Showing posts with label N.H.. Show all posts
Showing posts with label N.H.. Show all posts

Thursday, November 11, 2021

This means you! All veterans welcome free to 'Four Horsemen of the Apocalypse' tonight

Rudolph Valentino in 'Four Horsemen of the Apocalypse' (1921). He's the one on the right, by the way.

Tonight I'm doing live music for 'Four Horsemen of the Apocalypse' (1921) at a new venue: the "Showroom," a performance space developed during the pandemic and opened recently by the Colonial Theatre in Keene, N.H.

The Colonial itself has been around since 1924, and among its other distinctions is that it's the theater where a 7-year-old me was traumatized by 'Willy Wonka and the Chocolate Factory' when it played there in 1971. 

If reasons are needed to show 'Four Horsemen,' I can name several: it's the 100th anniversary of the film's release; as a World War I epic, it's fitting for Veterans Day; it launched Rudolph Valentino as a megastar and introduced the tango worldwide; it's a terrific motion picture that shows early Hollywood at its most innovative and ambitious.

And for me, there's one personal reason that makes 'Four Horsemen' worth screening. I think the last line delivered by Nigel De Brulier's character is among the most moving in all cinema. It's not spoiling anything when I share it with you now: "I knew them all!" Watch for it, and you'll see.

So if you're in the area, please consider attending. All veterans welcome free of charge as a way to honor your service. Lots more about the film in the press release below. So march yourself on over to Keene and report for duty tonight at 7 p.m. 

That's an order!

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From 'Four Horsemen of the Apocalypse' (1921): How's that for an image that fills the screen?
 

TUESDAY, NOV. 2, 2021 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

See the epic movie that launched Rudolph Valentino as a megastar

Veterans admitted free to WWI saga 'Four Horsemen of the Apocalypse,' screening with live music on Thursday, Nov. 11 at Colonial Theatre's new 'Showroom' venue

KEENE, N.H.—A movie that launched the career of silent film heartthrob and megastar Rudolph Valentino will be shown on Veterans Day at the Colonial Theatre's new venue in downtown Keene.

'The Four Horsemen of the Apocalypse' (1921), a multi-generational family saga that climaxes during World War I, will be screened with live music on Thursday, Nov. 11 at 7 p.m. the Showroom, 20 Commercial St., Keene, N.H.

Tickets are $13.50 to $15 per person; all veterans will be admitted free to this special Veterans Day screening.

Proof of vaccination or negative results of a COVID-19 PCR test administered within 72 hours are required for admittance to events at Showroom. Also, masks are required to be worn at all times while at the venue.

Based on a novel by Spanish author Vicente Blasco Ibañez, 'Four Horsemen of the Apocalypse' tells the story of an extended Argentine family with mixed ethnic background: one side is German, while the other is French.

The family gets drawn into World War I in far-off Europe, with members ending up on opposing sides. With brothers pitted against one another on the battlefield, the destruction of war changes lives forever.

'The Four Horsemen of the Apocalypse' had a huge cultural impact, becoming the top-grossing film of 1921, beating out Charlie Chaplin's 'The Kid,' and going on to become the sixth-best-grossing film of the silent era.

Also, the film turned then-little-known actor Rudolph Valentino into a superstar, associating him with the image of the Latin Lover. In addition, the film inspired a tango craze and fashion fads such as gaucho pants.

Directed by Rex Ingram for Metro Pictures (a predecessor of MGM studios), 'Four Horsemen' grew into a mammoth production: over $1 million was spent in making it and more than 12,000 people were involved. The film was hugely successful at the box office, grossing nearly $5 million during its initial run, an enormous sum at the time.

The film was notable as one of the first major Hollywood productions to include World War I (then known as the 'Great War') in its storyline, and also in that it did not glorify the recent conflict or look past the tragedy that it brought. It's also among the first U.S. feature films to make full use of the unlimited visual power of the new motion picture medium.

Although Valentino (at left) dominates the film, other actors of note are featured. Alice Terry, the billed star as well as Ingram's wife, was a popular actress of her day. She would be cast in the next Ingram/Valentino flick rushed out in the same year before Rudy's jump to Paramount, The Conquering Power (1921).

Alan Hale Sr. appears in a supporting role; he was perhaps best known as Errol Flynn's sidekick in numerous films, his role of Little John in several Robin Hood flicks, and as the father of Alan Hale, Jr., who played the Skipper on the television series Gilligan's Island.

In 1995, the silent version of 'The Four Horsemen of the Apocalypse' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

Regarding the title: the Four Horsemen of the Apocalypse are mentioned in the Bible in chapter six of the Book of Revelation, which predicts that they will ride during the Apocalypse. The four horsemen are traditionally named War, Famine, Pestilence, and Death.

"This is a big sprawling drama, and a great chance to see Rudolph Valentino in the picture that launched his celebrity," said Jeff Rapsis, a New Hampshire-based silent film accompanist who will create live music for the screening.

Rapsis will improvise live musical accompaniment during the show, using a digital synthesizer to recreate the sound of a full orchestra and other more exotic textures.

"Creating the music on the spot is a bit of a high-wire act, but it contributes a level of energy that's crucial to the silent film experience," Rapsis said. 
 
'The Four Horsemen of the Apocalypse' (1921) will be screened with live music on Veterans Day, Thursday, Nov. 11 at 7 p.m. at the Colonial Theatre's new Showroom, 20 Commercial St., Keene, N.H. Tickets are $13.50 to $15 and must be purchased online at www.thecolonial.org; veterans admitted free.
 
Veterans may walk up with ID at the door or reserve by calling the box office at (603) 352-2033. Due to limited seating, only the attending veteran can be accommodated at no charge.
For more information, visit www.thecolonial.org.

Tuesday, April 3, 2012

'King of Kings' on April 3 at 5:30 p.m.

Okay, just getting a note online here that the 'King of Kings' (1927) screening scheduled for Tuesday, April 3 at the Manchester (N.H.) Public Library starts at 5:30 p.m.. That's a half-hour earlier than our usual starting time of 6 p.m. for these library screenings. We had to move it up because the library closes at 8:30 p.m. and we won't fit the film in if we don't start a bit early.

I'll be doing live music, and anything can happen. An added attraction tonight is that Ryan Liston, a student at the University of New Hampshire, will film the proceedings as part of a project he's doing. I'm not ready for my close-up, but I said it was fine with me.

Here's the press release that went out last month. Hope to see you there tonight as we mark the Easter season with one of the silent film era's big biblical blockbusters!

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MONDAY, MARCH 26, 2012 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Celebrate Easter with 'King of Kings,' silent film epic chronicling life of Jesus Christ

Blockbuster to be screened with live music on Tuesday, April 3 at 5:30 p.m. at Manchester (N.H.) Public Library

MANCHESTER, N.H.—With Easter coming on Sunday, April 8, it's a great time to take in an epic movie depicting the greatest story of all: the crucifixion and resurrection of Jesus Christ. Directed by Cecil B. DeMille and featuring a cast of thousands, ‘The King of Kings’ (1927) stands as one of the sensations of Hollywood’s silent film days. Starring H.B. Warner in the title role, the film broke box office records when first released.

In honor of this year’s Easter season, a restored print of ‘The King of Kings’ will be screened with live music on Tuesday, April 3 at 5:30 p.m. in the Carpenter Auditorium of the Manchester Public Library, 405 Pine St., Manchester, N.H. The screening is a chance to experience this landmark film as it was intended to be seen: in a high quality print on the big screen, with live music and with an audience.

Admission to the screening is free; donations are encouraged to defray expenses. Please note the film's starting time is 5:30 p.m., earlier than the usual starting times for the library's silent film screenings, to accommodate the film's 2½-hour length.

As a movie, ‘The King of Kings’ was designed to push the limits of Hollywood story-telling. Director DeMille, already famous for over-the-top historical epics such as the original ‘Ten Commandments’ (1923), demanded and got a then-astronomical budget of $2 million, which he used to construct massive sets, hire thousands of extras, and stage an enormous earthquake and howling hurricane at the film’s climax.

“The monumental devastation unleashed by Christ’s crucifixion dwarfs even the cataclysmic Holy Grail finale of ‘Indiana Jones and the Last Crusade,’ ” wrote film historian Charles Musser in 1992, observing that “raw material and non-union labor gave more bang for the buck in 1927.”

The cast included early Hollywood star H.B. Warner as Jesus Christ, winning plaudits for his portrayal of the lead role. (Warner’s later roles included that of druggist Mr. Gower in Frank Capra’s 1946 Christmas classic ‘It’s a Wonderful Life.’) Playing Peter is character actor Ernest Torrence, famous as Captain Hook in the original version of ‘Peter Pan’ (1924); the role of Judas is acted by Joseph Schildkraut, already a Hollywood veteran who later went on to play Nicodemus in ‘The Greatest Story Ever Told’ (1965), a much-later Hollywood epic on the same topic.

Critics remain impressed by the film’s epic sweep, although they often dismiss how DeMille pandered to a mass audience. “It’s a stupendous exhibition by any standard, though you can practically smell the sawdust and greasepaint,” wrote critic Peter Matthews in 2004. “Despite the baloney (or because of it), ‘The King of Kings’ captures the fervor of naïve devotion. On that level, the movie is a genuinely uplifting experience,” Matthews wrote.

The film will be accompanied by live music performed by local composer Jeff Rapsis, who specializes in improvising scores to silent films. Rapsis uses a digital synthesizer to recreate the texture of the full orchestra, complete with soaring brass and crashing percussion.

‘The King of Kings’ is the latest in a series of monthly silent film screenings at the Manchester Public Library. The series aims to recreate the lost magic of early cinema by bringing together the elements needed for silent film to be seen at its best.

‘The King of Kings’ will be shown one time only on Tuesday, April 3 at 5:30 p.m. in the Carpenter Auditorium of the Manchester Public Library, 405 Pine St., Manchester, N.H. Free admission; donations encouraged to help defray expenses. For more info, call (603) 624-6550. For more about the music, visit www.jeffrapsis.com.

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