This week: Romance in Manchester, then double-feature dog adventure up north

Nils Asther and Greta Garbo consider their options in 'Wild Orchids' (1929), a late MGM silent.

It's February, and the calendar brings with it two ways to warm up: screenings for Valentine's Day, and screenings at a small town historical society's annual pot luck supper and movie night.

Not that the occasions are mutually exclusive...

On Tuesday, Feb. 2, our monthly feature at the Manchester (N.H.) City Library is 'Wild Orchids' (1929), a torrid late MGM silent starring Greta Garbo.

Showtime is 6 p.m.; admission is free, with donations accepted and oh-so-appreciated.

And then on Saturday, Feb. 6, I haul myself up to the Campton (again N.H.) Historical Society, where we're running a double feature of Rin Tin Tin adventure films.

Showtime is—well, the annual potluck supper is at 5 p.m., and we usually start the movie program sometime after 6 p.m.

Free admission again, although if you're attending the pot luck it's good manners to bring a dish to share.

Of the two programs, the Garbo film is new to me. And after doing two screenings of Griffith's 'Intolerance' in the past week (plus one of 'Metropolis'), I'm really looking forward to taking it slow and letting the romantic tension build.

I don't generally send out press releases for the Manchester City Library series, in part because I'm just lazy, but also because I tend to program obscure or lesser-known titles that are unlikely to draw a big crowd anyway.

We do have our loyal attendees, but anyone is welcome to pop in. Hope to see you there!

I did, however, send out a release for the program up in Campton, which is about an hour north of home base and in the foothills of the White Mountains.

So if you're interested in joining us on Saturday, Feb. 6, lots of detail below.

And one program note: I had also planned a Valentine's Day silent film screening at the Wilton (N.H.) Town Hall Theatre this month, but the schedule has become impossible.

Originally set for Sunday, Feb. 14, we had to move it to Sunday, Feb. 7. And then I had something come up which takes me out of the area that day. And then I'm booked for the rest of the month and into March, so...

So apologies to regular attendees of the monthly series in Wilton. We'll be back on schedule in March with 'Ben Hur' (1925) Sunday, March 27. (Hey, that's Easter!)

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MONDAY, JAN. 18, 2016 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Rin Tin Tin leaps back into action Saturday, Feb. 6 at Campton Historical Society

Legendary dog star races to the rescue in double feature of rare classic silent adventure films presented with live music

CAMPTON, N.H. — He couldn't speak. But that was no handicap for a star during the silent film era.

He was Rin Tin Tin, the legendary German Shepherd dog whose popularity rivaled that of any human performer when the movies were brand new.

See for yourself on Saturday, Feb. 6, when the Campton Historical Society screens a double feature of vintage Rin Tin Tin silent adventure films with live music.

The evening begins with a pot luck supper at 5 p.m. The film program, which is free and open to the public, will start at about 6:15 p.m.

In 'Clash of the Wolves' (1925), Rin Tin Tin plays a wild wolf who befriends a prospector; together they hunt down a criminal intent on jumping the prospector's claim and stealing his girl.

In 'The Night Cry' (1926), Rin Tin Tin is unjustly accused of killing sheep in ranching country; this forces him to flee for his life and hunt down the true killer on his own.

Both melodramas were produced by then-struggling Warner Bros. Studio. Rin Tin Tin films proved immensely popular around the world, with audiences marvelling at the then-new German Shepherd breed's feats of derring-do as he often out-smarted his human co-stars.

At the time, studio executives referred to Rin Tin Tin as "the mortgage lifter" because the dog's pictures helped rescue the ailing studio from bankruptcy.

Rin Tin Tin was so popular, he was named "Best Actor" at the first-ever Academy Awards in 1929 until ceremony officials decided on a re-vote in favor of human performer Emil Jannings.

Both films at the Campton Historical Society will be accompanied live by silent film musician Jeff Rapsis, who uses a digital synthesizer to recreate the texture of a full orchestra.

"The Rin Tin Tin films are great pictures for audience reaction, even today," Rapsis said. "They're full of fast-paced action, great stunts—and above all, they really move!"

"If you're new to the silent film art form, seeing the Rin Tin Tin pictures in a theater with live music is a terrific way to get acquainted with the enduring power of this kind of movie-making," Rapsis said.

Rin Tin Tin remained popular until his death in 1932, which made headlines around the globe. But his progeny went on to star in later films and TV shows, keeping the name before the public for generations.

Rin Tin Tin's descendants are still bred, continuing the bloodline to the present day. The ongoing Rin Tin Tin phenomenon inspired a recent book, "Rin Tin Tin: The Life and the Legend" by New Yorker writer Susan Orlean.

The Rin Tin Tin double feature at the Campton Historical Society aims to recreate the silent film experience as early movie audiences knew it: on the big screen, with live music, and with an audience.

"When you put the silent film experience back together, it's amazing how the movies jump to life," Rapsis said. "You can really get a sense of why people got so excited about movies when they were new."

A double feature of silent-era Rin Tin Tin adventures will be shown with live music on Saturday, Feb. 6 at 6:15 p.m. at the Campton Historical Society, Campton Town Hall, Route 175, Campton, N.H. The program is free and open to the public, and will be preceded by a pot luck supper starting at 5 p.m. For more details, visit www.camptonhistorical.org. For more info on the music, visit www.jeffrapsis.com.

Tonight: 'Orphans of the Storm' (1921) —but first, thoughts on humans beyond all help

A vintage promotional slide for 'Orphans of the Storm.'
Tonight it's time to tip our chapeaux to Bastille Day and the French Revolution, in the form of a screening of 'Orphans of the Storm' (1921), the great D.W. Griffith epic that stars the Gish sisters, a giant guillotine, and yes, a cast of thousands.

But first, a few thoughts about last night's uproarious screening of a pair of silent films that starred two different dogs—one still obscure, and one still famous.

The obscure dog was 'Peter the Great,' a German Shepherd who started out as a stunt double for other movie dogs before becoming a movie star in his own right. At the Flying Monkey Moviehouse in Plymouth, N.H. last night, we screened his only surviving feature, a crime thriller called 'The Sign of the Claw' (1926).

And people loved it! So Peter, if you're up there beyond the Rainbow Bridge, you live on here through your one remaining flick.

The still-famous dog was none other than 'Rin Tin Tin,' whose name echoes across the generations. We screened one of Rinty's lesser-known features, 'The Night Cry' (1926), in which our canine hero does battle with an enormous buzzard billed as a "California condor," but I have my doubts.

(Okay, an update from the always-reliable IMDB: "The trained condor who appears in the film, known as "Bozo," was the only condor in captivity at the time." That's him in the Scandinavian poster at right.)

But our audience of about 60 people had no doubts at all. They absolutely loved 'The Night Cry.' It was one of those full-throated audience engagements that you always hope for when screening a silent film: people shrieked at the action, laughed at the plot twists, applauded the good guys, and booed the villains. (Yes, they gave the bird the bird.)

And the conclusion of 'The Night Cry,' with its "triple climax" structure, drew an especially strong reaction. People were gasping and cheering and shouting (and yes, barking) so much, it drowned out the accompaniment. (No complaints from me on that!)

I don't want to spoil 'The Night Cry' for anyone, so let me just say this modest film features an absurd plot, but underneath lies a structure ingeniously built to fake out an audience.

Just when everyone senses the story has reached its big climax and we're ready for the big embrace and 'The End,' something ELSE happens to then drive the action to new heights.

And then, it happens AGAIN!

I've scored 'The Night Cry' a few times now, and the reaction is always big. And so I'm beginning to think there's more than one level as to why these films were so popular, and why they still work so well today.

First, there's the animal thing. Yes, everyone loved Rin Tin Tin, because everyone loves animals. That's something that hasn't changed in the past 100 years, and perhaps not in 10,000 years.

But also, the Rin Tin Tin films are designed to show off the dog's talents. And to do that requires a story populated by a human cast that's essentially helpless—the kind of people who get themselves into situations that only a dog could solve.

This inverts our relationship that we at the top of the food chain have with our animals. Dogs smarter than people! And somehow, we respond quite strongly to the idea that our faithful four-footed companions are capable of tremendous feats of intelligence and bravery—look, it's right there on the screen!

Either that, or we just get a kick out of people doing really dumb things and needing a dog to rescue them.

In any case, it speaks (woof!) to what I have come to believe whole-heartedly: that the audience is an essential part of the silent film experience.

The films of the silent era, good or bad, were designed from the ground up to be shown to a large audience. To view them any other way is to rob them of a good portion of their effect—no different as if you were to screen them without music.

It's that important, because being part of a crowd allows us to experience all manner of intensified emotions that just aren't possible when we're at home in the basement, alone with our entertainment center.

So thanks to everyone at the Flying Monkey last night for collaborating on what was for me a great and memorable experience. Having an audience respond like that even once in awhile makes it all worth it.

Okay, on to Revolution. Please join us this evening (Friday, July 10) for 'Orphans of the Storm' (1921), screening at 7 p.m. at Red River Theatres, 11 South Main St., Concord, N.H. Tickets are $10 per person. More info in the press release below:

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Lillian and Dorothy Gish star in 'Orphans of the Storm.'

MONDAY, JULY 6, 2015 / FOR IMMEDIATE RELEASE
For more info, contact: Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

French Revolution epic comes to Red River Theatres on Friday, July 10

D.W. Griffith's silent film masterpiece 'Orphans of the Storm' tells thrilling tale of sisters separated during political upheaval

CONCORD, N.H.—Heat up Bastille Day this year with the fires of revolution! 'Orphans of the Storm' (1921), a sweeping silent film drama set during the uproar of the French Revolution, will be shown with live music on Friday, July 10 at 7 p.m. at Red River Theatres, 11 South Main St., Concord, N.H.

Admission is $10 per person. The movie will be accompanied by live music performed by New Hampshire silent film composer Jeff Rapsis.

'Orphans of the Storm,' set in 1780s France, follows the story of two sisters, one blind, who seek to cure her vision by risking a trip from their country village to Paris. There, they are soon separated as anarchy erupts, the aristocracy is toppled, and the city is engulfed by the unpredictable chaos of revolution. Will fate reunite the two sisters before the guillotine separates them forever?

The film, part of Red River's silent film series, is being shown in part to mark Bastille Day (July 14), a holiday in France known as La Fête Nationale that celebrates the storming of the notorious Bastille prison in Paris in 1789 as a symbol of the French Revolution.

'Orphans of the Storm,' directed by legendary silent film pioneer D.W. Griffith, features dramatic mob scenes of revolutionary Paris filmed on a massive scale. Also, the story builds towards a spectacular and fast-moving race-to-the-rescue climax that wowed audiences in 1921, making 'Orphans of the Storm' one of the year's biggest hits.

Lillian and Dorothy Gish in costume for 'Orphans of the Storm' (1921).

Leading roles in 'Orphans of the Storm' are played by two actual sisters, Lillian and Dorothy Gish, both major stars of Hollywood's silent era. Lillian Gish, an iconic actress of the silent era, went on to a career that lasted long enough to include an appearance on 'The Love Boat' television series in the 1980s. She died in 1993 at age 99.

Younger sister Dorothy Gish also enjoyed a productive career that included stage, film, and television roles into the 1960s; she died in 1968 at age 70.

'Orphans of the Storm' was the last in a string of successful blockbusters helmed by Griffith, who pioneered large-scale historical epics with films such as 'Birth of a Nation' (1915), 'Intolerance' (1916), and 'Way Down East' (1920). Though he continued making films, Griffith was superseded the 1920s by a new generation of filmmakers willing to take his innovations even further, creating the foundation of the motion picture industry we know today.

Although 'Orphans of the Storm' was released nine decades ago, critics today say Griffith's French Revolution epic holds up well for modern viewers. Leonard Maltin praised the film's "lavish settings and race-to-the-rescue climax," judging it "still dazzling." Critic Jeremy Heilman of www.moviemartyr.com wrote "the sheer amount of realized ambition on display in it makes it a sight to behold."

The guillotine is ready for its close-up in 'Orphans of the Storm.'

About D.W. Griffith, film historian Kevin Brownlow summarized his genius by writing, "however skillful the other early directors might have been, none of them knew how to project anything but the most basic emotions until Griffith showed them. And it was emotion, rather than close-ups and fade-outs, that made the people of the world fall in love with the moving picture."

The screening of 'Orphans of the Storm' will be accompanied by an improvised score created live by silent film musician Jeff Rapsis. Rapsis achieves a traditional "movie score" sound for silent film screenings by using a digital synthesizer that reproduces the texture of the full orchestra.

"Creating a movie score on the fly is kind of a high-wire act, but it can often make for more excitement than if everything is planned out in advance," Rapsis said.

Other dates and titles in the Red River silent film series include:

• Friday, Sept. 11, 2015, 7 p.m.: 'The Cameraman' (1928) starring Buster Keaton. To impress the girl of his dreams, mild-mannered portrait photographer Buster takes up the glamorous profession of newsreel cameraman. One of the best comedies of the silent era.

• Friday, Oct. 30, 2015, 7 p.m.: 'The Lodger' (1927). A serial killer is on the loose in fog-bound London. Will the murderer be caught before yet another victim is claimed? Just in time for Halloween, suspenseful British thriller directed by a very young Alfred Hitchcock.

Red River Theatres' 2015 Silent Film Series will continue with a screening of 'Orphans of the Storm’ (1921) on Friday, July 10 at 7 p.m. in the Jaclyn Simchik Screening Room at Red River Theatres, 11 South Main St., Concord, N.H. Admission is $10 per person; for more info, call (603) 224-4600 or visit www.redrivertheatres.org. For more information about the music, visit www.jeffrapsis.com.

Dogs, the French revolution, spies, and trains: Accompanying four feature films in four days

Rin Tin Tin proves way smarter than his human co-stars in 'The Night Cry' (1926), coming up on Thursday, July 9 at the Flying Monkey Moviehouse in Plymouth, N.H.

I'm revving up for what amounts to a home stretch of silent film accompaniment prior to taking some time away from the keyboard for the rest of the month.

That means four films in four days, and in four different theaters, too. It's the silent film equivalent of hitting for the cycle, I guess.

But before getting into the details, let me address yesterday's screening of 'The Big Parade' (1925) in 35mm at the Somerville Theatre in Davis Square.

An original poster for 'The Big Parade' (1925).

We had a pretty strong turnout for the last day of a three-day holiday weekend—and for a matinee on a beautiful summer day at that. It wasn't too long ago when Davis Square was all but shut down, the streets clogged with four feet of snow.

But they came to see 'The Big Parade,' in the form of a great 35mm print on an enormous screen in a big old movie theater. (And unlike all the 4th of July parades this year in my home state of New Hampshire, there was nary a presidential candidate to be seen.)

It's a familiar film to me that I love accompanying. And because it's one of the big ones, it's worth reviewing prior to a screening just to make sure all the cues and cuts are fresh in your head.

This is especially important with my referee's whistle, which I match to the half-dozen times a whistle gets blown on screen as a key part of the action: the police who break up the fight in Champillon, the mail call scene, and several other points.

I think it adds a nice burst of sonic realism, but of course it has to be right on the money if it's going to work and not draw attention to itself. So it's worth getting to know those points of the film extremely well.

Same with the bugle calls, of which 'The Big Parade' has several. And on that score, not all bugle calls are alike. The purist in me, for instance, knows you really shouldn't play "Reveille" when the troops are being called to chow, as happens in 'The Big Parade.'

Instead, you should play "Mess Call," which goes like this:

Likewise, when a bugle is played calling the troops to assemble and move out, you ought to play "To Arms," which sounds like this:

Most people at a screening wouldn't know the difference. But for those who might, it's one more thing done "right" that doesn't break the mood and thus keeps the spell of silent film intact.

As you may know, all bugle calls are based on a simple triad, or the notes in a major chord. Because of that, it makes them easy to fit around other material—including the big love theme I was using in yesterday's score.

So this all works out really well in the big "moving out" sequence in 'The Big Parade,' where repeated shots of a bugler alternate with scenes of the troops assembling, and then footage of John Gilbert and Renee Adorée frantically searching for each other amid the chaos.

I was able to mix "To Arms" with the love theme pretty fluently, modulating all over the place and sometimes even playing the love theme using the rhythms of the bugle call just to add to the chaos.

Renee Adorée and John Gilbert providing reason for a "love theme" in 'The Big Parade' score.

But the most important thing about 'The Big Parade' is to HOLD BACK. As powerful as many of its scenes are, it's crucial to save something for the climactic battle scene, which Vidor cut together with the rhythm of a good 4th of July fireworks show.

At the battle's true climax, the screen is filled with a blinding series of rapid explosions that lasts only just a few seconds, but it's enough—any more would have probably been excessive. And it's only THEN that you hold nothing back, musically, I think.

So: KABOOM BOOM BOOM BOOM BOOM BOOM BOOM BOOM BOOM!

Tom O'Brien, John Gilbert, and Karl Dane prepare for the climactic battle.

At the end, it was gratifying to hear such strong applause for this 90-year-old picture that still plays so well. It's a great honor to do music for it, especially on a 4th of July weekend, and I hope to play for it again very soon.

Okay, here's a brief round-up of the four upcoming screenings. I'll post detailed press releases later as we get closer. If nothing else, this is just to help me keep them all straight.

I had no idea that dog star Peter the Great started out as a stunt double for fellow canines Strongheart and Thunder the Wonder Dog.

• Thursday, July 9, 2015, 6:30 p.m.: "A Dog Double Feature" spotlighting silent-era canine stars Peter the Great and Rin Tin Tin; The Flying Monkey Movie House and Performance Center, 39 South Main St., Plymouth, N.H.; (603) 536-2551; . In 'The Sign of the Claw,' a police dog helps solve a crime wave. The only surviving film of Peter the Great, a popular German shepherd performer. 'The Night Cry' (1926) finds iconic dog superstar Rin Tin Tin accused of killing sheep. Can he find the real bandit and clear his name? Part of a monthly silent film series at a newly restored moviehouse in Plymouth, N.H. Admission, $10 per person.

With hair like that, no wonder there was a revolution.

• Friday, July 10, 2015, 7 p.m.: "Orphans of the Storm" (1921); Red River Theatres, 11 South Main St., Concord, N.H.; (603) 224-4600; http://www.redrivertheatres.org/. Just in time for Bastille Day, D.W. Griffith's sweeping story of two sisters (Lillian and Dorothy Gish) caught up in the throes of the French revolution. Griffith's last major box office success fills the screen with a succession of iconic images. Silent film with live music at this popular venue for independent and arthouse cinema in New Hampshire's state capital. Admission $10 per person.

In my favorite scene from 'Hands Up!' (1926), Raymond Griffith teaches his Native American captors the latest dance moves.

• Saturday, July 11, 2015, 7 p.m.: "Hands Up!" (1926) starring Raymond Griffith; Brandon Town Hall and Community Center, Main Street/Route 7, Brandon, Vt.; http://www.brandontownhall.org. We mark the 150th anniversary of the end of the Civil War with this uproarious Raymond Griffith comedy. A southern spy must work every angle to prevent a shipment of western gold from reaching Union forces. Plus Laurel & Hardy comedy shorts! Join us for series silent films and live music in a wonderfully restored town hall in Brandon Vt. that features great acoustics. Admission free, donations accepted, with proceeds to help continuing preservation work.

Looking for big-screen thrills and spills? With 'The Great K & A Train Robbery' (1926), even this poster is action-packed.

• Sunday, July 12, 2015, 4:30 p.m.: "The Great K & A Train Robbery" (1926) starring Tom Mix; Wilton Town Hall Theatre, Main Street, Wilton, N.H.; (603) 654-3456; www.wiltontownhalltheatre.com. Treachery on the rails as our hero goes undercover to learn who is tipping the bandits. One of the best Tom Mix films, with plenty of action and some fantastic stunt work. Part of a series of silent films with live music at a theater where movies have been shown since 1912! Admission free, donations of $5 per person encouraged.

Hope to see you at one or more of these screenings. And if anyone makes it to all four, I'll buy you lunch at the nearest White Castle. (Transportation not included. By the way, it's in the Bronx.)

Tired of snow? At Somerville Theatre, Rin Tin Tin heats up the screen this weekend!

It's true: Canine star Rin Tin Tin usually came across as more intelligent than his human co-stars.

We've already got as much as five feet snow on the ground here, and more is supposed to fall this weekend.

But it'll take more than mere snowflakes to stop Rin Tin Tin from racing across the Somerville Theatre's big screen on Sunday afternoon.

Yes, we restart our monthly series of silent film programs at the Somerville on Sunday, Feb. 8 with a rip-roaring Rin Tin Tin double feature!

The program starts at 2 p.m. and includes two crackerjack adventures starring everyone's favorite silent-era canine star. And trust me: these pictures really move. There's a reason Rin Tin Tin was among the most popular performers in silent film.

First up is 'Clash of the Wolves' (1925), a fast-paced adventure set out West in prospecting country.

By the way, it's not the old West. The film is actually set in the current day, with Tin Lizzies and other features of then-contemporary life.

But it's old now. And one of the joys of watching a film like this is to see what life was like in a great time of transition.

It's followed by 'The Night Cry' (1926), a film set in California's ranching country. This melodrama pits Rinty against an unusual nemesis. (Come see for yourself.)

They're both being shown via 35mm prints supplied by the Library of Congress, and with live music by me!

Add in an audience and the Somerville Theatre's great vintage theater ambiance, and you have all the ingredients needed to resurrect the original excitement of the silent film experience.

Even cat lovers will enjoy this program! More details in the press release below.

Hope to see you at the Somerville this Sunday afternoon!

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TUESDAY, JAN. 27, 2015 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Rin Tin Tin leaps back into action Sunday, Feb. 8 on Somerville Theatre's big screen

Legendary dog star races to the rescue in double feature of rare classic silent adventure films, presented in 35mm and with live music

SOMERVILLE, Mass. — He couldn't speak. But that was no handicap for a star during the silent film era.

He was Rin Tin Tin, the legendary German Shepherd dog whose popularity rivaled that of any human performer when the movies were brand new.

See for yourself on Sunday, Feb. 8 at 2 p.m., when the Somerville Theatre screens a double feature of vintage Rin Tin Tin silent adventure films in 35mm and with live music.

In 'Clash of the Wolves' (1925), Rin Tin Tin plays a wild wolf who befriends a prospector; together they hunt down a criminal intent on jumping the prospector's claim and stealing his girl.

In 'The Night Cry' (1926), Rin Tin Tin is unjustly accused of killing sheep in ranching country; this forces him to flee for his life and hunt down the true killer on his own.

Both films are rarely seen on the big screen now due to lack of availability of prints. For the Feb. 8 program, the Somerville is making use of restored 35mm prints on loan from the U.S. Library of Congress.

Both melodramas were produced by then-struggling Warner Brothers and proved immensely popular around the world, with audiences marvelling at the then-new German Shepherd breed's feats of derring-do as he often out-smarted his human co-stars.

At the time,studio executives referred to Rin Tin Tin "the mortgage lifter" because the dog's pictures helped rescue the ailing studio from bankruptcy.

Rin Tin Tin was so popular, he was named "Best Actor" at the first-ever Academy Awards in 1929 until ceremony officials decided on a re-vote in favor of human performer Emil Jannings.

Both films at the Somerville will be accompanied live by silent film musician Jeff Rapsis, who uses a digital synthesizer to recreate the texture of a full orchestra.

"The Rin Tin Tin films are great pictures for audience reaction, even today," Rapsis said. "They're full of fast-paced action, great stunts, and above all they really move!"

"If you're new to the silent film art form, seeing the Rin Tin Tin pictures in a theater with live music is a terrific way to get acquainted with the enduring power of this kind of movie-making," Rapsis said.

Our canine hero attends to some important studio business.

Rin Tin Tin remained popular throughout the silent film era and until his death in 1932, which made headlines around the globe. But his progency went on to star in later films and TV shows, keeping the name before the public for generations.

Rin Tin Tin's descendants are still bred, continuing the bloodline to the present day. The ongoing Rin Tin Tin phenomenon inspired a recent book, "Rin Tin Tin: The Life and the Legend" by New Yorker writer Susan Orlean.

The Rin Tin Tin double feature opens the Somerville's 2015 "Silents, Please!" program, which aims to recreate the silent film experience as early movie audiences knew it.

Each month, the Somerville Theatre will screen a silent film program in the facility's 900-seat main theatre, always in 35mm and with live music.

"These are the films that caused people to first fall in love with the movies, and they're also part of our theater's heritage," said Ian Judge, general manager of the Somerville, which celebrated its 100th birthday last year.

"When you put the silent film experience back together, it's amazing how the movies jump to life," Judge said. "You can really get a sense of why people got so excited about movies when they were new."

Upcoming programs in the Somerville Theatre's "Silents, Please!" series include:

• Sunday, March 8, 2015, 2 p.m.: 'A Silent Surprise: W.C. Fields Double Feature.' Long before his nasal twang resounded throughout movie theaters, a younger W.C. Fields had a very successful career as a silent film actor. In 'Sally of the Sawdust' (1925), Fields plays a circus con artist who adopts an orphan (directed by no less than D.W. Griffith!); 'Running Wild' (1927) finds Fields as a hen-pecked husband who turns to hypnosis to assert control in his household.

• Sunday, April 5, 2015, 2 p.m.: The original 'Ten Commandments' (1923). Long before Charlton Heston played Moses in Technicolor, director Cecil B. DeMille filmed this silent blockbuster on a grand scale. Many say it surpasses the remake! See for yourself, on Easter Sunday, in a 35mm print provided by the Library of Congress.

• Sunday, May 3, 2015, 2 p.m.: 'The Cameraman' (1928) starring Buster Keaton. Stone-faced Buster attempts to impress the girl of his dreams by becoming a glamorous newsreel cameraman, with disastrous (but hilarious) results. A classic comedy from the peak of the silent film era.

• Sunday, June 7, 2015, 2 p.m.: 'Show People' (1928) starring Marion Davies, William Haines, directed by King Vidor. A young woman tries to break into the movies as a dramatic actress, but can only find work as a pie target in slapstick comedies. Director King Vidor's insider valentine to silent-era movie-making is packed with eye-popping cameo appearances of everyone from John Gilbert to Charlie Chaplin! Plus warm-up comedy 'Play Safe' (1927) starring Monty Banks, with what's regarded as the greatest train chase sequence of the silent era.

• Sunday, July 5, 2015, 2 p.m.: 'The Big Parade' (1925) starring John Gilbert, Renee Adoree, directed by King Vidor. Sweeping World War I saga about U.S. doughboys signing up and shipping off to France, where they face experiences that will change their lives forever—if they return.

A double feature of silent-era Rin Tin Tin adventures will be shown in 35mm and with live music on Sunday, Feb. 8 at 2 p.m. at the Somerville Theatre, 55 Davis Square, Somerville, Mass. Tickets are $15 per person, with discounts for students and seniors. For more info, call the theater at (617) 625-5700 or visit www.somervilletheatreonline.com. For more info on the music, visit www.jeffrapsis.com.

Silent screen animal magnetism: 'Rin Tin Tin' in Wilton, N.H. on Sunday, June 15

Rin Tin Tin is accused of killing sheep in 'The Night Cry' (1926).

I'm in the midst of a four-day silent film accompaniment mini-marathon, with screenings each day in four different locations.

The climax comes on Sunday, June 15, when we launch our 'All-Star Animal Summer Silent Film Extravaganza' at the Wilton Town Hall Theatre.

This three-month series of pictures starring animals open with a pair of crackerjack Rin Tin Tin features: 'Where the North Begins' (1923) and 'The Night Cry' (1926).

These are great films for audience reaction. I've just looked at 'The Night Cry,' which I wasn't familiar with, and you can see why these films were so popular.

So I encourage everyone to attend, with one caution.

Many of these pictures (including the two we're showing on Sunday) contain scenes of violence, gun play, and more. So parents with very young or sensitive children should be aware.

I think most kids (and adults, too) who might be bothered by such things should be fine if they're told in advance, and if they're reminded it's only a movie.

More info about the series and the Rin Tin Tin films is below.

Tonight I make the trek to Brandon, Vt., where we're doing a program of Harold Lloyd films.

And then it's back to New Hampshire, where I'm hiking up Mount Monadnock on Sunday prior to the animal films in Wilton. I figger that'll help get me in the mood.

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Rin Tin Tin in a quiet moment on set with frequent co-star June Marlowe.

SUNDAY, JUNE 1, 2014 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Wilton (N.H.) Town Hall Theatre to run classic animal movie series this summer

Opening program on Sunday, June 15 features
'Rin Tin Tin' double feature with live music

WILTON, N.H. — They couldn't speak, but that was no handicap in the silent film era.

They were the great animal stars of early Hollywood: amazing dogs, horses, and monkeys who became as popular as any human performer when the movies were young.

See for yourself this summer how animal stars helped establish the popularity of motion pictures with the Wilton Town Hall Theatre's summer-long retrospective of the great non-human performers of early cinema.

Dubbed "The All-Star Animal Summer Silent Film Extravaganza," the series runs from June through August and encompasses a total of 13 silent feature films with animals of all types in the lead roles.

The series launches on Sunday, June 15 with a double feature of action films starring Rin Tin Tin, the German Shepherd who became the most popular animal star of the silent film era.

Often known as "Rinty," the dog starred in more than a dozen feature films in the 1920s, playing a large part in building the Warner Bros. studio into the powerhouse that it remains today.

'Where the North Begins' (1923), Rinty's first starring vehicle, finds our canine hero raised by a pack of wolves, befriending a fur trapper, and accused of killing a baby before all is made right.

In 'The Night Cry' (1926), a giant condor is killing sheep and Rinty is unjustly accused. Can he clear his name and save the farm at the same time?

"These animal pictures were hugely popular during the silent era, and it's easy to see why," said Dennis Markaverich, owner/operator at the Wilton Town Hall Theatre. "They're full of action and adventure, and it's going to be a real thrill to see them back on the big screen this summer."

Live music for the June 15 opening and all subsequent screenings will be performed by Jeff Rapsis of Bedford, N.H., one of the nation's leading silent film accompanists.

All shows will be free and open to the public, with a suggested donation of $5 per person to help defray expenses.

Besides well-known stars such as Rin Tin Tin, the series will include the work of more obscure performers such as Thunder the Dog, Strongheart (another German Shepherd), and the only surviving film featuring pachyderm star Oscar the Elephant. Other pictures feature monkeys, lions, and even dinosaurs.

"At their heart, these pictures capitalized on people's love of animals to produce great entertainment," Rapsis said. "They still work, and really do come to life when shown in a theater with live music and an audience. Also, because of the passage of time, they're perhaps even more interesting today than they were when first released."

The films will be shown during June, July, and August. Upcoming programs include:

• Sunday, June 29, 4:30 p.m.: 'Ride with Rex the Wonder Horse.' Two action-packed equine adventures starring Rex the Wonder Horse. In 'Wild Beauty' (1926), Rex plays an untamed horse used by the villains (humans, of course) to foil a high-stakes derby, with unexpected results. In 'The Devil Horse' (1926), Rex aids pioneers on the Great Plains in battling a fierce tribe of Native Americans.

• Sunday, July 6, 4:30 p.m.: 'Lions & Dinosaurs Double Feature.' Two classic animal-centric features from the silent era, both inspired by British literature. 'Tarzan and the Golden Lion' (1927), an early screen adaptation of the Edgar Rice Burroughs novel, finds Tarzan adopting an orphaned lion cub, with unexpected results. And Sir Arthur Conan Doyle's epic 'The Lost World' (1925), about an expedition to a plateau still inhabited pre-historic creatures, paved the way for all dinosaur pictures to come.

• Sunday, July 20, 4:30 p.m.: 'A Dynamic Doggie Duo.' Explore the action-packed work of two popular canine stars from Hollywood's silent era. 'Phantom of the Forest' (1926) finds Thunder the Dog in California's wild Redwood country, where he thwarts a crook planning to steal oil-rich land from its owner and saves a baby from a forest fire. In 'The Return of Boston Blackie' (1927), Strongheart the German Shepherd plays sidekick to the famous jewel thief, freshly out of jail and trying to turn over a new leaf.

• Sunday, Aug. 17, 4:30 p.m.: 'A Pair of Pachyderms in Big Roles.' A double feature of films with elephants! 'Soul of the Beast' (1923) stars Oscar the Elephant, who accompanies a circus runaway fleeing a mean stepfather. In 'Chang' (1927), shot on location in rural Siam (now Thailand), a native family in the back country battles the jungle for survival. Chang was nominated for the Academy Award for Unique and Artistic Production at the first Academy Awards in 1929, the only year when that award was presented.

• Sunday, Aug. 31, 4:30 p.m.: 'A Triple Feature Finale.' His Master's Voice' (1925) finds Thunder the Dog helping human co-star George Hackathorne overcome his cowardice on the battlefield; in 'The Return of the Grey Wolf' (1923), Leader the Dog comes to the aid of his master, a fur trapper blinded in an accident; and in 'Guardians of the Wild' (1928), Rex the Wonder Horse returns to help the good guys fight the bad guys over the fate of a pristine patch of wilderness that he calls home.

The "All-Star Animal Summer Silent Film Extravaganza" begins with a double feature of movies featuring canine superstar Rin Tin Tin on Sunday, June 15 at 4:30 p.m at the Wilton Town Hall Theatre, 40 Main St., Wilton, N.H. Admission is free, with a donation of $5 per person suggested to help defray expenses. For more info, call (603) 654-3456 or visit www.wiltontownhalltheatre.com. For more info on the music, visit www.jeffrapsis.com.