloween is out. At every screening, I get laughs with this line: "If you've joined us this evening to hear the haunting melodies of the famous musical version of 'Phantom' by Andrew Lloyd Webber, you will be sadly disappointed."

Okay, before the Phantom makes his next appearance, it's Conrad Veidt in 'The Man Who Laughs' at the Flying Monkey. And remember—in silent film, no one can hear you scream!

*     *     *

An original lobby card (hiding the hideous grin) for 'The Man Who Laughs' (1928).

MONDAY, OCT. 6, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

'The Man Who Laughs' (1928) to screen with live music on Thursday, Oct. 23 at Flying Monkey

Just in time for Halloween: Creepy silent film thriller inspired the look of Batman's nemesis 'The Joker'

PLYMOUTH, N.H. — Based on a Victor Hugo novel, it paved the way for early horror classics such as 'Dracula' (1931) and 'Frankenstein' (1931).

It was 'The Man Who Laughs' (1928), a silent film thriller that inspired the look of Batman's nemesis 'The Joker.'

The rarely screened film will be shown with live music on Thursday, Oct. 23 at 7 p.m. at the Flying Monkey Moviehouse and Performance Center, 39 Main St., Plymouth, N.H.

General admission is $15 per person. Tickets may be purchased online at www.flyingmonkeynh.com or at the door.

Live music will be provided by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

'The Man Who Laughs,' directed by Paul Leni and starring Conrad Veidt, is a silent thriller about a disfigured man forced to wear an insane grin all his life.

The movie was a popular and ground-breaking silent film adaptation of a sprawling Victor Hugo novel set in 17th century England. 

Veidt stars as Gwynplaine, a child born of English nobility. After his father is executed, a cruel King James II orders a royal surgeon to hideously disfigure young Gwynplaine's face into a permanent smile, so that he may always laugh at his father's foolishness.

Abandoned and shunned, young Gwynplaine is left to make his way on his own. He learns to conceal his face from strangers, befriending Dea, a blind girl who is not aware of his disfigurement.

The pair are then adopted and put to work by a travelling impresario, who makes use of Gwynplaine's startling face in his theatrical productions.

Gwynplaine and Dea grow to adulthood and eventually fall in love, but complications arise when Gwynplaine's noble lineage is revealed, entitling him to his father's estate—provided he marry another woman of noble birth.

Veidt, who starred earlier in the German expressionist horror classic 'The Cabinet of Dr. Caligari' (1919), played the role of Gwynplaine by using a prosthetic device inside his mouth to force his face into a hideous grin and display outsized teeth.

This striking look was later adapted by Batman creator Bob Kane as a model for the physical appearance of iconic villain 'The Joker.'

Critics have praised 'The Man Who Laughs' for its dark visual style and daring story content.

"'The Man Who Laughs' is a melodrama, at times even a swashbuckler, but so steeped in Expressionist gloom that it plays like a horror film," wrote Roger Ebert in 2004. "The film is more disturbing than it might have been because of Leni's mastery of visual style."

Director Leni, originally trained as an artist, made ample use of shadows and darkness in 'The Man Who Laughs,' which set the stage for many legendary Universal horror classics soon to follow, including 'Dracula' (1931) and 'Frankenstein' (1931).

'The Man Who Laughs' (1928) will be screened with live music by Jeff Rapsis on Thursday, Oct. 23 at 7 p.m. at the Flying Monkey Moviehouse and Performance Center, 39 Main St., Plymouth, N.H.

General admission is $15 per person. Tickets may be purchased online at www.flyingmonkeynh.com or at the door. For more info, call (603) 536-2551.  

 

 An original production still from 'The Man Who Laughs' (1928).