One reason we're doing the "Not Known To Be Shown" series at the Town Hall Theatre in Wilton, N.H. is because it gives me a chance to work with films that rarely screen anywhere, and which I might not ever have a chance to accompany.
And that's a good thing, because I doubt I would have otherwise discovered 'Beau Brummel' (1924), which at first glance seems to be one of those static time-wasters—the kind of slow-paced drama about the 18th century aristocracy exchanging knowing glances that give all silent drama a bad name.
And for the first
half-hour of 'Beau Brummel' (1924), that's what I saw: John Barrymore
and Mary Astor making goo-goo eyes, plus plenty of what I imagine was
cutting edge 19th century fashion displayed on screen. Yawn!
Things changed, however, when Brummel's downfall begins a little more than half-way through the picture. From that point, the film practically turns into a remake of the silent 'Dr. Jekyll and Mr. Hyde,' which Barrymore starred in a few years earlier.
For my money, no one does transformation like Barrymore, who had a talent for portraying educated aristocrats who become drooling madman. (He certainly had a lot of practice, doing it many times as Dr. Jekyll/Mr. Hyde both on stage and in the screen version.)
In 'Beau Brummel,' it's not a back and forth thing, but one long slow descent into poverty
and senescence, which we get to see (and savor) close-up.
In both roles, Barrymore did not go for subtlety. No—he puts his whole body into the transformation, hunching his spine, stiffening his walk, immobilizing his neck. Makeup aids somewhat, but in both films it's hard to believe the same actor is playing all phases of the transformation.
It's as good as anything Lon Chaney did, I think.
You really have to see it for yourself. And I hope you will by joining us on Sunday, Aug. 20 for a rare theatrical screening of 'Beau Brummel' (1924), one of the prestige releases of that year from Warner Bros.
Show time is 2 p.m. And if you'd like more info about the screening or the film, just check out the press release below.
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An original release poster for 'Beau Brummel' (1924).Rare feature film 'Beau Brummel' (1924) to screen with live music at Town Hall Theatre
'Beau Brummel' (1924), a period drama produced by Warner Bros., will be shown on Sunday, Aug. 20 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.
Admission is free, with a suggested donation of $10. Live music will be provided by silent film accompanist Jeff Rapsis.
The screening is part of a series of early films that never played at the Wilton venue when originally released.
The 'Not Known to be Shown' series runs through October and features obscure dramas, comedies, and adventure flicks from the silent era.
"In putting together this series, we wanted to give audiences a chance to see some rarely screened titles from the first years of motion pictures," Rapsis said.
The picture wasa remake of a 1913 version and was in turn remade in 1954 with Stewart Granger, Elizabeth Turner, and Peter Ustinov.
Upcoming films in the Town Hall Theatre's 'Not Known to be Shown' series include:
• Sunday, Aug. 27, 2 p.m.: 'The Divine Lady'
(1929) starring Corrine Griffith. Frank Lloyd won the 'Best Director'
Oscar for this romantic melodrama about British naval hero Horatio
Nelson's romantic adventures.
• Sunday, Sept. 17, 2 p.m.: 'Eagle of the Night'
(1928) starring Frank Clarke, Shirley Palmer. An inventor creates a new
muffler for noisy airplane engines, but the bad guys are out to steal
the breakthrough and put it to evil use.
• Sunday, Oct. 8, 2 p.m.: 'The Red Kimona'
(1925). A small-town girl finds escape from her cruel home life in the
arms of a handsome stranger, a situation that leads her to work as a
prostitute in New Orleans.
'Beau Brummel' (1924), a drama starring John Barrymore, will be shown on Sunday, Aug. 20 at 2 p.m. at the Town Hall
Theatre, 40 Main St., Wilton, N.H.
Admission is free, with a suggested donation of $10. For
more information, call (603) 654-3456.
Below: an original release poster featuring "the Great Profile."
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