Showing posts with label silent film accompanist. Show all posts
Showing posts with label silent film accompanist. Show all posts

Friday, January 9, 2026

Welcome to 2026 in silent film screenings: being Charlie Chaplin ain't what it used to be


Posing in front of the display wall in the "Charlie Chaplin Room" upstairs at the Bear Pub on Charing Cross Road, London.

Welcome to 2026 and another year of bringing silent films to life with live music.

Right now I'm in London, but not for silent film purposes. The wife and I are on our quasi-annual mid-winter "pig out on theater" trip across the pond. Seven shows in four days.

But you can't get away from silent film that easily, as I discovered when we stopped for a quick dinner last night at "The Bear" a pub on Charing Cross Road.

Turns out the upstairs dining room was named in honor of native Londoner Charlies Chaplin, who it seems was a frequent patron there when performing at a nearby theater before he started his motion picture career.

In honor of that, the proprietors have installed a small display with the requisite bowler hat, cane, and other Chaplin mementos.

Sorry to report that most patrons seemed unconcerned with the Chaplin connection. It was apparent that no one had noticed it until I went over to get a photograph. Once attention was brought to the display, the only interest seemed to be in a vintage martini recipe that was part of it.

I guess being Charlie Chaplin ain't what it used to be. 

But no matter! There's a full calendar of silent film screenings ahead in 2026, and I hope you'll take time to experience this storytelling art form the way it was intended: in a theater with a lot of people, and with live music.

Upcoming highlights include traveling to Cleveland for screenings this month; heading out to the Kansas Silent Film Festival to accompany films in Topeka next month; and a quick trip to Florida for a screening in March.

Closer to home, I'll do music for the world "re-premiere" of two silent film versions of 'The Old Homestead,' an enormously popular play that toured everywhere in the decades around 1900.

 'The Old Homestead' was by Denman Thompson, a native of Swanzey, N.H. who put many of his memories of the town into the play. Two silent versions, one in 1915 and another in 1922, were made, but neither has been available for more than a century.

That is, until Larry Benaquist, a retired film professor at Keene State College in Keene, N.H., was able to track down nearly complete copies of both in European archives. 

Both will be screened for the first time since their original release on Saturday, Feb. 7 at the Colonial Theatre in Keene, N.H. Stay tuned for more details! But it's a real honor to be entrusted with the scoring of these two long-unseen films. 

Looking further ahead: the year brings a plethora of 100th anniversaries of silent films that I'll try to program, and August marks the 100th anniversary of the untimely death of silent screen icon Rudolph Valentino. (And Halloween is the 100th anniversary of Harry Houdini's unexpected death, too!) 

Other screenings include shows at big Boston theaters such as the Somerville or the Coolidge, plus a parade of local theaters, libraries, and community centers around New England. Check the listings (using the 'Upcoming Silent Film Screenings' link at upper right) to see what fits your schedule, and see you at the movies in 2026!

Monday, August 4, 2025

This Saturday in Maine: music for silent films starring canines; this Sunday in Massachusetts: 'Padlocked' (1926) at Somerville Theatre

A fairly evocative trade ad promoting the Paramount drama 'Padlocked' (1926).

My upcoming weekend consists of music for dogs in Maine, then music for people in Massachusetts. 

Ye—on Saturday, Aug. 9, I'll accompany a program of silent films starring canines at the Johnson Opera House in Gardiner, Maine. 

Then on Sunday, Aug. 10, I'll do music for 'Padlocked,' a 1920s morality drama, at the Somerville Theatre in Somerville, Mass.

Lots more about 'Padlocked' in the press release below. It's a film that hasn't been seen since 1926, but is now available after a 2023 restoration by the San Francisco Silent Film Festival.

But about the dog program, which takes place on Saturday, Aug. 9 starting at noon. Officially, it's the Augusta Colonial Theatre's 3rd Annual Silent Film Festival. (It's being held in another venue, the Johnson Opera House in Gardiner, Maine, but don't let that throw you.)

Subtitled 'Dog Day Afternoon,' the program (curated by film restoration guru Ed Lorasso) is being promoted like this:

"Come join us for a paws-itively fun time at Johnson Hall Opera House for our 3rd Annual Silent Film Festival! Watch classic movies starring all the great furry friends of the silent film era: Jean the Vitagraph Dog, Shep the Dog, Teddy the Wonder Dog, and everyone's favorite Rin-Tin-Tin! Enjoy popcorn, drinks, and a tail-wagging good time. Don't miss out on this doggone awesome event!"

Dog puns aside, it promises to be a pretty compelling program.

It's a good variety of early short films, plus the full-length spectacular Warner Brothers feature 'Clash of the Wolves' (1925) starring Rin Tin Tin.

If you'd like to know why Rin Tin Tin was known as the "mortgage lifter" among theater owners, 'Clash of the Wolves' is a good example.  

Canine star Rin Tin Tin on set with 'Clash of the Wolves' costar June Marlow.

I've done many animal-themed silent film programs over the years. It was a popular genre in early cinema, and their charm and excitement still comes through. 

The dogs themselves are as compelling as any human performer. Really—after all, lacking the power of speech is no handicap in silent films. 

See for yourself by attending this off-beat program on Saturday, Aug. 9. For more info, a complete list of films, and to buy tickets, visit the festival's Eventbrite page.

And what about 'Padlocked' (1926), which I'm accompanying on Sunday, Aug. 10 at 2 p.m. at the Somerville Theatre? Lots of info in the press release below. See you there!

*     *     *

A scene from the long-unseen Paramount drama 'Padlocked' (1926).

MONDAY, AUG. 4, 2025 / FOR IMMEDIATE RELEASE

Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Somerville Theatre to screen rare silent 'Padlocked' with live music on Sunday, Aug. 10

Restored 1920s morality drama from Paramount Pictures, based on provocative Cosmopolitan story; film unseen since its original 1926 release

SOMERVILLE, Mass. — Released at the height of the Roaring '20s, it played up the clash of Jazz Age temptations with traditional conservative morality.

It was 'Padlocked' (1926), a silent-era drama from Paramount Pictures—a movie unseen since its original release, but now available following a recent restoration.

The rarely screened film will be shown on Sunday, Aug. 10 at 2 p.m. at the Somerville Theatre, 55 Davis Square, Somerville, Mass.

Admission $17 adults; $13 members; $12 seniors/children. Tickets are available at somervilletheatre.com or at the door.

Live musical scoring will be provided by silent film accompanist Jeff Rapsis, a New Hampshire-based performer who specializes in music for silent film screenings.

'Padlocked,' based on a serialized story published in Cosmopolitan magazine, is an urbane 1920s drama that skewers the cruelty and hypocrisy of moral reformers.

The film stars Noah Beery Sr., Florence Turner, Lois Moran, Louise Dresser, Helen Jerome Eddy, Allan Simpson, and Richard Arlen.

A vintage trade ad promoting Paramount's drama 'Padlocked' (1926).
 
Beery plays Henry Gilbert, a wealthy do-gooder and domestic tyrant whose puritanism destroys the lives of his wife and daughter, played by Florence Turner and Lois Moran.

Gilbert's myopia about human character proves his undoing: he sees evil in innocent amusements, but is easily taken in by a gold-digging con artist.

For the film's original release, Paramount's publicity machine played up the story's scandalous nature and contemporary relevance.

"A theme so powerful and so certain of overwhelming popularity," trumpeted ads promoting 'Padlocked.' "What a sweeping revelation of this restless age—and how superbly produced, with every possible box office value!"

'Padlocked' boasted several well-known names among its creative team.

Director Allan Dwan, already a Hollywood veteran, would go on to direct such classics as 'Sands of Iwo Jima' (1949) starring John Wayne.

'Padlocked' was an early example of the work of cinematographer James Wong Howe, who would later be nominated for 10 Academy Awards for cinematography, winning twice for 'The Rose Tattoo' (1955) and 'Hud' (1963).
 
A scene from Paramount's drama 'Padlocked' (1926).
 
The film, part of the Somerville's 'Silents, Please!' series, will be shown via a 35mm print produced by the San Francisco Silent Film Festival, which restored the film in 2023.

'Padlocked' hadn't been screened since its original release in1926; a sole surviving print was found in the Czech National Film Archive. Titles were translated back to English and other work restoration work done so the film could be made available to U.S. theaters.

"This is one reason why we continue to program silent films," said Ian Judge, the Somerville's creative director. "Rediscoveries from the silent era are being made all the time. We aim to give movie-goers the chance to experience these classic films as intended—on the big screen, with live music, with an audience, and shown using 35mm prints whenever possible."

To help bring 'Padlocked' to life at the Somerville, silent film accompanist Jeff Rapsis will create a soundtrack that mixes 1920s-style tunes with elements of contemporary movie scoring.

" 'Padlocked' is a great film for music," Rapsis said. "It has several lively cabaret scenes that I think today's audiences will find highly entertaining."

'Padlocked' (1926), a Paramount drama unseen since its original release, will be shown on Sunday, Aug. 10 at 2 p.m. at the Somerville Theatre, 55 Davis Square, Somerville, Mass.

Admission $17 adults; $13 members; $12 seniors/children. For more information and to purchase tickets, visit www.somervilletheatre.com or call the box office at (617) 625-5700.

Monday, May 12, 2025

Up next: Douglas Fairbanks in 'Zorro' on Tuesday, May 13 then 'The Gaucho' on Sunday, May 18

An original lobby card for Douglas Fairbanks in 'The Gaucho' (1927).

The silent film programming gods are smiling on Douglas Fairbanks Sr. of late.

This week, I'll accompany a screening of 'The Mark of Zorro' (1920) on Tuesday, May 13 at the Coolidge Corner Theatre in Brookline, Mass. (It's part of a package in which I'll accompany the sequel, 'Don Q: Son of Zorro' (1925) on Tuesday, June 17.)

Then, on Sunday, May 18, I'll do music for 'The Gaucho' (1927), another Douglas Fairbanks swashbuckler that's less frequently screened but regarded by some critics as his best film of all. 

Come see for yourself—the screening is at 2 p.m. at the Town Hall Theatre in Wilton, N.H. For more info, check out the press release below, and see you at the movies!

*     *     *

Lupe Velez and Douglas Fairbanks Sr. dance the tango in 'The Gaucho' (1927).

MONDAY, MAY 12, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

'The Gaucho' (1927) to screen with live music on Sunday, May 18 at Town Hall Theatre

Set in Argentina: Douglas Fairbanks Sr. stars as legendary outlaw and ladies man in classic silent adventure film

WILTON, N.H. — He was the Harrison Ford of his time—an action hero who entertained movie audiences with thrilling on-screen adventures.

He was silent screen idol Douglas Fairbanks Sr., whose best work includes 'The Gaucho' (1927), a timeless adventure film with a great story, spectacular settings, and memorable performances.

'The Gaucho' will be shown with live music on Sunday, May 18 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.


Admission is free; a donation of $10 per person is suggested to defray expenses and support the Town Hall Theatre's silent film series.

The screening will feature live music by Jeff Rapsis, the Town Hall Theatre's silent film accompanist.

'The Gaucho' opens in dramatic fashion, with a young girl saved by a miracle after falling from a high cliff in the Argentine Andes. She is blessed with healing powers, causing a shrine to be built on the site. A city grows around it, rich with gold from grateful worshipers.

The wealth eventually catches the eye of bandits, including the Gaucho (Fairbanks), charismatic leader of a legendary band of mountain outlaws. The Gaucho, who spurns religion, makes plans to plunder the treasure.

But then the city is overtaken by Ruiz, an evil and sadistic general, who closes the shrine, confiscates the gold, and brings oppression to the pilgrims.

Can the Gaucho and his band ride to the rescue? And can the love of a woman help the Gaucho find meaning and inspiration in good deeds as well as the spirituality he once spurned?

Written by Fairbanks and directed by F. Richard Jones, 'The Gaucho' set new standards for visual design in the movies, with action scenes taking place in stylized mountain passes that looked spectacular on screen.

'The Gaucho' also marked a departure for Fairbanks, who until then had played characters with virtue on their side throughout each film. 

In 'The Gaucho,' however, Fairbanks portrayed a genuine outlaw who, as the story progresses, must grapple with serious moral questions about his life and his beliefs.

'The Gaucho' is "one of the best, most mature and most interesting films in his career," wrote critic Sean Axmaker following a screening at the San Francisco Silent Film Festival in 2009.

Fairbanks took the role in part because as he entered middle age, he needed to broaden and deepen the complexity of the characters he portrayed.

The film is also highlighted by the screen debut of actress Lupe Velez, playing a mountain girl whom the Gaucho romances.  

Their spats are "amazing, she all tempestuous, hot-blooded, impulsive, a star-struck fan turned jealous sex-kitten, he the smiling bandit king with a playful spirit and a patronizing attitude that tolerates and even appreciates her tantrums," wrote Axmaker.

Rounding out the cast is actress Eve Southern as the Girl of the Shrine.

Live music for 'The Gaucho' will be provided by silent film accompanist Jeff Rapsis, who uses a digital synthesizer to recreate the sound and texture of the full orchestra.

"'The Gaucho' is a terrific film for music," said Rapsis, who improvises accompaniment using themes or melodies he composes beforehand. "The dramatic settings, especially the scenes in the South American Andes, lend themselves to some evocative scoring to heighten the drama and tension."

'The Gaucho' is appropriate for family audiences, although it includes intense scenes that may frighten very small children.

The screening of 'The Gaucho' is part of the Town Hall Theatre's monthly silent film series, which gives today's audiences a chance to experience the great films of Hollywood's early years as they were intended: in restored prints, in a theater on the big screen, and with live music and an audience.

"If you've never seen a silent film in a theater with live music and an audience, this is a great way to experience the medium at its best," Rapsis said. "When you put all the elements together, silent film still has an ability to stir up an audience in a way that no other medium can."

'The Gaucho' (1927) will be screened with live music on Sunday, May 18 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

Admission is free; a donation of $10 per person is suggested to defray expenses.

For more info, visit www.wiltontownhalltheatre.com or call (603) 654-3456.

Friday, March 28, 2025

This weekend: 'Zorro' still on, but 'Straight is the Way' (1921) postponed to Saturday, April 5 due to weather

I'm sorry to report that due to incoming inclement weather, members of the Blazing Star Grange of Danbury, N.H. have decided to postponed a screening of 'Straight is the Way' (1921) from Saturday, March 29 to Saturday, April 5.

I'm pasting in the revised text of the press release with the new date. Hope you'll be able to make it to the screening, which includes a "soup and bread" supper. So whether you're hungry for silent cinema or just plain hungry, this event as something for everyone.

However, this weekend's planned screening of the two Douglas Fairbanks 'Zorro' films is still a go at the Town Hall Theatre in Wilton, N.H.. On Saturday, March 29 at 2 p.m., we'll run 'The Mark of Zorro' (1920); and then on Sunday, March 30 at 2 p.m., it's the sequel 'Don Q, Son of Zorro' (1925).

It's a great chance to see the two films back-to-back. Not only can you appreciate the many connections between the two, but you can also see how much the technique of movie-making had advanced in just five years.

Okay, below is info on 'Straight is the Way.' Hope to see you at the movies!

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A scene from 'Straight is the Way' (1921), a film with a story set in 'Hampton Falls, N.H.'
 
FRIDAY, MARCH 28, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Vintage feature film with story set in Granite State to be screened in Danbury, N.H. on Saturday, April 5

Rare surviving silent comedy/drama 'Straight is the Way' (1921) to be shown with live music at Blazing Star Grange

DANBURY, N.H. — It's a film not seen in theaters since its original release more than a century ago. And it's set in fictional 'Hampton Center, N.H.,' a small town where a pair of big-city crooks hide out from the law.

It's 'Straight is the Way,' a Paramount release that proved a modest box office success in the spring of 1921.

The film then completely disappeared—until now.

On Saturday, April 5, the Blazing Star Grange of Danbury, N.H. will host a screening of 'Straight is the Way,' which boasts a screenplay by two-time Academy Award-winning writer Frances Marion.

The event takes place at the Blazing Star Grange Hall, 15 North Road in Danbury, N.H.

The evening begins with a "soup and bread dinner" served at 6 p.m., cost $5 per person.

The film starts at 7 p.m. Admission is free, with donations gladly accepted; suggested amount is $5 per person.

Live music for the silent film program will be provided by silent film accompanist Jeff Rapsis.

The story of 'Straight is the Way' follows two burglars who flee to rural "Hampton Center, N.H." to hide out in the unused wing of a mansion, where an impoverished family faces eviction.

Exposed to small town values, the pair resolve to change their ways.

'Straight is the Way' was promoted with the tagline: "They came to lift the silver, but they stayed to lift the mortgage."

"It should be a fun screening because the filmmakers depict 'Hampton Center' as a small rural Granite State community—rather like Danbury today," Rapsis said.

The film, a comedy/drama, features scenes in which a Ouija board is used to contact the spirits of long-dead relatives.

Ouija boards had become popular in the years following World War I, when 'Straight is the Way' was released.

How does a film disappear for 100 years, and then resurface?

Produced by Cosmopolitan Pictures, 'Straight is the Way' was one of dozens of titles on Paramount's 1921 release schedule. After its initial run, the film was never reissued or re-released.

This was the fate of nearly all motion pictures of the era, most of which were lost to neglect, decay, or accident. Today, about 75 percent of all silent films no longer exist in any form.

But 'Straight is the Way' is among the survivors. A single 35mm print of the film is in the collection of the U.S. Library of Congress. The print was part of a hoard of film material donated long ago by 1920s star Marion Davies, whose pictures were produced by Cosmopolitan.

However, the print is on fragile and flammable nitrate cellulose film stock, meaning it can't be safely projected or loaned out. To keep the film from deteriorating, the print is kept in long-term storage at the Library of Congress media center in Culpeper, Va.
 
The "Ouija Board" scene in 'Straight is the Way' (1921).

In 2021, Maine-based film archivist Ed Lorusso organized an online Kickstarter program to raise funds to transfer the surviving print of 'Straight is the Way' to digital media. The fundraiser was successful, and the transfer was completed earlier this year.

Lorusso made the film available on DVD to fellow vintage film enthusiasts, including accompanist Rapsis, who felt the film's Granite State setting merited a revival, complete with live music.

The film's "world re-premiere" took place in December 2021 at Red River Theatres in Concord, N.H., which hosted the first theatrical showing of the film since its original run.

"Very few films are set in New Hampshire, then or now," Rapsis said. "What's interesting about 'Straight is the Way' is that it shows how the state was viewed at the time—a place of small towns and old-fashioned ways, including a constable patrolling the town in a horse and buggy."

Although 'Straight is the Way' contains authentic details such as New Hampshire license plates on the few autos that appear, Lorusso has found no evidence that any part of the film was shot in the state.

Instead, 'Straight is the Way' was produced in New York City, where Cosmopolitan Pictures was based, and which continued to host film production even after most movie-making moved to California in the 1910s.

'Straight is the Way' features several location shots of Manhattan scenes such as Washington Square in Greenwich Village as it appeared in 1921.

Lorusso believes the New Hampshire scenes were most likely filmed in the rural countryside of Long Island or New Jersey, just outside the city, as was common practice at the time.

Lorusso has identified one location: the mansion shown in the film is the summer home of author Ethel Watts Mumford in Sands Point, Long Island. Mumford wrote 'The Manifestations of Henry Ort,' on which 'Straight is the Way' was based.

The screenplay was by Frances Marion, the one recognizable name associated with the production.

Marion, a prolific writer, authored more than 300 screenplays in a career that spanned three decades. Her credits include silent classics such as 'The Wind' (1928); she would later win Academy Awards for writing the prison drama 'The Big House' (1930) and the iconic boxing story 'The Champ' (1931).
 
A trade publication ad promoting 'Straight is the Way' (1921).

'Straight is the Way' features a cast of solid performers, all unknown today: Matt Moore, Mabel Bert, Gladys Leslie, George Parsons, Henry Sedley, Van Dyke Brooke, and Emily Fitzroy.

The film was directed by Robert Vignola; the following year, he would direct Marion Davies in 'When Knighthood Was in Flower' (1922) a big budget costume drama.

Rapsis said the Blazing Star Grange screening of 'Straight is the Way' is a rare chance to see the film as it was meant to be experienced—on the big screen, with live music, and with an audience.

'Straight is the Way' (1921), a silent comedy/drama set in New Hampshire, will be screened with live music on Saturday, April 5 at 7 p.m. at the Blazing Star Grange Hall, 15 North Road in Danbury, N.H.

The evening begins with a "soup and bread dinner" served at 6 p.m., cost $5 per person. The film starts at 7 p.m. Admission is free, with donations gladly accepted; suggested amount is $5 per person.

Monday, March 24, 2025

Like father, like son: double feature of 'Zorro' and 'Son of Zorro' this weekend at Town Hall Theatre

Original poster art for 'The Mark of Zorro' (1920).

I have a theory that will get tested this weekend.

The theory goes like this: that 'The Mark of Zorro' (1920) starring Douglas Fairbanks Sr. was so popular and so familiar to audiences at the time, that its 1925 sequel, 'Don Q: Son of Zorro' was crafted to take advantage of this.

Yes, the sequel stands on its own as a great movie. I saw 'Son of Zorro' just last month at the Kansas Silent Film Festival and people loved it. So yes, you don't have to see the original 'Zorro' to enjoy the sequel.

But to get the full effect of the sequel, it's worth seeing the original first, so it's fresh in your head, just as it must have been to movie-goers of the time. 

That way, it's possible to pick up on quite a few references to the earlier film that must have made the sequel and extra special experience when it hit theaters in June 1925, just under 100 years ago. 

Like what? Well, check out how the sequel, once it gets going, circles back to refer to scenes from the original 'Zorro,' in a kind of 'greatest hits' kind of way. On a smaller scale, several personality traits are carried through both films, including a penchant for cheap 'sleight of hand' tricks. 

Is there anything to this theory? The only way to find out is to do what we're doing this weekend: show both films, one after another, and see if the whole really does add up to something greater than the parts. 

They're both terrific audience-pleasers, so either one on its own will make for a good afternoon in the cinema. But I hope you'll join me in recreating the full 'Zorro' experience via back-to-back screenings, with 'Mark of Zorro' on Saturday, March 29 and 'Don Q: Son of Zorro' on Sunday, March 30.

Both screenings are 2 p.m. matinees at the Town Hall Theatre in beautiful downtown Wilton, N.H. More info in the press release pasted in below. See you at the movies!

Oh, and while I'm at it: in the midst of this weekend's mini 'Zorro-thon,' I'm accompanying another film, 'Straight is the Way' (1921), on Saturday night at the Blazing Star Grange in Danbury, N.H. 

The film is preceded by a 'Soup and Bread Supper,' which sounds good to me. Details about this event are in a press release pasted further below. 

*     *     *

Original poster art for 'Don Q, Son of Zorro' (1925).

SATURDAY, MARCH 22, 2025 / FOR IMMEDIATE RELEASE
For more info, contact: Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Town Hall to screen 'Zorro' and sequel 'Son of Zorro' over a single weekend March 29 & 30

Swashbuckling silent adventure films starring Douglas Fairbanks Sr. to be shown with live music for 100th anniversary of Zorro sequel's release

WILTON, N.H.—It's a rare chance to see the classic silent adventure 'The Mark of Zorro' and its popular sequel, 'Son of Zorro' all in one weekend.

On Saturday, March 29, the Town Hall Theatre will present 'The Mark of Zorro' (1920) starring Douglas Fairbanks Sr.

Then, on Sunday, March 30, the theatre will run 'Don Q, Son of Zorro' (1925) on the 100th anniversary of the film's release—a continuation of the Zorro story and Hollywood's first-ever big budget sequel.

In 'Don Q, Son of Zorro,' Fairbanks plays dual roles: his original sword-brandishing 'Zorro' character and also his whip-wielding son.

Both screenings start at 2 p.m. and will be accompanied by live music performed by Jeff Rapsis.

Admission is free; a donation of $10 per person is suggested to defray expenses and support the Town Hall Theatre's silent film series.

"These two films were among the most popular of the 1920s, and there are many links between them," Rapsis said. "It's a rare chance to see them both together, although each is entertaining and enjoyable on its own." 

Promotional art depicting a scene from 'The Mark of Zorro' (1920).

Douglas Fairbanks Sr., an immensely popular star whose career peaked in the 1920s, served as the model for the George Valentin character in 'The Artist,' the silent film that won multiple Academy Awards in 2012, including the Oscar for Best Picture.

'The Mark of Zorro,' to be screened on Saturday, March 29, tells the story of young Don Diego Vega, the son of a wealthy ranch owner in Spanish California of the early 19th century.

Witnessing the mistreatment of the poor by rich landowners and the oppressive colonial government, Don Diego assumes the identity of "Señor Zorro," a masked figure of great cunning and skill, and vows to bring justice to the region.

The film stars Fairbanks, who until 'Zorro' had focused on playing traditional all-American leading roles in romantic comedies.

The success of 'Zorro' launched Fairbanks on a series of historical adventure films that went on to rank among the most popular spectacles of the silent era, including 'The Three Musketeers' (1921) and 'Robin Hood' (1922).

The enduring popularity of 'Zorro' led Fairbanks to film the sequel, which continues the story to another generation. 

Douglas Fairbanks Sr. in a scene from 'Don Q, Son of Zorro' (1925).

In 'Don Q, Son of Zorro,' Fairbanks plays Don Cesar de Vega, Zorro's grown son, a prodigy with the whip who is visiting the family's Spanish homeland to finish his education.

The trip is no dull semester abroad: Cesar duels with Don Sebastian of the Queen's Guard (soon to be his rival for the hand of lovely Dolores de Muro), makes love to a general's daughter, and befriends the visiting Archduke of Austria.

But a quarrel ending in violence gives Don Sebastian the chance to dispose of his rival by framing him for murder. Feigning suicide, Zorro's whip-wielding son escapes to the family's abandoned castle, where he makes plans to clear the family name.

Both screenings will be accompanied live by silent film musician Jeff Rapsis.

Rapsis achieves a "movie score" sound for silent film screenings by using a digital synthesizer to reproduce the texture of the full orchestra.

"Each of the 'Zorro' films are terrific movies on their own, but the chance to see the original and then the sequel is a great way to present these two films as they were intended to be seen: on the big screen, with live music, and with an audience," said Rapsis, who provides live music accompaniment for silent film screenings across New England and beyond.

'The Mark of Zorro' (1920) will be screened with live music on Saturday, March 29 at 2 p.m. Its sequel, 'Don Q, Son of Zorro' (1925) will be screened with live music on Sunday, March 30 at 2 p.m. Each screening is free and open to the public; a donation of $10 per person is suggested to defray expenses.

Both screenings take place at the Town Hall Theatre, 40 Main St., Wilton, N.H. For more info, visit www.wiltontownhalltheatre.com or call (603) 654-3456. 

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A production still from 'Straight is the Way' (1921) featuring a car with N.H. license plates.

MONDAY, MARCH 17, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Vintage feature film with story set in Granite State to be screened in Danbury, N.H. on Saturday, March 29

Rare surviving silent comedy/drama 'Straight is the Way' (1921) to be shown with live music at Blazing Star Grange

DANBURY, N.H. — It's a film not seen in theaters since its original release more than a century ago. And it's set in fictional 'Hampton Center, N.H.,' a small town where a pair of big-city crooks hide out from the law.

It's 'Straight is the Way,' a Paramount release that proved a modest box office success in the spring of 1921.

The film then completely disappeared—until now.

This month, the Blazing Star Grange of Danbury, N.H. will host a screening of 'Straight is the Way,' which boasts a screenplay by two-time Academy Award-winning writer Frances Marion.

The event takes place at the Blazing Star Grange Hall, 15 North Road in Danbury, N.H.

The evening begins with a "soup and bread dinner" served at 6 p.m., cost $5 per person.

The film starts at 7 p.m. Admission is free, with donations gladly accepted; suggested amount is $5 per person.

Live music for the silent film program will be provided by silent film accompanist Jeff Rapsis.

The story of 'Straight is the Way' follows two burglars who flee to rural "Hampton Center, N.H." to hide out in the unused wing of a mansion, where an impoverished family faces eviction.

Exposed to small town values, the pair resolve to change their ways.

'Straight is the Way' was promoted with the tagline: "They came to lift the silver, but they stayed to lift the mortgage."

"It should be a fun screening because the filmmakers depict 'Hampton Center' as a small rural Granite State community—rather like Danbury today," Rapsis said.

The film, a comedy/drama, features scenes in which a Ouija board is used to contact the spirits of long-dead relatives.

Ouija boards had become popular in the years following World War I, when 'Straight is the Way' was released.

How does a film disappear for 100 years, and then resurface?

Produced by Cosmopolitan Pictures, 'Straight is the Way' was one of dozens of titles on Paramount's 1921 release schedule. After its initial run, the film was never reissued or re-released.

This was the fate of nearly all motion pictures of the era, most of which were lost to neglect, decay, or accident. Today, about 75 percent of all silent films no longer exist in any form.

But 'Straight is the Way' is among the survivors. A single 35mm print of the film is in the collection of the U.S. Library of Congress. The print was part of a hoard of film material donated long ago by 1920s star Marion Davies, whose pictures were produced by Cosmopolitan.

However, the print is on fragile and flammable nitrate cellulose film stock, meaning it can't be safely projected or loaned out. To keep the film from deteriorating, the print is kept in long-term storage at the Library of Congress media center in Culpeper, Va.
 
The "Ouija Board" scene in 'Straight is the Way' (1921).

In 2021, Maine-based film archivist Ed Lorusso organized an online Kickstarter program to raise funds to transfer the surviving print of 'Straight is the Way' to digital media. The fundraiser was successful, and the transfer was completed earlier this year.

Lorusso made the film available on DVD to fellow vintage film enthusiasts, including accompanist Rapsis, who felt the film's Granite State setting merited a revival, complete with live music.

The film's "world re-premiere" took place in December 2021 at Red River Theatres in Concord, N.H., which hosted the first theatrical showing of the film since its original run.

"Very few films are set in New Hampshire, then or now," Rapsis said. "What's interesting about 'Straight is the Way' is that it shows how the state was viewed at the time—a place of small towns and old-fashioned ways, including a constable patrolling the town in a horse and buggy."

Although 'Straight is the Way' contains authentic details such as New Hampshire license plates on the few autos that appear, Lorusso has found no evidence that any part of the film was shot in the state.

Instead, 'Straight is the Way' was produced in New York City, where Cosmopolitan Pictures was based, and which continued to host film production even after most movie-making moved to California in the 1910s.

'Straight is the Way' features several location shots of Manhattan scenes such as Washington Square in Greenwich Village as it appeared in 1921.

Lorusso believes the New Hampshire scenes were most likely filmed in the rural countryside of Long Island or New Jersey, just outside the city, as was common practice at the time.

Lorusso has identified one location: the mansion shown in the film is the summer home of author Ethel Watts Mumford in Sands Point, Long Island. Mumford wrote 'The Manifestations of Henry Ort,' on which 'Straight is the Way' was based.

The screenplay was by Frances Marion, the one recognizable name associated with the production.

Marion, a prolific writer, authored more than 300 screenplays in a career that spanned three decades. Her credits include silent classics such as 'The Wind' (1928); she would later win Academy Awards for writing the prison drama 'The Big House' (1930) and the iconic boxing story 'The Champ' (1931).
 
A trade publication ad promoting 'Straight is the Way' (1921).

'Straight is the Way' features a cast of solid performers, all unknown today: Matt Moore, Mabel Bert, Gladys Leslie, George Parsons, Henry Sedley, Van Dyke Brooke, and Emily Fitzroy.

The film was directed by Robert Vignola; the following year, he would direct Marion Davies in 'When Knighthood Was in Flower' (1922) a big budget costume drama.

Rapsis said the Blazing Star Grange screening of 'Straight is the Way' is a rare chance to see the film as it was meant to be experienced—on the big screen, with live music, and with an audience.

'Straight is the Way' (1921), a silent comedy/drama set in New Hampshire, will be screened with live music on Saturday, March 29 at 7 p.m. at the Blazing Star Grange Hall, 15 North Road in Danbury, N.H.

The evening begins with a "soup and bread dinner" served at 6 p.m., cost $5 per person. The film starts at 7 p.m. Admission is free, with donations gladly accepted; suggested amount is $5 per person.

Thursday, November 21, 2024

Pre-Thanksgiving cinematic feast: Creating music for 'The Thief of Bagdad' 100th anniversary screening on Tuesday, Nov. 26 at Coolidge Corner in Brookline, Mass.

A poster promoting 'The Thief of Bagdad' (1924).

Is Thanksgiving is all about giving thanks for abundance?

If so, I can't think of a better silent film to prepare one for the upcoming holiday than 'The Thief of Bagdad' (1924), an epic adventure/fantasy starring Douglas Fairbanks Sr.

I'll accompany a 100th anniversary screening of 'Thief' on Tuesday, Nov. 26 (two days prior to Turkey Day) at the Coolidge Corner Theater in Brookline, Mass.

More about the film and screening in the press release below.

But wait—how does a film set in a mythical Bagdad (resplendent in Art Deco design accents, no less) and based on exotic tales from long ago have anything to do with Thanksgiving?

Douglas Fairbanks Sr. plays the title role in 'Thief of Bagdad' (1924).

I think the key is abundance. 'The Thief of Bagdad' contains more of everything that almost any picture made up until then.

More scenery! More thrills! More intrigue! More eye-popping visuals! 

More Douglas Fairbanks, who dances through the film in a performance that's more—well, Fairbanksian than ever before!

But chiefly it's an abundance of ambition that drives 'Thief' to heights never quite achieved until then. 

Fairbanks, at the top of his game, was ready to put everything he knew, and everything the movies could then do, into something truly grand—a motion picture to transport audiences to another realm in the same way the film's flying carpet transports characters in the story.

It all paid off with one of the greatest fantasies produced in the silent era: a picture that captivated audiences when first released, and which still has that effect today.

And that, I think, is something to be thankful for!

So don't be a turkey! Come join us on Tuesday, Nov. 26 at the Coolidge for a 100th anniversary screening of 'The Thief of Bagdad.'  Details in the press release below.

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Douglas Fairbanks Sr. and Julanne Johnston in 'The Thief of Bagdad' (1924).

MONDAY, NOV. 11, 2024 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Flying carpets, fire-breathing dragons, underwater palaces, and more!

Classic epic 'Thief of Bagdad' to screen Tuesday, Nov. 26 at Coolidge Corner Theatre

Adventure/fantasy starring Douglas Fairbanks presented with live music in celebration of film's 100th anniversary

BROOKLINE, Mass.—It ranks among the first Hollywood epics to show the full potential for movies to depict entire worlds of fantasy. It was also one of the top grossing films of 1924.

It was 'The Thief of Bagdad,' a celebrated triumph for actor/director Douglas Fairbanks that stands as one of greatest achievements of cinema's silent era.

It's a film filled with images of flying carpets, exotic cities, underwater palaces, winged horses, fire-breathing dragons, and more!

See if for yourself with live music on Tuesday, Nov. 26 at 7 p.m. at the Coolidge Corner Theatre,  290 Harvard St., Brookline, Mass.

Vintage handbill promoting the original release of 'Thief of Bagdad.'

This 100th anniversary screening of 'The Thief of Bagdad' , the latest in the Coolidge's 'Sounds of Silents' series, will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

Tickets $23 per person general admission; students $21.

Douglas Fairbanks, star of 'The Thief of Bagdad,' was the Harrison Ford of his time—a pioneering action hero who was among the first to entertain movie audiences with thrilling adventures.

'The Thief of Bagdad' stands among his best work. A timeless fable on a grand scale, it boasts a great story, spectacular sets, and magical special effects.

A bare-chested Fairbanks plays a crafty street-smart rogue who can easily steal anything his heart desires—except the love of a beautiful princess, daughter of the powerful Caliph of Bagdad.

To win her hand, he must not only change his ways, but also show his worthiness over many other highly placed suitors.

In making the film, Fairbanks spared no expense for what some critics still regard as the most lavish fantasy movie ever made, a show-stopping adaptation of the traditional "A Thousand and One Nights" Arabian legend.

The result is an epic in which a flying carpet is just one of many eye-popping sights designed to astound movie audiences.

 

Fairbanks, swaggering through massive marketplace sets and cavernous throne rooms as an incorrigible pickpocket, scales towering walls (with the help of a magic rope) and leads merry chases through crowded bazaars in his pursuit of loot.

The jaunty opening is a preamble to the film's spectacular second half, in which the repentant thief embarks on an odyssey through caverns of fire, underwater palaces, and even outer space.

Special effects range from a giant smoke-belching dragon to a magical flying horse, and still glow with a timeless sense of wonder from the early days of movies.

William Cameron Menzies's sets were among the largest ever created for a motion picture. Especially noteworthy is his design for a mythical Bagdad, a unique combination of Art Deco and Islamic elements—a dream city inspired by illustrations from story books.

Fairbanks, among the most popular stars of the 1920s, was the inspiration for the character of George Valentin in the Oscar-winning Best Picture 'The Artist' (2011).

Fairbanks was known for films that used the then-new medium of motion pictures to transport audiences to historical time periods for grand adventures and athletic stunts.

He's often referred to as "Douglas Fairbanks Sr." to avoid confusion with his son, the actor Douglas Fairbanks Jr.

A century after its premiere, 'The Thief of Bagdad' remains highly regarded. In 1996, the film was selected for preservation in the U.S. National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

Live music for 'The Thief of Bagdad' will be provided by silent film accompanist Jeff Rapsis, who uses a digital synthesizer to create a traditional full orchestra "movie score" sound.

"Seeing a Fairbanks picture in a theater with live music and an audience is a classic movie experience," Rapsis said.

Rapsis emphasized the unique value of seeing early cinema as it was originally presented.

"These films were designed for the big screen, live music, and large audiences. If you put it all together again, you get a sense of why people first fell in love with the movies," Rapsis said.

See Douglas Fairbanks Sr. in the 'The Thief of Bagdad' (1924) with live music on Tuesday, Nov. 26 at 7 p.m. at the Coolidge Corner Theatre,  290 Harvard St., Brookline, Mass.

Tickets $23 per person general admission; students $21. For more information, call the box office at (617) 734-2501 or visit www.coolidge.org. 


Thursday, November 14, 2024

2024 Silent Film Season in Brandon, Vt. concludes Saturday, Nov. 16 with 'Barbed Wire' (1927)

A lobby card for Paramount's 'Barbed Wire' (1927) starring Pola Negri.

This Saturday, it's up to Brandon, Vt. (about 2.5 hours) for the final screening of the 2024 season: 'Barbed Wire' (1927), a World War I drama that kind of bridges the season between Veterans Day and the holiday season.

It's also the final screening of silent films organized by the Friends of the Town Hall, a volunteer group that's worked for a quarter-century to rescue and restore Brandon's vintage 19th century town hall after a long period of abandonment and neglect.

The group is disbanding after this season, with the town recreational department taking over management of the venue. I'm pleased to say arrangements are in place for another season of monthly silent film programs starting in May 2025.

But I will certainly miss working with the Friends of the Town Hall volunteers and their long-tenured leader, Dennis Marden. He's the one who got me to start coming to Brandon back in 2010, and he's kept things fun and lively ever since.

He and his group have also transformed the formerly forbidding facility into a warm, inviting and versatile community center. Through physical improvements (like adding heat!) to bringing in a wide range of programming (yes, silent films, too!), their labors have given the Brandon community a great big gift—a vibrant gathering place that most communities can only dream of.

The imposing exterior of Brandon Town Hall, which dates from the 1860s.
 

The interior of Brandon Town Hall set up for an event. 

And my feeling is that in this day and age, we need places to gather and have shared experiences more than ever.

So if you happen to be within sledding distance of Brandon, Vt. this Saturday, why not join us for the shared experience of Pola Negri in 'Barbed Wire' (1927)? 

Lots more info in the press release below...

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A vintage one-sheet promoting the World War I drama 'Barbed Wire' (1927).

MONDAY, NOV. 11, 2024 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent film classic 'Barbed Wire' at Brandon Town Hall on Saturday, Nov. 16

Drama starring Pola Negri set in World War I prison camp to be screened with live music; highlighted by unusual Christmas scene

BRANDON, VT. — A rarely shown World War I prison camp drama with an unusual Christmas sequence will fill the big screen when 'Barbed Wire' (1927) is revived on Saturday, Nov. 16 at 7 p.m. at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt.

'Barbed Wire,' a silent drama starring Pola Negri and Clive Brook, will be screened with live music by Jeff Rapsis, a New Hampshire-based silent film accompanist.

All are welcome to this family-friendly event. Admission is free, with free will donations accepted in support of ongoing Town Hall renovations.

Set in rural France, 'Barbed Wire' dramatizes the human conflicts that occurred throughout Europe during what was known as 'The Great War.'

In a small village, Mona Moreau (Pola Negri) and her aging father work their farm to feed the brave young men fighting for France. But when their farm is commandeered to build a camp for German POWs, they must feed the prisoners as well.

In the beginning, Mona resents the German prisoners she is forced to feed, but soon she begins to empathize with them. Mona's sympathies begin to raise the suspicion of her neighbors and worst of all, she fears she may be falling in love with handsome prisoner Oskar Muller (Clive Brook).

The relationship is opposed by the townspeople, who ostracize the girl's family, setting in motion dramatic events shaped by war, prejudice, forbidden love, and shared humanity.

"The ending of 'Barbed Wire' astounds viewers today because of the bitter lessons it tries to extract from the wartime experience, and how applicable they are to our world right now, so many years later," Rapsis said.

"At the time, society had just been through a global conflict fueled by hatred, bigotry, and intolerance, and people knew what that led to. They knew. And we can learn from them still," Rapsis said.

An original lobby card for 'Barbed Wire' (1927).

Directed by Rowland V. Lee for Paramount Pictures, a highlight of 'Barbed Wire' is a sequence in which the German prisoners celebrate a traditional Teutonic Christmas, by turns solemn and rowdy, despite being incarcerated.

Accompanist Jeff Rapsis specializes in creating music that bridges the gap between an older silent film and the expectations of today's audiences.

Using a digital synthesizer that recreates the texture of a full orchestra, he improvises scores in real time as a movie unfolds, so that the music for no two screenings is the same.

"It's kind of a high wire act, but it helps create an emotional energy that's part of the silent film experience," Rapsis said. "It's easier to support the emotional line of the movie and the audience's reaction when I'm able to follow what's on screen, rather than be buried in sheet music," he said.

Because silent films were designed to be shown to large audiences in theaters with live music, the best way to experience them is to recreate the conditions in which they were first shown, Rapsis said.

The screening is sponsored by Jean and Harold Somerset, Nancy and Gary Meffe, Bethany and Andrew Menkart, and the American Legion Post 55, Brandon.

'Barbed Wire' will be shown with live music on Saturday, Nov. 16 at 7 p.m. at 7 p.m. at the Brandon Town Hall and Community Center, Route 7, in Brandon, Vt. All are welcome to this family-friendly event. Admission is free, with free will donations accepted in support of ongoing Town Hall renovations. 

Wednesday, October 30, 2024

One without arms, the other with no legs: scoring a pair of Lon Chaney's most challenging roles

 In front of the Jane Pickens Theatre in Newport, R.I., where I accompanied 'Dracula' (1931) on Tuesday, Oct. 29.

This year's Halloween Season Silent Film Steeplechase concludes tonight with a Lon Chaney double feature: 'The Unknown' (1927) and 'West of Zanzibar' (1928).

Both films will be shown on Wednesday, Oct. 30 at 7 p.m. at the Rex Theatre in downtown Manchester, N.H. More details in the press release pasted in below.

It's a compelling pair of movies that feature Chaney in two of his physically most demanding roles. 

In 'The Unknown,' he's Alonzo the Armless, a circus knife-thrower forced to use his legs instead of hands, which he lacks. In 'West of Zanzibar,' he plays Phroso the Magician, who loses the use of his legs in an accident, but who still travels to Africa to get revenue on the man (Lionel Barrymore) who stole his wife.

It's often observed that Chaney put his whole body into his portrayals, with his work in title roles of 'The Hunchback of Notre Dame '(1922) and 'Phantom of the Opera' (1925) often cited as examples.

But 'The Unknown' and 'West of Zanzibar' take this one step further. In each film, Chaney plays characters who are denied the full use of their bodies. Instead, he must work around serious physical limitations.

The result, with macabre director Tod Browning helming both films, are portrayals that rank among the most extreme of all mainstream cinema of any era. They must be seen to be believed, and even then you may not believe what you're seeing.

Which all makes for a great Halloween experience! So I hope you'll join me this evening at the Rex Theatre for a show you won't forget—even if you try!

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An original release poster for Lon Chaney in 'The Unknown' (1927).

MONDAY, OCT. 21, 2024 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Lon Chaney Halloween 'Creepfest' double feature at Rex Theatre on Wednesday, Oct. 30

Among Chaney's most challenging roles: In 'The Unknown,' he's without arms; in 'West of Zanzibar,' he's paralyzed from the waist down

MANCHESTER, N.H.—Get into the Halloween spirit with classic silent thrillers starring legendary actor Lon Chaney.

A pair of movies starring Chaney, 'The Unknown' (1927) and 'West of Zanzibar' (1928), combine for a creepy double feature on Wednesday, Oct. 30 at 7 p.m. at the Rex Theatre, 23 Amherst St., Manchester, N.H.

General admission is $10 per person; tickets are available at the door or online at www.palacetheatre.org.

Live music for the movie will be provided by silent film accompanist Jeff Rapsis.

'The Unknown' (1927) features Chaney as "Alonzo the Armless," a circus knife-thrower with a dark past who uses his feet to perform his act. The film co-stars a very young Joan Crawford.

In 'West of Zanzibar' (1928), Chaney plays a vaudeville magician who seeks revenge after becoming paralyzed from the waist down. The film co-stars Lionel Barrymore.

Both films were produced by MGM and directed by Tod Browning, who specialized in exploring the dark and creepy side of circus life. Browning's career later culminated with his bizarre early talkie film 'Freaks' (1932), starring a cast of deformed carnival performers.

Lon Chaney is today regarded as one of the most versatile and powerful actors of early cinema, renowned for his characterizations of tortured, often grotesque and afflicted characters, and his groundbreaking artistry with makeup.

Chaney remains famous for his starring roles in such silent horror films as 'The Hunchback of Notre Dame' (1923) and 'The Phantom of the Opera' (1925). His ability to transform himself using makeup techniques he developed earned him the nickname "The Man of a Thousand Faces."

But Chaney starred in dozens of other films throughout the silent era, many of them aimed at the growing appetite among movie audiences for the strange, macabre, or downright weird.

In 'The Unknown,' Chaney's character "Alonzo the Armless" is indeed without both arms. This forces him to use his feet to perform tasks that range from throwing knives in his circus act to smoking a cigarette. In one scene, Chaney uses his feet to strum a guitar.

'West of Zanzibar' requires Chaney to play his role without using his legs. When not using a wheelchair, he uses his hands and arms to crawl across floors.

To modern viewers, the passage of time has made these unusual films seem even more strange and otherworldly.

It's an atmosphere that silent film accompanist Jeff Rapsis will try to enhance by improvising live music on the spot for the screenings.

A very young Joan Crawford comforts an armless Lon Chaney in 'The Unknown' (1927). Notice the lit cigarette between Chaney's toes. 

"Many of the Lon Chaney features seem to get creepier as more time goes by," said Rapsis, who is based in New Hampshire and ranks as one of the nation's leading silent film accompanists. "Today, they're a great way to celebrate Halloween and the power of silent film to transport audiences to strange and unusual places."

Both films are suitable for all family members, but the overall program may be too much for very young children to enjoy.

Modern critics say 'The Unknown' still packs a powerful cinematic punch.

The film "...revels in the seedy circus life, and creates some incredible set pieces, from Chaney's knife-throwing act to a sinister, cavernous doctor's lab,” wrote Jeffrey M. Anderson of Combustible Celluloid.

'The Unknown’ (1927) and 'West of Zanzibar' (1928) will be shown on Wednesday, Oct. 30 at 7 p.m. at the Rex Theatre, 23 Amherst St., Manchester, N.H.

General admission is $10 per person; tickets are available at the door or online at www.palacetheatre.org.

Tuesday, October 29, 2024

Tonight! Live scoring for 'Dracula' (1931) at the Jane Pickens Theatre, Newport, R.I.

Bela Lugosi plays the title role in 'Dracula' (1931).
 
Live scoring—it's not just for silents anymore!

And that's what I'll be doing tonight in Newport, R.I., where the early talkie version of 'Dracula' (1931) starring Bela Lugosi will fly onto the screen at 7:30 p.m.

More info about the show and venue are in the press release below.

In the past few years, I've done a few live scores for early talkies: 'Dracula' and also 'Frankenstein' (1931) starring Boris Karloff. 

It's possible to do this because in the first few years of synchronized soundtracks, some studios didn't bother with recorded music.

Partly it  was function of economics: no music = no cost. 
 
I think it was also due to uncertainty on the part of some filmmakers and studios of how sound should be used: for dialogue, yes, of course. But background music?

Unless you could SEE the musicians on screen, where was it supposed to be coming from?
 
It was one of those things that took awhile to sort out—similar to the foreign language issue.
 
Now that films talked, what about different languages? 
 
For a time, studios made several versions of films, with the players repeating all dialogue in different tongues, with a pronunciation coach on set when needed and sometimes significant differences in supporting players, story, and so on.
 
Thus we have a German language version of Buster Keaton's early MGM talkie 'Free and Easy' (1930), with the formerly silent comic spouting dialogue in Deutsch.

Which brings us to the Spanish language version of 'Dracula,' filmed concurrently on the same sets with the English version but with a different director as well as a different actor, Carlos Villarius, in the title role!

Well, tonight in Newport, the language will be heavily accented English, with music from me. Details below!

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An original release poster for Bela Lugosi as 'Dracula' (1931).

MONDAY, OCT. 21, 2024 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Halloween special: Lugosi's 'Dracula' on big screen with new live score

Horror classic to be shown at the Jane Pickens Theatre on Tuesday, Oct. 29 for one screening only

NEWPORT, R.I. — Do you dare prepare for Halloween by braving 'Dracula' on the big screen?

That's the question at the Jane Pickens Theatre, 49 Touro St. in Newport, where the classic 1931 version of 'Dracula' will run for one showing only on Tuesday, Oct. 29.

Showtime is 7:30 p.m. Admission is $17 per person. Tickets available online at https://janepickens.com or at the door.

The screening will feature live music by Jeff Rapsis, the Jane Pickens Theatre's silent film accompanist.

Although 'Dracula' is a talking picture, it was released with virtually no musical score, a common practice during the transition period from silent to sound pictures.

Rapsis will perform original music live during the screening using a digital keyboard to recreate the texture of a full orchestra.

Directed by Tod Browning, 'Dracula' was a sensational box office success and has mesmerized movie audiences ever since with its eerie visuals and Lugosi's iconic performance.

The story opens in far-off Transylvania, where mysterious Count Dracula hypnotizes a British soldier, Renfield (Dwight Frye), into becoming his mindless slave.

Welcome to Transylvania!

Dracula then travels to England and takes up residence in an old castle. Soon the Count begins to wreak havoc, sucking the blood of young women and turning them into vampires.

When he sets his sights on Mina (Helen Chandler), the daughter of a prominent doctor, vampire-hunter Van Helsing (Edward Van Sloan) is enlisted to put a stop to Dracula's never-ending bloodlust.

The Halloween screening of 'Dracula' will include live music by Jeff Rapsis, a composer and performer who specializes in creating accompaniment for silent films.  

'Dracula' was released when Hollywood and movie theatres were still undergoing the transition from the silent era to pictures with synchronized sound and dialogue.

During the silent era, studios did not produce official scores for most films. Instead, accompaniment was left up to local musicians, and could vary greatly from one moviehouse to another.

When studios converted to talking pictures, the tradition of recording a musical score was not well established. In the case of 'Dracula,' Universal omitted music in part to save production costs.

As a result, after the opening credits, the 1931 'Dracula' contains no music except for a brief scene in an opera house.

In recent decades, composers have experimented with creating original music for the movie—most notably Philip Glass, who composed a score in 1998 for the Kronos string quartet.

Another spooky spectacular from director Tod Browning.

Rapsis sees 'Dracula' as closely linked to the silent-era tradition of films shown with live music.

"Tod Browning was a prolific director of silent films, including many thrillers that anticipate 'Dracula,' " Rapsis said. "So even though 'Dracula' is a talking picture, Browning's filmmaking style is strongly rooted in the silent era, when it was assumed that local musicians would be important collaborators in a picture's effect on an audience."

Unlike the Glass score, which plays almost continuously during the movie, Rapsis will use music only in certain places where he feels it will either enhance the mood, heighten tension, or signify a change in the emotional line of the story.

"Although 'Dracula' is not a silent film, there are definitely places where the silence speaks volumes and remains very effective," Rapsis said. "I hope to leave those intact, but enrich other parts of the film in the way that only music can."

Rapsis works largely by improvising as a film plays in the theater, in the tradition of theatre organists of the 1920s.

"There's something very special about the in-the-moment energy of a live improvised performance," Rapsis said. "It's never the same, and at its best it really can help a film connect with an audience and make the whole experience come together."

The original 'Dracula' (1931) starring Bela Lugosi will be shown with live music for one screening only on Tuesday, Oct. 29 at 7:30 p.m. at the Jane Pickens Theatre Film and Event Center, 49 Touro St., Newport, R.I. Admission is $17 per person. Tickets available online at https://janepickens.com or at the door. For more information, call the box office at (401) 846-5474.