Showing posts with label Tarzan and the Golden Lion. Show all posts
Showing posts with label Tarzan and the Golden Lion. Show all posts

Monday, March 9, 2015

Bring your own roar: Silent Tarzan flick
on Thursday, March 12 at Flying Monkey

James H. Pierce plays Tarzan in 'Tarzan and the Golden Lion' (1927), showing on Thursday, March 12 at 6:30 p.m. at the Flying Monkey.

When George Lucas and Steven Spielberg made 'Raiders of the Lost Ark' (1981), it was films like 'Tarzan and the Golden Lion' (1927) that they were paying homage to.

That's all I can think every time I've played music for this film, an entry in the Tarzan catalog that was lost for decades until a print turned up a few years ago.

It starts off fast, and then really keeps moving. It has wily villains, damsels in distress, exotic locations, heroic rescues, and exciting stunts galore.

But a silent Tarzan? You have to remind audiences today that when these movies were made, no one thought of them as silent. They were simply the movies, and people fell in love with them without expecting to hear talk or dialogue.

It was only later that synchronized sound brought Tarzan's iconic yell to your local theater as part of the movie-going experience.

Yes, you can see Tarzan do his yell in 'Tarzan and the Golden Lion' as well as other silent Tarzan flicks. He beats his chest and opens his mouth and makes the jungle resound with his cry.

So I tell people: if you really really miss it, feel free to channel Carol Burnett and do your best Tarzan yell to fill in for him.

And some actually do!

Your next chance to be a vocal stand-in for Tarzan comes on Thursday, March 12, when I accompany a screening of 'Tarzan and the Golden Lion' at the Flying Monkey Moviehouse and Performance Center in Plymouth, N.H.

Showtime is 6:30 p.m. Tickets are $10 each.

Hope to see you there. For more information, please check out the press release below.

* * *

An original lobby card for 'Tarzan and the Golden Lion.'

WEDNESDAY, FEB. 25, 2015 / FOR IMMEDIATE RELEASE
For more info, contact: Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent film 'Tarzan and The Golden Lion' at Flying Monkey on Thursday, March 12


Screening of long-lost movie classic in downtown Plymouth venue to feature live musical accompaniment

PLYMOUTH, N.H.—You won't get to hear his famous jungle yell. But everything else that made Tarzan a vine-swinging movie legend will fill the big screen at an upcoming one-night-only silent film program at the Flying Monkey Moviehouse and Performance Center.

The silent program, set for Thursday, March 12 at 6:30 p.m., features 'Tarzan and the Golden Lion' (1927), an early Tarzan feature that helped popularize the character created by author Edgar Rice Burroughs.

'Tarzan and the Golden' was considered a lost film for many decades; its recent rediscovery has made it available for viewing for the first time since its original release.

The movie will be accompanied by live music performed by silent film composer Jeff Rapsis. General admission for the event is $10 per person.

'Tarzan and the Golden Lion' (1927) was an adaptation of a 1923 Burroughs novel of the same title. It was financed in part by Joseph P. Kennedy, patriarch of the Kennedy clan, whose 1920s business interests extended to movie production.

The film finds Tarzan forced to journey through the African jungle to the legendary City of Diamonds, where he and his pet lion Jadbal-ja must save an Englishwoman from being sacrificed to the Gods.

Playing Tarzan in this film is James H. Pierce, the fourth actor to portray the role on-screen. Pierce was a part-time actor who coached high school football in Glendale, Calif., where his squad included future actor John Wayne.

After landing the Tarzan role, Pierce married Burroughs' daughter Joan in 1928. Although other actors took over the Tarzan role in motion pictures, Pierce and his wife continued to voice the roles of Tarzan and Jane in a popular 1930s radio show.

Pierce later ran a real estate agency in southern California. He died in 1984; he and his wife are buried in Indiana with tombstones marked "Tarzan" and "Jane."

The film also includes a brief cameo of legendary actor Boris Karloff in heavy makeup playing a witch doctor.

For decades, no copy of 'Tarzan and the Golden Lion' was thought to exist until a nearly complete print was recently discovered in a foreign archive.

The film has been restored and transferred to digital media so that audiences can enjoy it once again.

The Flying Monkey's silent film series aims to recreate the full silent film experience, with restored prints projected on the big screen, live music, and the presence of an audience. All these elements are essential to seeing silent films they way they were intended, Rapsis said.

"If you can put it all together again, these films still contain a lot of great stuff," Rapsis said. "By staging these screenings of features from Hollywood's early days, you can see why people first fell in love with the movies."

Upcoming movies include a classic Buster Keaton comedy and an adaptation of 'The Count of Monte Cristo' that was thought lost for decades.

The Flying Monkey originally opened a silent film moviehouse in the 1920s, and showed first-run Hollywood films to generations of area residents until closing several years ago. The theater has since been renovated by Alex Ray, owner of the Common Man restaurants, who created a performance space that hosts a wide range of music acts.

Movies of all types, however, are still a big part of the Flying Monkey's offerings, and the silent film series is a way for the theater to remain connected to its roots.

Live music is a key element of each silent film screening, Rapsis said. Silent movies were never shown in silence, but were accompanied by live music made right in each theater. Most films were not released with official scores, so it was up to local musicians to provide the soundtrack, which could vary greatly from theater to theater.

"Because there's no set soundtrack for most silent films, musicians are free to create new music as they see fit, even today," Rapsis said. "In bringing a film to life, I try to create original 'movie score' music that sounds like what you might expect in a theater today, which helps bridge the gap between today's audiences and silent films that are in some cases nearly 100 years old."

The Flying Monkey's silent film series will continue in 2015 with these upcoming titles:

• Thursday, April 9, 2015, 6:30 p.m.: 'The Three Ages' (1923) starring Buster Keaton. Keaton's first feature-length comedy interweaves tales of romance from three epochs: the Stone Age, the Roman Empire, and "Modern Times," meaning 1920s California. See why Buster is regarded as one of the great clowns of the silent era.

• Thursday, May 14, 2015, 6:30 p.m.: 'The Count of Monte Cristo' (1922) starring John Gilbert. The original screen adaptation of the Andre Dumas swashbuckler about a man unjustly imprisoned who later seeks revenge. A film thought lost for decades until a print surfaced in the Czech Republic!

The next installment in the Flying Monkey's silent film series will be 'Tarzan and the Golden Lion' (1927), to be screened with live music by Jeff Rapsis on Thursday, March 12 at 6:30 p.m. at the Flying Monkey Moviehouse and Performance Center, 39 South Main St., Plymouth, N.H. Tickets are $10 per person. For more information, call (603) 536-2551 or visit www.flyingmonkeynh.com. For more information about the music, visit www.jeffrapsis.com.

Monday, July 7, 2014

Thoughts on dinosaurs and silent film:
Extinct creatures, an exctinct art form


Two screenings of 'The Lost World' (1925) in the past few days gave rise to a few thoughts worth preserving. Fossils, if you will.

I usually end up introducing the shows I do, with the comments often as improvised as the music that follows.

But once in awhile, apart from the usual blah-blah-blah, I find myself saying something that actually sounds worth pointing out.

In the case of 'The Lost World,' the random slot machine of my addled brain came up with an interesting notion, which was this: how fitting for a story about an extinct creatures to be told in an extinct art form.

Dinosaurs and silent film. What a poetic combination!

But then I had another thought. Just as the early filmmakers brought the dinosaurs back to life (at least on screen), so would we (me and the audience) help bring silent film to life.

It was an interesting way of making a point I try to make: that these films were designed from the ground up to be seen a certain way. You need live music, you need a big theater, you need a big audience.

Take any of those away and you're not going to understand why people first fell hard for the movies.

Yesterday's screening of 'The Lost World' was part of a double feature at the Wilton (N.H.) Town Hall Theatre that included 'Tarzan and the Golden Lion' (1927). We had a surprisingly big turnout for a holiday weekend and fine weather (something like 100 people) and the reaction was strong throughout.

And I don't know. Sometimes I just let loose, and that's what happened with the Tarzan film, which came first. I really hadn't prepared anything so I started big and never looked back. And rather than become tiresome, the approach seemed to be just right.

Maybe it's because 'Tarzan and the Golden Lion' is that kind of film: pretty much non-stop action.

I was concerned that I had unloaded too much prior to 'The Lost World,' but that turned out to not be the case. Something about the structure and the pacing of 'The Lost World' provided the break we all needed.

I believe the way the story unfolds, with an extended all-human prologue in London and then the Amazon jungle before the stop-motion dinosaurs make their first appearance, really helped.

So when I amped things up once the exploration party makes it to the plateau, everyone's ears (including mine) were ready for some big stuff again.

And I have to say that one of the best moments in all silent film is the first sight of the escaped brontosaurus stomping around central London to create the film's climax.

Audiences see this and just go crazy, which is what happened Sunday afternoon in Wilton. There's something about this moment, knowing that it's setting the stage for a century or more of movie mayhem to come, that people feel compelled to cheer.

I think because it's such a genuine moment. Here it is, folks! You're present at the creation! (Or the destruction, really.)

Looking ahead, it's a busy week with four screenings in six days: on Tuesday, July 8 at 6 p.m., we're doing 'The Scarlet Letter' (1926) starring Lillian Gish (that's her at left) at the Manchester Public Library; on Wednesday, July 9 at 6:30 p.m., it's Buster Keaton in 'The General' (1927) at the Flying Monkey Moviehouse in Plymouth, N.H.; on Saturday, July 12 it's up to the Brandon (Vt.) Town Hall for a program of Buster Keaton comedies at 7 p.m.; and then we're doing Griffith's 'Orphans of the Storm' (1921) in 35mm at the Somerville (Mass.) Theatre on Sunday, July 13 at 2 p.m. (That's the day before Bastille Day.)

Complete info for each show can be found by clicking 'Upcoming Silent Film Screenings' page at upper right. Hope to see you at a screening real soon!