Just back from a visit to Brandon, Vt. to accompany 'The Thief of Bagdad' (1924), and boy are my arms tired.
I know that sounds like a joke, but it isn't. I'm suffering from a pinched nerve, I think, which is causing issues with my right arm—specifically, the tendons in my right forearm and around the elbow .
It actually hurts to type this, and it hurt to accompany 'Thief,' which is 2½ hours long. I can try to take Advil to manage the pain, but let's just say I drove home with one hand last night.
The good news is that to address this, I need to visit my favorite healthcare professional: Dr. Bard, a chiropractor in Peterborough, N.H.
For personal health issues, I know it's up to me to take care of myself. When I have problems, I don't expect miracles. But that's what Dr. Bard delivers.
He'll have me lay face down on his special adjustable chiropractic table, manipulate a few vertebrae, and then POW!
Well, before that happens, I'll be accompanying another film: Buster Keaton's 'Our Hospitality' (1923), which is playing on Wednesday, June 12 at 6:30 p.m. at the Flying Monkey Moviehouse and Performance Center in Plymouth, N.H.
If you're in the area, come see it. And bring some Advil in case I run short.
* * *
MONDAY, JUNE 3, 2024 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com
Buster Keaton stars in 'Our Hospitality' on Wednesday, June 12 at Flying Monkey
Classic feature-length silent comedy to be screened on the big screen with live music
PLYMOUTH, N.H.—He never smiled on camera, earning him the nickname of "the Great Stone Face."
But
Buster Keaton's comedies rocked Hollywood's silent era with laughter
throughout the 1920s, and remain popular crowd-pleasers today.
See
for yourself with a screening of 'Our Hospitality' (1923), one of
Keaton's landmark features, on Wednesday, JUne 12 at 6:30 p.m. at the Flying Monkey Moviehouse and Performance Center,
39 Main St.,
Plymouth, N.H.
Original promotional ad for 'Our Hospitality' (1923).
Set
in the 1830s, 'Our Hospitality,' tells the tale of a young man (Keaton)
raised in New York City but unknowingly at the center of a long-running
backwoods family feud.
Resolving to return and claim his family
homestead, he sets in motion a perilous cat-and-mouse game in which
every move could be his last.
Highlights of the picture include
Keaton's extended journey on a vintage train of the era, as well as a
climatic river rescue scene.
The film stars Keaton's then-wife,
Natalie Talmadge, as his on-screen love interest; their first child,
newborn James Talmadge Keaton, makes a cameo appearance, playing Buster
as an infant. Keaton's father also plays a role in the film.
"All those elements are important parts of the silent film experience," said Rapsis, who will improvise a musical score for 'Our Hospitality.'
"Recreate those conditions, and the classics of early Hollywood leap back to life," he said.
Buster Keaton and wife Natalie Talmadge in 'Our Hospitality' (1923).
Keaton
entered films in 1917 and was quickly fascinated with the then-new
medium. After apprenticing with popular comedian Roscoe "Fatty"
Arbuckle, Keaton set up his own studio in 1920, making short comedies
that established him as one of the era's leading talents.
A
remarkable pantomime artist, Keaton naturally used his entire body to
communicate emotions from sadness to surprise. And in an era without
special effects, Keaton's acrobatic talents enabled him to perform all
his own stunts.
In 1923, Keaton made the leap into full-length
films with 'Our Hospitality,' which proved popular enough for him to
continue making features for the rest of the silent era.
Although
not all of Keaton's films were box office successes, critics later
expressed astonishment at the sudden leap Keaton made from short
comedies to the complex story and technical demands required for
full-length features.
Accompanist Jeff Rapsis will create a musical score for the film live during its screening, in the manner of theater
organists during silent cinema's peak years in the 1920s.
"For
most silent films, there was never any sheet music and no official
score," Rapsis said. "So creating original music on the spot to help the
film's impact is all part of the experience."
"That's one of the
special qualities of silent cinema," Rapsis said. "Although the films
themselves are often over a century old, each screening is a unique
experience—a combination of the movie, the music, and the audience
reaction."
No comments:
Post a Comment