Showing posts with label silent comedy. Show all posts
Showing posts with label silent comedy. Show all posts

Sunday, September 1, 2024

Finish Labor Day weekend with W.C. Fields in 'Running Wild' Monday, 9/2 in Greenfield, Mass.

A mustachioed W.C. Fields and co-star Mary Brian in a promotional lobby card for 'Running Wild' (1927).

Finish out this Labor Day weekend with a silent comedy starring W.C. Fields—a performer few think of as silent.

Fields plays the head of a family, sort of, in 'Running Wild' (1927), a silent comedy I'm accompanying on Monday, Sept. 2 at 6:30 p.m. at the Garden Cinemas in downtown Greenfield, Mass.

If you can't imagine W.C. Fields without his trademark nasal twang, I encourage you to check out this film. 'Running Wild' is one a series of silent comedy features starring Fields that were very popular, and which hold up well today.

Although he later achieved true comic immortality in talking features, Fields in his younger years had toured the globe for decades as a performer who specialized in comic juggling and pantomime.

Such skills translated well to the visual medium of the movies, in which he appeared as early as 1915, although he remained primarily a stage performer in the 1920s, often based in New York and headlining lavish reviews.

His first major film role came in 'Sally of the Sawdust' (1925), a circus comedy/drama directed by D.W. Griffith.

Fields' screen presence was enough to prompt Paramount to star him in a series of family comedies released during the remainder of the silent era. Most were filmed on Long Island during the day, allowing Fields to honor his New York stage commitments.

'Running Wild' (1927) is one of the entries, with Fields playing the henpecked husband of a blended household in a kind of 1920s 'Modern Family.'

I hope you'll join us to see how Fields could get laughs without relying on verbal wisecracks. More details in the press release below. See you there!

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A lobby card promoting 'Running Wild' (1927) starring W.C. Fields.

MONDAY, AUG. 19, 2024 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Garden Cinemas to screen rare silent film starring W.C. Fields

'Running Wild' (1927), uproarious comedy to be screened Monday, Sept. 2, shows legendary performer in his earlier prime

GREENFIELD, Mass.—He was a performer who could be recognized just by the sound of his voice.

But prior to reaching iconic fame in talking pictures, comedian W.C. Fields starred successfully in a popular series of silent feature films for Paramount Pictures and other studios in the 1920s.

See the non-talking W.C. Fields for yourself in 'Running Wild' (1927), one of Fields' most highly regarded silent pictures, in a screening on Monday, Sept. 2 at 6:30 p.m. at the Greenfield Garden Cinemas, 361 Main St., Greenfield, Mass..

The screening will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

Admission is $10.50 adults, $8:50 for children, seniors, and students. Tickets are available online or at the door.

W.C. Fields remains famous for his comic persona as a misanthropic and hard-drinking egotist who remained a sympathetic character despite his snarling contempt for dogs, children and women. Although Fields achieved lasting fame as a movie star in talking pictures of the 1930s, his long career encompassed decades on the vaudeville stage as well as a series of silent film roles.

"People find it hard to think of W.C. Fields in silent films, but he was actually quite successful in them," said Rapsis, who will accompany the film using a digital synthesizer.

As a vaudeville performer and juggler, Fields cultivated a form of visual comedy and pantomime that transferred well to the silent screen. Also, as a middle-aged man, he was able to play a family father figure—the kind of role that wasn't open to younger comic stars such as Charlie Chaplin or Buster Keaton.

In all, Fields starred in 10 silent features in the mid-1920s. Several of these films are lost; in those that survive, Fields sports a thick mustache, part of his vaudeville costume as a "vagabond juggler" which he dropped in later years.

A lobby card promoting W.C. Fields in 'Running Wild' (1927).

In 'Running Wild,' Fields plays Elmer Finch, a cowardly and henpecked husband who is disrespected by his stepson, his co-workers, and even the family dog.

But every dog has his day, and Finch's comes when he undergoes hypnosis, which transforms him into a swaggering take-no-prisoners alpha male.

The result is a timeless domestic farce that continues to delight audiences when screened as intended: in a theater, with live music and an audience.

The Garden Cinema's silent film series aims to recreate the full silent film experience, with restored prints projected on the big screen, live music, and the presence of an audience. All these elements are essential to seeing silent films they way they were intended, Rapsis said.

"If you can put it all together again, these films still contain a tremendous amount of excitement," Rapsis said. "By staging these screenings of features from Hollywood's early days, you can see why people first fell in love with the movies."

The next installment in the Garden's silent film series will be 'Running Wild' (1927), to be screened with live music by Jeff Rapsis on Monday, Sept. 2 at 6:30 p.m. at the Greenfield Garden Cinemas, 361 Main St., Greenfield, Mass. Admission is $10.50 adults, $8:50 for children, seniors, and students.

Tickets at the door; advance tickets are available at www.gardencinemas.net. For more information, call the box office at (413) 774-4881.
 

Wednesday, February 8, 2023

Tonight! See Harold Lloyd climb high in 'Safety Last' at the Rex Theatre, Manchester, N.H.

Hanging with Harold: the famous image from 'Safety Last' (1923).

Quick post just to get some details out about tonight's screening of 'Safety Last' in Manchester, N.H.

I'm doing live music for Harold Lloyd's iconic thrill comedy tonight at 7 p.m. at the Rex Theater, 23 Amherst St. Hope to see you there!

Lots more info about the film in the press release, which is pasted in below.

And after tonight's screening, I'll reveal a long-kept secret about Harold that you'll find hard to believe, especially after what you've just seen on the big screen.

Speaking of which, let's check...yes, Harold is still hanging in there. Come to the show to see how it all turns out!

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Harold gets all wound up with a building clock in 'Safety Last' (1923).

WEDNESDAY, JAN. 25, 2023 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Hang on! Rex Theatre to celebrate 100th anniversary of silent film classic 'Safety Last'

Thrill comedy climaxed by Harold Lloyd's iconic building climb; screening with live music on Wednesday, Feb. 8

MANCHESTER, N.H.—It's a cinematic image so powerful, people who've never seen the movie instantly recognize it.

The vision of Harold Lloyd hanging from the hands of a huge clock, from the climax of his silent comedy 'Safety Last,' (1923), has emerged as a symbol of early Hollywood and movie magic.

Celebrate the 100th anniversary of the film's original release with a screening of 'Safety Last' on Wednesday, Feb. 8 at 7 p.m. at the Rex Theatre, 20 Amherst St., Manchester, N.H.

The screening will feature live music for the movie by silent film accompanist Jeff Rapsis. General admission is $10 per person.

The show is the latest in the Rex Theatre's silent film series, which gives audiences the opportunity to experience early cinema as it was intended: on the big screen, with live music, and with an audience.

'Safety Last' follows young go-getter Lloyd to the big city, where he hopes to make his mark in business, then send for his small town sweetheart.

His career at a downtown department store stalls, however, until he gets a chance to pitch a surefire publicity idea—hire a human fly to climb the building's exterior.

But when the human fly has a last-minute run-in with the law, Harold is forced to make the climb himself, floor by floor, with his sweetheart looking on.

The result is an extended sequence filmed without trick photography that blends comedy and terror, holding viewers spellbound.

Lloyd, along with Charlie Chaplin and Buster Keaton, is regarded as one of the silent screen's three great clowns.

Lloyd's character, an ambitious young man ready to struggle to win the day, proved hugely popular in the 1920s.

While Chaplin and Keaton were always favored by the critics, Lloyd's films reigned as the top-grossing comedies throughout the period.

Silent film at the Rex Theatre gives today's audiences the chance to experience early cinema as it was intended: on the big screen, with live music, and with an audience.

"Put the whole experience back together, and you can see why people first fell in love with the movies," said Rapsis, who practices the nearly lost art of live silent film accompaniment.

Rapsis performs on a digital synthesizer that reproduces the texture of the full orchestra, creating a traditional "movie score" sound.

"Seeing 'Safety Last' with an audience is one of the great thrill rides of the cinema of any era, silent or sound," Rapsis said. "Harold's iconic building climb, filmed without trick photography, continues to provoke audience responses nearly 100 years after film was first released."

Tributes to the clock-hanging scene have appeared in several contemporary films, most recently in Martin Scorsese's 'Hugo' (2011), which includes clips from 'Safety Last.'

Celebrate the 100th anniversary of Harold Lloyd's iconic thrill comedy 'Safety Last' (1923) with a screening on Wednesday, Feb. 8 at 7 p.m. at the Rex Theatre, 20 Amherst St., Manchester, N.H.

General admission is $10 per person. Tickets may be purchased online at www.palacetheatre.org, by phone at (603) 668-5588 or at the door.