I sometimes joke that I'm the world's most obscure superhero: SILENT FILM ACCOMPANIMENT GUY, ready to respond at a moment's notice to aid any silent film in need of live music.
(Still waiting for the call from Marvel Comics...)
But something like that actually happened last week when I was contacted by the Harvard Museums at Harvard University, where they're in the midst of an ambitious look at the Bauhaus school of design that flourished in Weimar-era Germany.
The program includes a series of film screenings, and turns out a program of short experimental movies scheduled for Thursday, April 18 turned out to be all silent!
Oh no! What to do?
So the call came in to SILENT FILM ACCOMPANIMENT GUY, who immediately agreed to rush to the rescue and create soundtracks for all the various clips.
And as incentive, I was told "...our resident piano is an ebony Bechstein model C, serial number 177972, from 1985 and approximately 7’4” in length."
Wow! A chance to work with an instrument of that caliber is not to be missed. (And it'll be a reminder that I have to get my own piano tuned once again after a long winter of pounding.)
If you're interested in attending, the program is free! It's Thursday, April 18 at 6 p.m. at the Harvard Museums, 32 Quincy St., Cambridge, Mass. Here's a link to more details.
Just as other superheros must occasionally engage in mind-boggling feats of strength, this particular show prompted SILENT FILM ACCOMPANIMENT GUY to do some heavy lifting, schedule-wise.
To accommodate Harvard, it was necessary to shift a scheduled screening of Metropolis from that night to another date.
And so Metropolis, originally set for Thursday, April 18 at the Flying Monkey Moviehouse and Performance Center in Plymouth, N.H., is now running one week later, on Thursday, April 25.
(And how appropriate is this "superhero" theme? Superman's city = Metropolis!)
Showtime is 6:30 p.m. for Fritz Lang's epic futuristic quasi-theological cinematic fantasy. I've developed some strong material for this incredible film. It's 2½ hours long and a real workout, but I love scoring it.
Here's the press release with a lot more info. See you there!
TUESDAY, APRIL 9, 2019 / FOR IMMEDIATE RELEASE
For more info, contact: Jeff Rapsis • (603) 236-9237 • firstname.lastname@example.org
Restored classic film 'Metropolis' to screen at Flying Monkey on Thursday, April 25
Landmark early sci-fi fantasy epic, with half-hour of rediscovered footage, to be shown with live music
PLYMOUTH, N.H.—A silent film hailed as the grandfather of all science fiction fantasy movies will be screened with live music this month at the Flying Monkey Moviehouse and Performance Center.
'Metropolis' (1927), an epic adventure set in a futuristic world, will be shown on Thursday, April 25 at 6:30 p.m. at the Flying Monkey, 39 Main St., Plymouth, N.H. General admission is $10.
Original music for 'Metropolis' will be performed live by Jeff Rapsis, a New Hampshire-based composer and silent film accompanist who performs at venues around the nation.
(The screening was originally scheduled for Thursday, April 18, but has been moved to Thursday, April 25 due to a scheduling conflict.)
'Metropolis' (1927), regarded as German director Fritz Lang's masterpiece, is set in a society where a privileged elite pursue lives of leisure while the masses toil on vast machines and live in poverty.
The film, with its visions of futuristic factories and underground cities, set new standards for visual design and inspired generations of dystopian fantasies from Ridley Scott's 'Blade Runner' to Terry Gilliam's 'Brazil.'
In reviving 'Metropolis' and other great films of cinema's early years, the Flying Monkey aims to show silent movies as they were meant to be seen—in high quality prints, on a large screen, with live music, and with an audience.
"All those elements are important parts of the silent film experience," said Rapsis, who will improvise an original live score for 'Metropolis' on the spot. "Recreate those conditions, and the classics of early cinema leap back to life."
In 'Metropolis,' the story centers on an upper class young man who falls in love with a woman who works with the poor. The tale encompasses mad scientists, human-like robots, underground spiritual movements, and industrial espionage, all set in a society divided between haves and have-nots.
The version of 'Metropolis' to be screened at the Flying Monkey is a newly restored edition that includes nearly a half-hour of missing footage cut following the film's premiere in 1927. The lost footage, discovered in 2008 in an archive in Argentina, has since been added to the existing 'Metropolis,' allowing plot threads and characters to be developed more fully.
When first screened in Berlin, Germany on Jan. 10, 1927, the sci-fi epic ran an estimated 153 minutes. After its premiere, the film's distributors (including Paramount in the U.S.) drastically shortened 'Metropolis' to maximize the film's commercial potential. By the time it debuted in the U.S. later that year, the film was only about 90 minutes long.
Even in its shortened form, 'Metropolis' became a cornerstone of science fiction cinema. Due to its enduring popularity, the film has undergone numerous restorations in the intervening decades in attempts to recover Lang's original vision.
It was widely believed that this would be the most complete version of Lang's film that contemporary audiences could ever hope to see. But, in the summer of 2008, the curator of the Buenos Aires Museo del Cine discovered a 16mm dupe negative of 'Metropolis' that was considerably longer than any existing print.
It included not merely a few additional snippets, but 25 minutes of "lost" footage, about a fifth of the film, that had not been seen since its Berlin debut.
The discovery of such a significant amount of material called for yet another restoration, a 2½-hour version that debuted in 2010 to widespread acclaim. It's this fully restored edition that will be screened at the Flying Monkey.
" 'Metropolis' stands as an stunning example of the power of silent film to tell a compelling story without words, and reach across the generations to touch movie-goers from the real future, which means us," said accompanist Jeff Rapsis, who provides live music for silent film screenings throughout New England.
To accompany a silent film, Rapsis uses a digital synthesizer to recreate the texture of the full orchestra. The score is created live in real time as the movie is screened. Rather than focus exclusively on authentic music of the period, Rapsis creates new music for silent films that draws from movie scoring techniques that today's audiences expect from the cinema.
Other upcoming silent film/live music presentations at the Flying Monkey include:
• Thursday, May 9, 6:30 p.m.: 'Sherlock Holmes' (1916) starring William Gillette. Recently discovered in France after being lost for nearly a century, see this original 1916 adaptation of Sherlock Holmes stories as performed by William Gillette, the actor who created the role on stage and performed it more than 1,000 times. With the blessing of Sir Arthur Conan Doyle, Gillette's play combines elements of four classic short stories into a memorable battle with arch-nemesis, Prof. Moriarty.
• Thursday, June 20, 6:30 p.m.: 'Safety Last' (1923) starring Harold Lloyd. The iconic image of comedian Harold Lloyd dangling from the hands of a downtown clock is only one small piece of a remarkable thrill comedy that has lost none of its power over audiences. See it for yourself on the big screen and with an audience.
The restored 'Metropolis' will be shown on Thursday, April 25 at 6:30 p.m. at the Flying Monkey Moviehouse and Performance Center, 39 Main St., Plymouth. General admission is $10. For more info, visit www.flyingmonkeynh.co or call (603) 536-2551.
For more information on the music, visit www.jeffrapsis.com.
CRITIC'S COMMENTS on ‘METROPOLIS’
“'Metropolis' does what many great films do, creating a time, place and characters so striking that they become part of our arsenal of images for imagining the world.”
—Roger Ebert, 2010, The Chicago Sun-Times
“If it comes anywhere near your town, go see it and thank the movie Gods that it even exists. There’s no star rating high enough.”
—Brian Tallerico, Movieretriever.com
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