2024 Silent Film Season in Brandon, Vt. concludes Saturday, Nov. 16 with 'Barbed Wire' (1927)

A lobby card for Paramount's 'Barbed Wire' (1927) starring Pola Negri.

This Saturday, it's up to Brandon, Vt. (about 2.5 hours) for the final screening of the 2024 season: 'Barbed Wire' (1927), a World War I drama that kind of bridges the season between Veterans Day and the holiday season.

It's also the final screening of silent films organized by the Friends of the Town Hall, a volunteer group that's worked for a quarter-century to rescue and restore Brandon's vintage 19th century town hall after a long period of abandonment and neglect.

The group is disbanding after this season, with the town recreational department taking over management of the venue. I'm pleased to say arrangements are in place for another season of monthly silent film programs starting in May 2025.

But I will certainly miss working with the Friends of the Town Hall volunteers and their long-tenured leader, Dennis Marden. He's the one who got me to start coming to Brandon back in 2010, and he's kept things fun and lively ever since.

He and his group have also transformed the formerly forbidding facility into a warm, inviting and versatile community center. Through physical improvements (like adding heat!) to bringing in a wide range of programming (yes, silent films, too!), their labors have given the Brandon community a great big gift—a vibrant gathering place that most communities can only dream of.

The imposing exterior of Brandon Town Hall, which dates from the 1860s.
 

The interior of Brandon Town Hall set up for an event. 

And my feeling is that in this day and age, we need places to gather and have shared experiences more than ever.

So if you happen to be within sledding distance of Brandon, Vt. this Saturday, why not join us for the shared experience of Pola Negri in 'Barbed Wire' (1927)? 

Lots more info in the press release below...

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A vintage one-sheet promoting the World War I drama 'Barbed Wire' (1927).

MONDAY, NOV. 11, 2024 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent film classic 'Barbed Wire' at Brandon Town Hall on Saturday, Nov. 16

Drama starring Pola Negri set in World War I prison camp to be screened with live music; highlighted by unusual Christmas scene

BRANDON, VT. — A rarely shown World War I prison camp drama with an unusual Christmas sequence will fill the big screen when 'Barbed Wire' (1927) is revived on Saturday, Nov. 16 at 7 p.m. at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt.

'Barbed Wire,' a silent drama starring Pola Negri and Clive Brook, will be screened with live music by Jeff Rapsis, a New Hampshire-based silent film accompanist.

All are welcome to this family-friendly event. Admission is free, with free will donations accepted in support of ongoing Town Hall renovations.

Set in rural France, 'Barbed Wire' dramatizes the human conflicts that occurred throughout Europe during what was known as 'The Great War.'

In a small village, Mona Moreau (Pola Negri) and her aging father work their farm to feed the brave young men fighting for France. But when their farm is commandeered to build a camp for German POWs, they must feed the prisoners as well.

In the beginning, Mona resents the German prisoners she is forced to feed, but soon she begins to empathize with them. Mona's sympathies begin to raise the suspicion of her neighbors and worst of all, she fears she may be falling in love with handsome prisoner Oskar Muller (Clive Brook).

The relationship is opposed by the townspeople, who ostracize the girl's family, setting in motion dramatic events shaped by war, prejudice, forbidden love, and shared humanity.

"The ending of 'Barbed Wire' astounds viewers today because of the bitter lessons it tries to extract from the wartime experience, and how applicable they are to our world right now, so many years later," Rapsis said.

"At the time, society had just been through a global conflict fueled by hatred, bigotry, and intolerance, and people knew what that led to. They knew. And we can learn from them still," Rapsis said.

An original lobby card for 'Barbed Wire' (1927).

Directed by Rowland V. Lee for Paramount Pictures, a highlight of 'Barbed Wire' is a sequence in which the German prisoners celebrate a traditional Teutonic Christmas, by turns solemn and rowdy, despite being incarcerated.

Accompanist Jeff Rapsis specializes in creating music that bridges the gap between an older silent film and the expectations of today's audiences.

Using a digital synthesizer that recreates the texture of a full orchestra, he improvises scores in real time as a movie unfolds, so that the music for no two screenings is the same.

"It's kind of a high wire act, but it helps create an emotional energy that's part of the silent film experience," Rapsis said. "It's easier to support the emotional line of the movie and the audience's reaction when I'm able to follow what's on screen, rather than be buried in sheet music," he said.

Because silent films were designed to be shown to large audiences in theaters with live music, the best way to experience them is to recreate the conditions in which they were first shown, Rapsis said.

The screening is sponsored by Jean and Harold Somerset, Nancy and Gary Meffe, Bethany and Andrew Menkart, and the American Legion Post 55, Brandon.

'Barbed Wire' will be shown with live music on Saturday, Nov. 16 at 7 p.m. at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt. All are welcome to this family-friendly event. Admission is free, with free will donations accepted in support of ongoing Town Hall renovations. 

'The Big Parade' (1925) on Thursday, 11/29 at Merrimack College, North Andover, Mass.

Vintage promotional art for 'The Big Parade' (1925).

With so many screenings to commemorate the 100th anniversary of the Armistice this month, it's starting to feel like I'm fighting World War I all over again.

Whether it's the aerial drama of 'Wings' (1927) or Chaplin yukking it up in 'Shoulder Arms' (1918), November has been a long march through movies about the "Great War."

Speaking of marching, next up is 'The Big Parade' (1925), the sweeping WWI epic directed by King Vidor that became the top-grossing film of its day.

See why by experiencing it on the big screen with live music on Thursday, Nov. 29 at 7 p.m. at the Rogers Center for the Arts at Merrimack College in North Andover, Mass.

Details in the press release below. Hope to see you there.

Right now, I'm fresh off scoring a screening of 'Barbed Wire' (1927), a great Pola Negri drama set in France during (you guessed it) the WAR.

A scene from 'Barbed Wire' (1927).

Unusually, 'Barbed Wire' is not about the action at the front. Instead, the film focuses on the war's effect on a small rural village in France.

It's a tightly constructed drama with strong performances by Negri and Clive Brook in the lead roles, and Clyde Cook supplying comic relief. Even hard-working character actor Gustav von Seyffertitz shows up.

'Barbed Wire' also has a surprisingly moving Christmas scene, with captured German soldiers celebrating the season in a prison camp. So it's worth putting on the screen at this time of year.

Our audience at the Manchester (N.H.) Historic Association really seemed to enjoy the picture. The music came together quite nicely for the dramatic scenes, I thought, and Clyde Cook's antics got actual laughs!

Brook, by the way, has emerged as one of my favorite actors of the era. Everything I've seen him in, he's great. And he's flat-out terrific as the down-on-his-luck attorney in 'Underworld,' released just after 'Barbed Wire.'

On my list to see someday: Brook playing the title role in the early talkie 'Sherlock Holmes' (1932).

So many films, so little time!

Well...Hope you have time for 'The Big Parade' tomorrow night. See you there!

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John Gilbert and Renée Adorée commit massive public display of affection in 'The Big Parade' (1925).

TUESDAY, NOV. 20, 2018 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis at (603) 236-9237 • e-mail jeffrapsis@gmail.com

Epic WWI drama 'The Big Parade' to be screened on Thursday, Nov. 29 at Rogers Center

To be shown with live music to commemorate 1918 Armistice; blockbuster silent film changed the way Hollywood depicted battle on the screen

NORTH ANDOVER, Mass. — It was the 'Saving Private Ryan' of its time — a movie that showed audiences war as experienced by a front line soldier whose life is changed forever by its horrors.

It was 'The Big Parade' (1925), a sprawling World War I epic and a box office sensation that made MGM into a powerhouse studio.

'The Big Parade' will be screened one time only at the Rogers Center for the Performing Arts on Thursday, Nov. 29 at 7 p.m. The screening, part of the Rogers Center's Tambakos Film Series, is open to the public and admission is free.

The Rogers Center is located on Walsh Way on the campus of Merrimack College, 315 Turnpike St., North Andover, Mass.

The screening coincides with the 100th anniversary of the Armistice of Nov. 11, 1918, which ended the fighting of World War I.

The show will feature live accompaniment by silent film musician Jeff Rapsis.

'The Big Parade,' released just a few years after World War I ended, was hailed by critics as the first Hollywood film to depict the harsh reality of combat and its impact on troops. Its hellish battle scenes were staged on a massive scale and still retain their ability to shock audiences.

The picture, based on the best-selling novel "What Price Glory?", follows the story of a young man (John Gilbert) who rebels against his privileged background by enlisting in the army just before the U.S. enters World War I.

Comedy, romance, and a cow in 'The Big Parade' (1925).

He is shipped out to France, where he falls in love with a local French woman before being transferred to the front. There, he and his squadmates face the German war machine, where they must endure the ultimate tests of duty and honor in a battle they come to see as meaningless.

In addition to vivid war scenes, the film contains a famous dramatic sequence in which the French woman (Renée Adorée) realizes her love for the soldier, and tries to find him to say goodbye as the massive convoy of troops pulls out for the front. Another celebrated sequence depicts the light-hearted first meeting of the soldier and the girl, in which he teaches her how to chew gum.

'The Big Parade' went on to become the top-grossing movie of the entire silent film era, earning $6.4 million domestically and making director King Vidor into the Steven Spielberg of his day. It stood as MGM's biggest single box office hit until the release of 'Gone With the Wind' in 1939.

Rapsis will improvise a musical score to the film in real time. In creating accompaniment for the 'The Big Parade' and other vintage classics, Rapsis tries to bridge the gap between silent film and modern audiences.

"Live music adds an element of energy to a silent film screening that's really crucial to the experience," Rapsis said. " 'The Big Parade' is filled with great scenes that lend themselves well to music. It's a real privilege to create a score to help this great picture come back to life," Rapsis said.

MGM's silent blockbuster ‘The Big Parade’ will be shown with live music on Thursday, Nov. 29 at 7 p.m. at the Rogers Center, located on Walsh Way on the campus of Merrimack College, 315 Turnpike St., North Andover, Mass. Admission is free. For more information, call the Rogers box office at (978) 837-5355.

Time for another time change: Tomorrow's screening of 'Barbed Wire' starts at 5:30 p.m.

And you thought you were finished when you set your clocks back one hour earlier this month!

Well, if you're planning to attend a screening of 'Barbed Wire,' time for another adjustment.

The screening is Wednesday, Nov. 28 at the Millyard Museum in Manchester, N.H.

But the starting time is 5:30 p.m., not 7 p.m., which is the time that I inadvertently had in an e-mail I sent out to my mailing list about a month ago.

I'm sending out a follow-up today to make sure people know the correct starting time.

In the meantime, I hope you'll take time to come see this little-known Pola Negri film, which turns out to be a powerful World War I drama with a lot to say to us today, more than a century since the Armistice.

I first saw it a few years ago at the Kansas Silent Film Festival, and was struck by the intense emotion of the story.

And I was also thrilled to see it had a genuinely moving Christmas scene! There's no silent film equivalent of 'It's a Wonderful Life,' but 'Barbed Wire' turns out to be very much a film to remind us of the true meaning of the holiday season.

All that will come together, I hope, at the Millyard Museum. I want to thank my friends at the Manchester Historical Association for including silent film with live music as part of their programming!

And see you there...at 5:30 p.m.!

More info about the film and the screening is in the press release below.

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MONDAY, NOV. 5, 2018 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent film classic 'Barbed Wire' at Manchester Historic Association on Wednesday, Nov. 28

Drama starring Pola Negri set in World War I prison camp to be screened with live music in Millyard Museum; highlighted by unusual Christmas scene

MANCHESTER, N.H. — A rarely shown World War I prison camp drama with an unusual Christmas sequence will once again fill the big screen when 'Barbed Wire' (1927) is revived on Wednesday, Nov. 28 at 5:30 p.m. at the Manchester Historic Association's Millyard Museum, 200 Bedford St., Manchester, N.H.

'Barbed Wire,' a silent drama starring Pola Negri and Clive Brook, will be screened with live music by Jeff Rapsis, a New Hampshire-based silent film accompanist.

Admission is $5 for members; $7 for non-members. Attendees are asked to call the Millyard Museum at (603) 622-7531 to reserve a seat or visit www.manchesterhistoric.org to buy tickets online.

Set in rural France, 'Barbed Wire' dramatizes the human conflicts that occurred throughout Europe during what was known as 'The Great War.'

In a small village, Mona Moreau (Pola Negri) and her aging father work their farm to feed the brave young men fighting for France. But when their farm is commandeered to build a camp for German POWs, they must feed the prisoners as well.

In the beginning, Mona resents the German prisoners she is forced to feed, but soon she begins to empathize with them. Mona's sympathies begin to raise the suspicion of her neighbors and worst of all, she fears she may be falling in love with handsome prisoner Oskar Muller (Clive Brook).

The relationship is opposed by the townspeople, who ostracize the girl's family, setting in motion dramatic events shaped by war, prejudice, forbidden love, and shared humanity.

"The ending of 'Barbed Wire' astounds viewers today because of the bitter lessons it tries to extract from the wartime experience, and how applicable they are to our world right now, so many years later," Rapsis said.

"At the time, society had just been through a global conflict fueled by hatred, bigotry, and intolerance, and people knew what that led to. They knew. And we can learn from them still," Rapsis said.

Directed by Rowland V. Lee for Paramount Pictures, a highlight of 'Barbed Wire' is a sequence in which the German prisoners celebrate a traditional Teutonic Christmas, by turns solemn and rowdy, despite being incarcerated.

The film is being screened in conjunction with the Millyard Museum exhibit "Manchester and the Great War," currently on display now through Dec. 31, 2018.

Accompanist Jeff Rapsis specializes in creating music that bridges the gap between an older film and the expectations of today's audiences. Using a digital synthesizer that recreates the texture of a full orchestra, he improvises scores in real time as a movie unfolds, so that the music for no two screenings is the same.

"It's kind of a high wire act, but it helps create an emotional energy that's part of the silent film experience," Rapsis said. "It's easier to support the emotional line of the movie and the audience's reaction when I'm able to follow what's on screen, rather than be buried in sheet music," he said.

Because silent films were designed to be shown to large audiences in theaters with live music, the best way to experience them is to recreate the conditions in which they were first shown, Rapsis said.

"Films such as 'Barbed Wire' were created to be shown on the big screen to large audiences as a communal experience," Rapsis said. "With an audience and live music, silent films come to life in the way their makers intended. Not only are they entertaining, but they give today's audiences a chance to understand what caused people to first fall in love with the movies."

'Barbed Wire' will be shown with live music on Wednesday, Nov. 28 at 5:30 p.m. at the Manchester Historic Association's Millyard Museum, 200 Bedford St., Manchester, N.H. Admission is $5 for members; $7 for non-members. Attendees are asked to call the Millyard Museum at (603) 622-7531 to reserve a seat or visit www.manchesterhistoric.org to buy tickets online.

Marking a century since the Armistice with shows in San Francisco, Boston, and more

'Barbed Wire' (1927), a World War I drama starring Pola Negri, to be screened at the Manchester (N.H.) Historic Association on Wednesday, Nov. 28.

And now for today's almanac: It's Thursday, Nov. 1. Halloween is over, and a new month beckons.

And this November is a little different because it contains a major milestone: the 100th anniversary of the Armistice.

Yes—it was on Nov. 11, 1918 that the horrific fighting in Europe and elsewhere came to a halt. And here we are, headed to Nov. 11, 2018, just a few days away.

Over the years, Armistice Day morphed into Veterans Day—still observed each Nov. 11, but not specifically in honor of those who served in World War I.

Now, a century after the guns went silent, there's no one among us who was actually there. It's become history.

But not quite.

Because World War I was the 9/11 of its day, it's no surprise that films throughout the 1920s used the conflict as a setting for stories of all types.

In fact, some of the biggest hits of the silent era were movies set during what was then called "the Great War."

John Gilbert (center) with his buddies in a foxhole in 'The Big Parade' (1925).

So although there's no direct human connection anymore, we can get a sense of the experience through the films that have come down to us.

And I'm pleased to report that I'll be doing live music this month for the screening of several World War I pictures—some classics, some not so well-known.

But each of them is a record of how World War I shaped a generation, and also cast a shadow over the remainder of the 20th century and beyond.

I hope you'll join me for some of these screenings. And I hope they allow us to reflect on events that may have come before all of us, but which helped shape us and the world we live in.

Here's a quick run-down of World War I films I'm doing this month. Updates and more info will come as each screening draws near.

• Saturday, Nov. 3, 2018, 7:30 p.m. "The Cradle of Courage" (1920) starring William S. Hart; the Edison Theatre at the Niles Essanay Silent Film Museum, 37417 Niles Boulevard, Niles, Calif. Former crook 'Square' Kelly (William S. Hart) serves in the First World War. When he returns from the war, one of his comrades-in-arms convinces him to join the police force. But Kelly finds himself confronting the very criminals who made up his old gang. Also: newsreel battle footage from World War I. Wonderful vintage Edison theater from 1913 now fully restored; shows silent films with live music every week. Suggested admission $5 per person for members, $7 for "not yet members."

• Wednesday, Nov. 7, 2018, 7 p.m.: "Wings" (1927) starring Clara Bow, Buddy Rogers, Richard Arlen; in the Stonyfield Theatre at Red River Theatres, 11 South Main St., Concord, N.H.; (603) 224-4600; http://www.redrivertheatres.org/. In honor of Veterans Day as well as the 100th anniversary of the Armistice of Nov. 11, 1918 that ended World War I. Sweeping drama about fighter pilots in World War I; one of the great achievements of the silent cinema, winner of "Best Picture" at the first-ever Academy Awards. Compelling story, great performances, battle scenes filmed on an immense scale, and in-air aviation sequences that remain thrilling even today. With a young Gary Cooper playing a key role. Silent film with live music at this popular venue for independent and arthouse cinema in New Hampshire's state capital. Admission $12 per person.

• Sunday, Nov. 11, 2018, 2 p.m.: "The Big Parade" (1925), directed by King Vidor, starring John Gilbert and Renee Adoree; Somerville Theatre, 55 Davis Square, Somerville, Mass. Special Veterans Day screening on the 100th anniversary of the Armistice that ended the fighting of World War I. Sweeping saga about U.S. doughboys signing up and shipping off to France in 1917, where they face experiences that will change their lives forever—if they return. Print from the Library of Congress. The real deal! Silent film shown in 35mm on the big screen with live music.Join us for 'Silents, Please!' at the Somerville Theatre, a 100-year-old moviehouse committed to keeping alive the experience of 35mm film on the big screen. Featuring outstandingly exacting work of legendary projectionist David Kornfeld. For more info, call the theater box office at (617) 625-5700.

• Sunday, Nov. 25, 2018, 4:30 p.m.: "Charlie Chaplin Short Comedies" starring Charlie Chaplin; Wilton Town Hall Theatre, Main Street, Wilton, N.H.; (603) 654-3456; www.wiltontownhalltheatre.com. Chaplin's fame as a filmmaker rests largely on his great feature-length films. But what about the short comedies that first rocketed him to fame? See for yourself what first made the Little Tramp a world-renowned icon as we run a family-friendly selection of his best short comedies. highlighted by Chaplin's World War I comedy 'Shoulder Arms' (1918). Monthly series of silent films with live music at a theater where movies have been shown since 1912! Admission free, donations of $5 per person encouraged.

• Wednesday, Nov. 28, 2018, 7 p.m.: "Barbed Wire" (1927) starring Pola Negri, Clive Brook. During World War I, the French government commandeers a family farm for use as a camp for German POWs, setting the local population at each other. Intense drama about forbidden love and the human condition with a special holiday twist. Silent film with live music at the Manchester (N.H.) Historic Association's Millyard Museum, 200 Bedford St., Manchester, N.H. Programmed in conjunction with current exhibit "Manchester and the Great War." Cost is $10 for MHA Members, $12 for general guests and includes refreshments. Call to reserve your spot (603) 622-7531 or visit www.manchesterhistoric.org to buy tickets online.

• Thursday, Nov. 29, 2018, 7 p.m.: "The Big Parade" (1925), directed by King Vidor; Rogers Center for the Arts, Merrimack College, 315 North Turnpike St., North Andover, Mass. (978) 837-5355. Commemorate the 100th anniversary of the Armistice with MGM's 'The Big Parade' (1925), the epic World War I adventure starring John Gilbert and Renee Adoré. Silent film with live music on the campus of Merrimack College. Free admission. For more information, visit the Rogers Center online.

Two more screenings for 2017—but first...accolades from an unexpected source

Two programs this week will finish out the 2017 performance calendar: a Buster Keaton show in Plymouth, N.H. on Wednesday, Dec. 13 and an intense Pola Negri drama (with a Christmas twist!) in North Andover, Mass. on Thursday, Dec. 14.

But first: this morning I was looking over the just-announced Golden Globe nominations, playing my usual game of "How many of these movies have I never even heard of?" Little did I suspect that this same day would bring recognition my way.

Although not on the level of the Golden Globes, I was pleased to receive word today that the Boston Society of Film Critics has included me in a 2017 commendation for efforts at silent film accompaniment in and around Beantown, a.k.a. the Athens of America, a.k.a. The Hub of the Universe. (All three actual nicknames for Boston.)

The honor was presented jointly to me and fellow accompanists Martin Marks and Robert Humphreville:

To Boston-based musicians and silent-film-music scholars Martin Marks, Robert Humphreville and Jeff Rapsis, whose live accompaniment at silent-film screenings have delighted Boston audiences for many years. Their artistry was particularly sublime this year during the silent component of The Harvard Film Archive’s “That Certain Feeling … The Touch of Ernst Lubitsch,” a series requiring music for broad comedies, extravagant adventures and subtle dramas.

Well, thank you, Boston Society of Film Critics! What a nice way to wind up an eventful year.

I understand the Society holds an annual banquet in February. If I attend, I promise an insider's look at this glamorous event. "Sorry Academy Awards—I've already accepted an invite from the Boston Society of Film Critics! Maybe next year!"

But before we get to next year, let's finish this one. What's coming up?

Buster and Ernest Torrence hanging around in 'Steamboat Bill Jr.' (1928).

• On Wednesday, Dec. 13 at 6:30 p.m., take a break from holiday stress with Buster Keaton's 'Steamboat Bill, Jr.' (1928) at the Flying Monkey Moviehouse and Performance Center, 39 South Main St., Plymouth, N.H.

This is the one where Buster stands in a street during a cyclone while the front end of a building comes down around him.

Does he make it? If you haven't seen it, I don't want to spoil it for you. Admission $10 per person.

After something like seven years, this is the final installment of the Flying Monkey's silent film series.

In 2018, we're switching to a schedule of silent film screenings every three months or so.

Original promotional artwork for 'Barbed Wire' (1927).

• On Thursday, Dec. 14 at 7 p.m., it's Pola Negri and Clive Brook in 'Barbed Wire' (1927), a Paramount World War I drama with a big Christmas scene in the middle of it.

It's screening at the Rogers Center for the Arts, on the campus of Merrimack College in North Andover, Mass.

I first saw this flick just last February, at the Kansas Silent Film Festival in Topeka, Kansas.

I had never heard of 'Barbed Wire,' but it turned out to be a powerful drama with a strong story and a lot of great scenes.

So once again, I am struck with now rich the silent era is, or was—that one can explore it for years, and still uncover unknown treasures.

In the case of 'Barbed Wire,' it also has the diminutive Clyde Cook (not to be confused with leading man Clive Brook) in a nice comedy relief role.

And the big Christmas scene? Well, all I'll say is that it takes place in a prisoner-of-war camp for captured German soldiers.

So it may not be the silent era's answer to 'It's a Wonderful Life.'

But it's still a darned good flick, and I look forward to doing music for it for the first time later this week.

Admission is free and the Roger Center silent film series is usually well attended. So it's a good place to experienced the "big audience" part of early cinema.

Hope to see you there!