Showing posts with label Town Hall Theatre. Show all posts
Showing posts with label Town Hall Theatre. Show all posts

Wednesday, September 9, 2026

Tackling Theda Bara—well, not literally—in 'A Fool There Was' on Sunday, Sept. 13

Theda Bara in 'A Fool There Was' (1915).

They say there's a first time for everything. And this Sunday will be my first time with Theda Bara.

And that seems surprising. After all, I've been doing silent film music for 20 years. In the hundreds of movies I've accompanied, you'd think the list might have included ONE Theda Bara film.   

But nope! A combination of scarcity (very few of her films survive) plus lack of availability of good-looking prints has led to a prolonged Theda Bara drought in my performance schedule.

Well, that changes this weekend! On Sunday, Sept. 13, I'll have the privilege of accompanying 'A Fool There Was' (1915), one of the iconic star's few intact surviving films, at the Town Hall Theatre in Wilton, N.H. 

Showtime is 2 p.m. Admission is free; a donation of $10 per person is suggested to support the Town Hall Theatre's silent film series. 

For all the Theda Bara groupies out there, here's a rare chance to see one of the mysterious star's surviving films on the big screen and with live music. 

And yes, there are Theda Bara groupies. Her reputation as a "vamp"—and one of Hollywood's earliest sex symbols—has stood the test of time, even if most of her films haven't. 

And about that title: 'A Fool There Was.' Sounds like Yoda came up with that one!

Well, weird syntax or not, lots more info about the screening and film can be found in the press release below:

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MONDAY, AUG. 24, 2026 / FOR IMMEDIATE RELEASE
Contact: Jeff Rapsis • (603) 236-9237jeffrapsis@gmail.com

Most of Theda Bara’s films are lost. See one that survived.

Silent screen’s original sex symbol stars in rare 1915 thriller ‘A Fool There Was,’ screening Sept. 13 in Wilton with live music

WILTON, N.H.—She was one of the biggest movie stars in the world. She became one of cinema’s first sex symbols. She made more than 40 films.

And almost all of them are gone.

Theda Bara, the legendary “vamp” of the silent screen, returns to the big screen in one of her rare surviving films when 'A Fool There Was' (1915) is shown on Sunday, Sept. 13 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

The melodramatic thriller will be presented with live music by silent film accompanist Jeff Rapsis, recreating the way audiences experienced movies when Bara was an international sensation more than a century ago.

Admission is free. Donations are gladly accepted to support the venue's silent film series, with $10 per person suggested.

For film fans, 'A Fool There Was' offers something increasingly rare: the chance to see an authentic performance by one of the first superstars of the motion picture era.

 
Theda Bara and costar Edward José in 'A Fool There Was' (1915).

Bara appeared in more than 40 films during a career that made her among the most recognizable faces of the 1910s. But because of nitrate deterioration, fires, neglect, and the wholesale disappearance of early motion pictures, only a handful of her films survive in substantially complete form.

That makes 'A Fool There Was' much more than an antique curiosity. It is a survivor.

And it’s the film that created the Theda Bara legend.

In 'A Fool There Was', Bara plays a mysterious seductress who ensnares a respectable married man and systematically brings about his downfall.

The role turned Bara into cinema’s original 'vamp'—a woman whose sexual magnetism proved irresistible and potentially fatal to the men around her.

Audiences had seen nothing quite like her.

With her darkly exotic appearance, heavy eye makeup, revealing costumes, and brazen sexuality, Bara became one of Hollywood’s earliest sex symbols before Hollywood itself had fully emerged as the center of the movie industry.

Theda Bara in 'A Fool There Was' (1915).

Her studio heightened the sensation by concocting an outrageous publicity campaign that portrayed the Cincinnati-born actress as an exotic woman of mystery, supposedly born in the shadow of the Sphinx.

The public ate it up.

Bara became a phenomenon, and the 'vamp' became a permanent character in American popular culture.

But unlike Charlie Chaplin, Buster Keaton, and other silent-era stars whose work remains widely available, Bara today is largely a legend without films.

The vast majority of her screen appearances have vanished. Audiences can read about her extraordinary fame and see her famous publicity photographs, but they have few opportunities to actually watch the woman who once fascinated millions.

'A Fool There Was' is the great exception.

Original promotional artwork for 'A Fool There Was' (1915).

The Wilton screening offers a chance not merely to watch the film, but to experience it in the environment for which it was created: on a big screen, with live music, and surrounded by an audience.

Silent movies were never intended to be silent. In their original theatrical runs, films were accompanied by musicians who supplied everything from atmosphere and emotion to rhythm and dramatic punctuation.

For the Wilton screening, Rapsis will improvise a complete score live as the film unfolds.

And the audience is part of the experience.

A century ago, movies were intensely communal entertainment. People laughed, gasped, applauded, and reacted together. With a good-sized crowd and live music, that same chemistry can still happen today.

The result is something streaming at home cannot reproduce: a century-old film suddenly becoming a live event.

And in the case of Theda Bara, it’s also a chance to encounter a performer whose work came perilously close to disappearing altogether.

Most of Theda Bara’s movies are gone forever.

On Sunday, Sept. 13, one of them gets another afternoon on the big screen.

'A Fool There Was' (1915), starring Theda Bara, will be shown with live musical accompaniment by Jeff Rapsis on Sunday, Sept. 13 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

Admission is free, with donations gladly accepted to support the silent film series. A donation of $10 per person is suggested.

 

Monday, May 11, 2026

Leavitt Theatre opens silent film season with 'Girl Shy' (1924) on Saturday, May 16; D.W. Griffith's 'America' provides a surprisingly satisfying afternoon at the movies

Silent film comedian Harold Lloyd showing his aggressive side in 'Girl Shy' (1924).

Up next: it's Harold Lloyd's 'Girl Shy' (1924), which I'm accompanying on Saturday, May 16 at 7 p.m. at the Leavitt Theatre in Ogunquit, Maine.

More info on the film and this screening, which opens the 2026 silent film series at the historic venue, in the press release pasted in below. 

But first, a report on an unusual screening yesterday: D.W. Griffith's rarely shown Revolutionary War epic 'America' (1924), which I did music for at the Town Hall Theatre in Wilton, N.H.

The screening was part of a week-long celebration of the nation's upcoming 250th birthday, organized just a bit early so Wilton wouldn't have to compete with other towns as we get closer to the 4th of July.

I had never done 'America' before, and really wasn't aware of the film until longtime Town Hall Theatre proprietor Dennis Markevarich asked if it would work as part of the town's event schedule that weekend.

How would I know? Only one way to find out...

A poster promoting D.W. Griffith's epic 'America' (1924).

And what happened followed a pattern. With every D.W. Griffith film I've ever done, the same thing happens. Previewing it by myself, I always come away thinking "How is an audience going to buy this?"

Hoaky plots. Cardboard characters. Obvious plots. Cornpone humor. Moralizing intertitles. Stodgy film technique. And with 'America,' we don't even get stalwart Griffith leading lady Lillian Gish, but instead Carol Dempster, who is many things, but is not Lillian Gish. 

It would all add up, I thought, to a long and unsatisfying afternoon at the movies. 

But then, when you DO put a Griffith epic in front of audience, as the film was intended to be shown, it somehow comes to life. Audiences respond, just as they did in Griffith's heyday. The technique, though primitive, still works.

And that's what happened with 'America' on Sunday in Wilton, N.H. About 60 people became quickly engrossed in the movie, and stayed "in the zone" for the full 2½ hours. They laughed at the comic relief. They cheered when villain Lionel Barrymore finally met his end. It worked!

It was the shared experience of silent film at its best—afterwards, attendees came up to say they thoroughly enjoyed it. And so did I! Overall, it made for a very satisfying afternoon at the movies. So bravo, Mr. Griffith.

In fact, it was so successful, it made me curious about another lesser-known Griffith film starring Neil Hamilton and Carol Dempster: 'Isn't Life Wonderful' (1924). I now plan to program it next year to see if it holds up as well when presented as intended: on a big screen, in a theater, with live music, and with an audience.

Speaking of the big screen: that's where you can see Harold Lloyd's comedy 'Girl Shy' (1924) on opening night of this year's silent film series at the Leavitt Theatre in Ogunquit, Maine.

More info and details below. See you Saturday by the seaside! 

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 Harold Lloyd and co-star Jobyna Ralston in 'Girl Shy' (1924).

WEDNESDAY, MAY 6, 2026 / FOR IMMEDIATE RELEASE
For more info, contact: Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Leavitt Theatre to screen Harold Lloyd comedy 'Girl Shy' with live music on Saturday, May 16

Classic comedies, action-packed dramas highlight 2026 Silent Film Series schedule for historic Ogunquit venue's 101st anniversary season

OGUNQUIT, Maine—Classics of the silent film era return to the big screen this summer at Ogunquit's Leavitt Theatre, which is planning another season of vintage cinema with live music in the historic venue.

The series gives area film fans a chance to see movies from the pioneering days of cinema as they were intended to be shown—on the big screen, with an audience, and accompanied by live music.

The Leavitt, located at 259 Main St. Route 1 in Ogunquit, is celebrating its 101sst anniversary, having served the community continuously since 1925.

The silent film season starts on Saturday, May 16 at 7 p.m. with 'Girl Shy' (1924), a classic silent comedy starring Harold Lloyd. Admission is $18 per person.

Live music will be provided by Jeff Rapsis, a New Hampshire-based musician and composer who specializes in accompanying silent film screenings.

'Girl Shy' (1924) stars Harold Lloyd as a timid young man from a small town who pens a book about imaginary female conquests.

Trouble begins when bashful Harold falls in love for real, and then must rescue his beloved from marrying the wrong man in the big city.

Harold's dilemma prompts a climactic race to the altar that stands as one of the great chases in all of cinema. The sequence was so successful that MGM used it as a model for the famous chariot race in the original silent film version of 'Ben Hur' (1925).

The film is bursting with visual comedy typical of the silent era, but the romantic storyline was strong enough to act as a counterweight, creating a new hybrid genre now known as the romantic comedy, or "rom-com."

The Leavitt, a summer-only moviehouse, opened in 1925 at the height of the silent film era, and has been showing movies to summertime visitors ever since.

More recently, the Leavitt has added restaurant and bar service, and has expanded its entertainment schedule to include live music and special events.

The silent film series honors the theater's long service as a moviehouse that has entertained generations of residents and visitors to the seaside resort community, in good times and in bad.

"These movies were intended to be shown in this kind of environment, and with live music and with an audience," said Max Clayton, the Leavitt's manager. "Put it all together, it's great entertainment that still has a lot of power to move people."

Following 'Girl Shy' (1924) on Saturday, May 16, other programs in this year's Leavitt silent film series include:

•  Friday, June 19, 2026, 6:30 p.m.: "Three Ages" (1923) starring Buster Keaton. Keaton's first feature-length comedy interweaves tales of romance from three epochs: the Stone Age, the Roman Empire, and "Modern Times," meaning 1920s California. See why Buster is regarded as one of the great clowns of the silent era. 

Wednesday, Sept. 9, 2026, 7 p.m.: "Beau Geste" (1926) starring Ronald Colman. Michael "Beau" Geste leaves England in disgrace and joins the infamous French Foreign Legion. He is reunited with his two brothers in North Africa, where they face greater danger from their own sadistic commander than from the rebellious Arabs. 

Thursday, Oct. 15, 2026, 7 p.m.: "The Cat and the Canary" (1927); Leavitt Theatre, 259 Main St. Route 1, Ogunquit, Maine; (207) 646-3123. Can a group of distant relatives survive the night in a haunted house to learn the secret of a madman's will? Find out in the original Gothic thriller from silent film director Paul Leni. Just in time for Halloween!

Harold Lloyd's classic silent comedy 'Girl Shy' (1924) will lead off this season's silent film series on Saturday, May 16 at 7 p.m. at the Leavitt Fine Arts Theatre, 259 Main St. Route 1, Ogunquit, Maine; (207) 646-3123; admission is $18 per person, general seating.

For more information, visit www.leavittheatre.com.

 

Sunday, January 25, 2026

Let's try that again! 'Annie Laurie' rescheduled to Sunday, Feb. 1, but first 'Metropolis on Thursday, Jan. 29 plus a few others as well

'Annie Laurie' (1927) will be screened on Sunday, Feb. 1 at 2 p.m. at the Town Hall Theatre in Wilton, N.H.

It really doesn't work without an audience.  

So today's snowstorm blew in earlier than expected, which led to not a single person showing up for our planned matinee screening of 'Annie Laurie' (1927) on Sunday, Jan. 25, with live music by me.

Although the show must go on, when no one shows due to snow, there's no show to show. 

So we've rescheduled 'Annie Laurie' for exactly one week later, on Sunday, Feb. 1 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.  

Join us then for a full dose of Lillian Gish surrounded by men in kilts!

With 'Annie Laurie' moved to next Sunday, I now have a block of four shows in a row to close out January.

• On Thursday, Jan. 29, a mid-winter screening of 'Metropolis' (1927) I'm accompanying at the Jane Pickens Theatre in Newport, R.I. is already selling a lot of tickets. 

• On Friday, Jan. 30, it's Buster Keaton's 'The General' (1926) in a 100th anniversary screening at the Epsilon Spires venue in Brattleboro, Vt. (I get to play their Estey organ to accompany.)

• On Saturday, Jan. 31, it's the annual 'Pot Luck Supper and Silent Movie Night' at the Campton Historical Society up in Campton, N.H., where this year's entertainment is the original silent film version of 'Peter Pan' (1924.)

• And then on Sunday, Feb. 1, we'll try our luck with 'Annie Laurie' again at the Town Hall Theatre in Wilton, N.H., and hope that this time Mother Nature approves.

For 'Metropolis,' the press release below has lot more info about the film and the screening. Hope you'll be able to join us in Newport on Thursday. And if I get there early enough, I invite me in the Boru Noodle House just down the street.

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Industrialist Joh Frederson (Alfred Abel) looks on as scientist Rotwang (Rudolf Klein-Rogge) outlines his vision for a human-like robot in 'Metropolis' (1927).

MONDAY, JAN. 12, 2026 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Restored classic sci-fi epic 'Metropolis' to screen in Newport, R. I. on Thursday, Jan. 29

Landmark early futuristic fantasy, with half-hour of rediscovered footage, to be shown with live music at Jane Pickens Theatre

NEWPORT, R.I.— A silent film hailed as the grandfather of all science fiction fantasy movies will soon return to the big screen at the Jane Pickens Theatre.

'Metropolis' (1927), an epic adventure set in a futuristic world, will be shown with live music on Thursday, Jan. 29 at 7 p.m. at the Jane Pickens Theatre, 49 Touro St. in historic downtown Newport.

The screening will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

Admission is $18 per person. Tickets available online at https://janepickens.com or at the door.

'Metropolis' (1927), regarded as German director Fritz Lang's masterpiece, is set in a society where a privileged elite pursue lives of leisure while the masses toil on vast machines and live in poverty.

The film, with its visions of futuristic factories and underground cities, set new standards for visual design and inspired generations of dystopian fantasies from Ridley Scott's 'Blade Runner' to Terry Gilliam's 'Brazil.'

An original poster for the German release of 'Metropolis' (1927).
 
In 'Metropolis,' the story centers on an upper class young man who falls in love with a woman who works with the poor. The tale encompasses mad scientists, human-like robots, underground spiritual movements, and industrial espionage, all set in a society divided between haves and have-nots.

The version of 'Metropolis' to be screened at the Jane Pickens Theatre is a newly restored edition that includes nearly a half-hour of missing footage cut following the film's premiere in 1927. The lost footage, discovered in 2008 in an archive in Argentina, has since been added to the existing 'Metropolis,' allowing plot threads and characters to be developed more fully.

When first screened in Berlin, Germany on Jan. 10, 1927, the sci-fi epic ran an estimated 153 minutes. After its premiere, the film's distributors (including Paramount in the U.S.) drastically shortened 'Metropolis' to maximize the film's commercial potential. By the time it debuted in the U.S. later that year, the film was only about 90 minutes long.

Even in its shortened form, 'Metropolis' became a cornerstone of science fiction cinema. Due to its enduring popularity, the film has undergone numerous restorations in the intervening decades in attempts to recover Lang's original vision.

Restoration work continues to this day. In 2008, the curator of the Buenos Aires Museo del Cine discovered a 16mm dupe negative of 'Metropolis' that was considerably longer than any existing print.

It  contained 25 minutes of "lost" footage, about a fifth of the film, that had not been seen since its Berlin debut.

The discovery of such a significant amount of material called for yet another restoration, a 2½-hour version that debuted in 2010 to widespread acclaim. It's this fully restored edition that will be screened at the Jane Pickens Theatre.
 
Wealthy heir Freder Frederson (Gustav Fröhlich) aids a collapsed worker in a scene from 'Metropolis' (1927).

" 'Metropolis' stands as an stunning example of the power of silent film to tell a compelling story without words, and reach across the generations to touch movie-goers from the real future, which means us," said accompanist Jeff Rapsis, who provides live music for silent film screenings throughout New England and beyond.

To accompany a silent film, Rapsis uses a digital synthesizer to recreate the texture of the full orchestra. The score is created live in real time as the movie is screened. Rather than focus exclusively on authentic music of the period, Rapsis creates new music for silent films that draws from movie scoring techniques that today's audiences expect from the cinema.

The restored 'Metropolis' will be shown with live music on Thursday, Jan. 29 at 7 p.m. at the Jane Pickens Theatre, 49 Touro St. in historic downtown Newport. 

Admission is $18 per person. Tickets available online at https://janepickens.com or at the door.

For more information on the music, visit www.jeffrapsis.com.

CRITIC'S COMMENTS on ‘METROPOLIS

“'Metropolis' does what many great films do, creating a time, place and characters so striking that they become part of our arsenal of images for imagining the world.”
—Roger Ebert, 2010, The Chicago Sun-Times

“If it comes anywhere near your town, go see it and thank the movie Gods that it even exists. There’s no star rating high enough.”
—Brian Tallerico, Movieretriever.com
 

 

Monday, December 8, 2025

A 10-minute 'Christmas Carol'? Early holiday silent films with live music on Sunday, Dec. 14 at Town Hall Theatre in Wilton, N.H.

A scene from Thomas Edison's early version of 'A Christmas Carol' (1910), which runs all of 10 minutes.

Alas, there's no silent film equivalent of 'It's a Wonderful Life' (1946), the Christmastime classic starring Jimmy Stewart and directed by Frank Capra.

But there are some films from a century ago that make use of the holiday setting to good effect. 

For comedy, there's Charley Chase in 'There Ain't No Santa Claus' (1926), or Laurel & Hardy trying to sell Christmas trees door to door in 'Big Business' (1929).

For drama, there's Tod Browning's 'The Unholy Three' (1925), an extremely twisted Lon Chaney crime thriller made all the more twisted by taking place at Christmas.

On Sunday, Dec. 14 at 2 p.m. at the Town Hall Theatre in Wilton, N.H., we'll take a peek at a selection of holiday-themed films from the silent era to see what people were watching before 'Rudolph the Red-Nosed Reindeer' mesmerized us all starting in 1964.

Call it a program of "B.R." cinema. (That's "Before Rudolph.") And yes, it includes such oddities as early short versions of 'A Christmas Carol' and 'Twas the Night Before Christmas,' as well as a Mary Pickford drama with a heart-warming holiday ending.

It's a great way to take a break from the hectic holiday season and look at things a little differently. More info in the press release below. In the meantime, Merry Christmas and happy holidays to all, and to all a good silent night!

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Mary Pickford stars in 'Tess of the Storm Country' (1922).

MONDAY, DEC. 1, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

'Christmas Past' silent film program at Town Hall Theatre on Sunday, Dec. 14

Celebrate the season with family-friendly holiday classics from a century ago, brought to life with live musical accompaniment

WILTON, N.H.—What did people watch before special holiday TV programs such as "Rudolph the Red-Nosed Reindeer" and "A Charlie Brown Christmas" made their debut in the 1960s?

See for yourself with a special program of holiday classics from way back during the silent film era, all accompanied by live music.

Included will be the first-ever film versions of such popular tales as 'A Christmas Carol' by Charles Dickens and 'Twas the Night Before Christmas,' the poem by Clement C. Moore; each are more than a century old and less than 10 minutes long.

The family-friendly program will be presented on Sunday, Dec. 14 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

The program is free and open to the public; a donation of $10 per person is suggested to support the Town Hall Theatre's silent film programming.

Live music will be provided by Jeff Rapsis, a New Hampshire-based silent film accompanist who performs regularly at screenings around the nation.

The program will be highlighted by a screening of 'Tess of the Storm Country' (1922), a full-length drama starring Mary Pickford that features a special Christmas-oriented ending.
 
Mary Pickford in a lighter moment from 'Tess of the Storm Country' (1922).

"Even in the early days of cinema, the movies helped popularize classic holiday stories," Rapsis said. "So it's a real treat for us to turn back the clock and see where the tradition of holiday movies and TV specials first began."

The program will include the first known movie versions of 'A Christmas Carol' (1910) and 'Twas the Night Before Christmas' (1905).

The films each run less than 10 minutes long and were both produced as novelties by Thomas Edison, the inventor credited with pioneering the motion picture.

'Tess of the Storm County' (1922), a full-length feature, has been hailed as among Mary Pickford's best pictures.

The film tells a story of conflict between residents of a poor fishing village who live near the estate of a wealthy family.

As the feisty daughter of a village leader who is unjustly put in jail, Pickford plays a key role in a melodramatic plot that takes many surprising turns.

Pickford, a pioneering film superstar, was a major force in early Hollywood, helping establish the United Artists studio and serving as a founding member of the Academy of Motion Picture Arts and Sciences, which gives out the annual Oscar awards.

However, Pickford's films receive comparatively little attention today, in part due to the myth that Pickford often played wholesome and traditional female characters that conformed with society's expectations at the time.

In truth, Pickford's best movies often featured her in roles that required her to take action, challenge authority, and play strong roles uncommon for a woman of the era.

The "Christmas Past" Program at the Town Hall Theatre will give local audiences a chance to experience silent film as it was meant to be seen—on a large screen, with live music, and with an audience.

"All those elements are important parts of the silent film experience," said Rapsis, who improvises a movie's musical score live as it screens. "Recreate those conditions, and the classics of early Hollywood leap back to life in ways that can still move audiences today."

Rapsis performs on a digital keyboard that reproduces the texture of the full orchestra and creates a traditional "movie score" sound.

Critics review 'Tess of the Storm Country':

"The most insistently moving picture ever made, its climax is the most stunning visual event ever arranged for a film comedy."
—The New York Times

"The reason to watch is Pickford's elfin grace; she is at her criminally cutest here. Tess boasts rapturous pictorialism and an all-stops-out-climax."
—Richard Corliss, Film Comment

A 'Christmas Past' silent film program featuring Mary Pickford in 'Tess of the Storm Country' (1922) will be shown at the Town Hall Theatre, 40 Main St., Wilton, N.H. on Sunday, Dec. 14 at 2 p.m. 

The program is free and open to the public; a donation of $10 per person is suggested. For more information, call (603) 654-3456. 
 
An ambitious two-page trade journal spread promoting 'Tess of the Storm Country' (1922). Right-click to enlarge the image to see more detail.
 

 

Sunday, July 20, 2025

Hitchcock's 'The Ring' (1927) today at 2 p.m.: thoughts on silent film, boxing, and ballet

A scene from Alfred Hitchcock's boxing drama 'The Ring' (1927). 

Today at 2 p.m., the bell rings for the next installment of our mini-series of silent boxing films at the Town Hall Theatre in Wilton, N.H.

This afternoon, it's Alfred Hitchcock's early film 'The Ring' (1927), a drama in which two men do battle over a woman inside the ring and out.

Late this summer, the series conclude son Sunday, Aug. 24 with 'Battling Butler' (1926), Buster Keaton's boxing comedy.

I'm drawn to silent films that feature boxing because they show the enduring fascination a sport that's so basic and elemental.

Boxing: No teams, just two opponents. No fancy equipment. Everything out in the open for once, with no second-guessing what you're there to do.

Also, talking and words aren't important in the ring. So that's something that silent film and boxing share. Sometimes words aren't enough, or sometimes they're too much.

So there's a certain expressive power shared by boxing and silent film.

You could also make the same connection between boxing and ballet. No words there either: just music and movement—telling stories so elemental that words aren't needed.

Yes, kind of like boxing. 

This reminds me that a friend of mine had a T-shirt that said: "Boxing is like ballet except the dancers hit each other."

There's also the time element of boxing and silent film. When the bell rings, the fighters have no choice to face each other until the contest comes to an end one way or another.

Likewise, when the opening titles of a silent film appear on the screen, the accompanist has no choice to stay in the ring until the story is told—in this case, when 'The End' shows up, which is the cinematic equivalent of going the distance.

There may be other connections with silent film and boxing. So far, no one has thrown a punch at me during a screening, but that could happen at any time. 

If it happens this afternoon, be there to see it by getting a ringside seat at the Town Hall Theatre at 2 p.m. 

Here's the press release with a lot more info  about the film and the screening.

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A scene from Alfred Hitchcock's 'The Ring' (1927).
 
MONDAY, JUNE 30, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Early Hitchcock film highlights Town Hall Theatre summer series of vintage boxing movies

'The Ring' (1927), silent drama of two fighters in love with same woman, to be screened on Sunday, July 20 with live musical accompaniment

WILTON, N.H.—An early film directed by Alfred Hitchcock is next up in a summer series of vintage boxing movies at the Town Hall Theatre.

'The Ring' (1927), an intense tale of two fighters battling over the same woman, will be screened with live music on Sunday, July 20 at 2 p.m.

The boxing series is part of the Wilton Town Hall Theatre's monthly silent film program. Admission to the screenings is free; a donation of $10 per person is suggested.

Live accompaniment will be provided by Jeff Rapsis, a New Hampshire-based silent film musician.

'The Ring,' an early Hitchcock effort, was made when the director was still working in his native Great Britain.

The future "master of suspense" was just 28 years old when he helmed this silent drama set in the colorful world of English carnivals and fairgrounds.

'The Ring' is based on Hitchcock's only original screenplay, although he worked extensively alongside other writers throughout his career.

Silent-era boxing dramas are of interest to fans because they're filled with scenes of the sport at the height of its mainstream popularity.

At the time, boxing rivaled baseball as the nation's most popular sport. Neighborhoods, communities, and ethnic groups all rooted for their favorite fighters, and heavyweight champion Jack Dempsey ranked as an international celebrity.

Boxing stories were popular with early movie audiences as well.

"As an elemental contest between two opponents, boxing inspired some great work by early filmmakers," Rapsis said. "It's a visual sport that doesn't require a lot of dialogue or commentary to understand, and so was perfect for silent movies."

The Wilton Town Hall Theatre has been showing films since 1912. The venue's silent series gives local audiences the chance to experience early cinema as it was intended to be seen: on the big screen, with live music, and with an audience.

The silent film boxing series concludes on Sunday, Aug. 24 with 'Battling Butler' (1926), Buster Keaton's uproarious comedy about a pampered millionaire mistaken for a champion fighter.

The Summer Silent Boxing Film Series continues with a screening of Alfred Hitchcock's 'The Ring' (1927) on Sunday, July 20 at 2 p.m. at the Wilton Town Hall Theatre, 40 Main St., Wilton, N.H. Admission is free; a donation of $10 per person is suggested.

 

Friday, February 7, 2025

Changed date for 'The Strong Man' this weekend; classic comedy now showing on Saturday, Feb. 8, plus Boston Globe coverage of 'The Flying Ace'

Harry Langdon in 'The Strong Man' (1926), now showing on Saturday, Feb. 8 at the Town Hall Theater in Wilton, N.H.

Alert! This weekend's screening of 'The Strong Man' (1926) at the Town Hall Theatre in Wilton, N.H. has been changed to Saturday, Feb. 8 at 2 p.m.

Let's get fancy and paste in some JavaScript to create blinking text, like it's 1999 all over again.

Originally scheduled for Sunday, Feb. 9, the screening had to be moved a day earlier. So if you'd like to see what's widely regarded as Harry Langdon's best feature film, come on Saturday, Feb. 8.

More details about the film and the show are in the press release pasted in below. 

Before that, however, I need to thank Boston Globe film critic Odie Henderson for a terrific preview of last Sunday's screening of 'The Flying Ace' at the Somerville Theatre, and also for a follow-up essay published this past Wednesday.

It's rare these days for what's left of local media to devote resources to covering cinema. And it's rarer still for anyone to pay attention to vintage film. 

But Odie, who's been the Globe's film writer and critic for a few years now, took an interest in 'The Flying Ace,' writing about the film both before and after the screening.

Check out his preview, which ran on the front of the Globe's Weekend section:

The results of this kind of attention can be gratifying. Nearly 200 people turned out for the matinee screening, which took place on Sunday, Feb. 2 in the Somerville's main theatre. 

In introducing 'The Flying Ace,' I asked how many people had seen Odie's piece in the Globe? Nearly every hand shot up! (A lot of people also had seen coverage on the website of WBUR, a Boston-area NPR station.)

Odie attended the screening, and wrote a follow-up about the experience that included some kind words about my accompaniment:

"As Rapsis played the final notes of his outstanding, boisterous, and improvised accompaniment, I realized just how well his score complemented the film."

Thanks, Odie! Your work helped this film and our screening reach a lot more people that it otherwise might have.

*    *    *

Harry Langdon finds himself over a barrel in 'The Strong Man' (1926).

MONDAY, JAN. 27, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Frank Capra's very first movie highlights Town Hall Theatre silent film program on Saturday, Feb. 8

Screening features Harry Langdon's classic comedy 'The Strong Man' shown with live music; fun family activity suitable for all ages

WILTON, N.H. — Silent film with live music returns to the Town Hall Theatre in February with the showing of an uproarious comedy starring Harry Langdon.

The screening of 'The Strong Man' on Saturday, Feb. 8 at 2 p.m., gives families a chance to enjoy a fun activity suitable for all ages. The Town Hall Theatre is located at 40 Main St., Wilton, N.H.

Admission is free; donations are accepted, with $10 per person suggested to defray expenses.

Due to scheduling requirements, the screening date differs from the Town Hall Theatre's usual Sunday afternoon silent film time slot.

The screening, the latest in the Town Hall Theatre's silent film series, will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating scores for silent films.

Directing 'The Strong Man' was young first-timer Frank Capra, who would later go on to create such Hollywood classics as 'Mr. Smith Goes to Washington' (1939) and 'It's a Wonderful Life' (1946).

'The Strong Man' tells the story of a World War I soldier (Langdon) who, following his discharge, finds work as assistant to a circus strong man. As the act travels the country, Langdon continually searches for a girl he corresponded with while stationed overseas in the military.

The search leads to a town controlled by Prohibition-era gangsters, which forces Harry to test the limits of his own inner strength even as he looks for his dream girl. Can Harry triumph over the bad guys? And is love more powerful than brute strength?

The feature-length film showcases the unique child-like personality of Langdon, who is largely forgotten today. For a brief time in the 1920s, however, he rivaled Charlie Chaplin as Hollywood's top movie clown.

Langdon's popularity, which grew quickly in the last years of the silent era, fizzled as the movie business abruptly switched to talkies starting in 1929.

'The Strong Man' was selected in 2007 for preservation in the U.S. National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

In recent years, 'The Strong Man' has been recognized as a major achievement of the silent film era—a satisfying and timeless balance of emotion and comedy.

"A little tragedy and a lot of laughs can be seen in 1926's The Strong Man," wrote critic Richard von Busack in 2007. "Director Frank Capra's energy and sturdy plot sense counterpoint Langdon's wonderful strangeness."

A trade ad promoting the release of Harry Langdon's 'The Strong Man' (1926).

'The Strong Man' will be accompanied by live music by Jeff Rapsis, a New Hampshire-based silent film accompanist who performs at venues across the region and beyond.

"These films were created to be shown on the big screen as a communal experience," Rapsis said. "With an audience and live music, they still come to life in the way their makers intended them to.

"The silent film screenings at the Town Hall Theatre are a great chance for people to experience films that first caused people to first fall in love with the movies," he said.

Frank Capra's 'The Strong Man' will be screened with live music on Saturday, Feb. 8 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H. 

Admission is free; donations are accepted, with $10 per person suggested to defray expenses. For more information, call the theater at (603) 654-3456.
 
Harry Langdon encounters the mysteries of the opposite sex in 'The Strong Man' (1926).
 

Wednesday, January 15, 2025

Off to Cleveland to accompany 'The Lost World' at Case Western Reserve's 50th annual sci-fi marathon; then 'Way Down East' in Wilton, N.H.

Original poster art for 'The Lost World' (1925).

This weekend takes me to the fair city of Cleveland, Ohio, where I'll accompany 'The Lost World' (1925) at this year's annual Sci-Fi Marathon at Case Western Reserve University.

It's the 50th annual edition of the Case Western Film Society's marathon, at which diehard movie buffs spend a mid-winter weekend watching sci-fi films of all types 30 to 36 hours non-stop.

And next month, I get to do music for a silent film at a similar event: the Boston Sci-Fi Marathon, also celebrating its 50th year on Presidents Day Weekend at the Somerville Theatre in Somerville, Mass.

The Boston folks have programmed an unusual title this time around: 'Algol: A Tragedy of Power' (1921), a German silent that I've never accompanied before.

I've done films at earlier editions of both marathons. What I love about them is that the audience is always so engaged. They may get into a "Mystery Science Theatre 3000" groove sometimes, but overall you won't find a more enthusiastic crowd than the sci-fi marathon audience.

If you're in the Cleveland area this weekend, I understand the Case Western marathon lets you buy tickets for individual screenings. 

Although I encourage you to take in the experience in its entirety, if you'd like to attend just 'The Lost World,' it's scheduled to run on Saturday, Jan. 18 at 3 p.m. (Start time subject to change due to the ebb and flow of the marathon schedule.)

For more information about attending, check out the marathon's webpage

Looking ahead: after a quiet start to 2025, things perk up with a cluster of screenings in late January and early February. 

I'm accompanying 'Way Down East' (1920) on Sunday, Jan. 26 in Wilton, N.H.; 'Wild Orchids' (1929) on Wednesday, Jan. 29 in Manchester, N.H.; 'Straight is the Way (1921) in Campton, N.H.; 'The Flying Ace' (1921) on Sunday, Feb. 2 in Somerville, Mass.; and 'Nanook of the North' (1922) on Monday, Feb. 3 in Greenfield, Mass.

Hoping for a good turnout for 'Way Down East,' as I've found a crowded theater always helps the Griffith films "click" with modern audiences.

Seen in isolation, the early pioneering features directed by D.W. Griffith really seem to drag. But shown with an audience, they spring to life. 

I think this has something to do with what Griffith did prior to the movies. For many years, he staged and directed melodramas for theatrical troupes that toured through small towns.

Back then, if you didn't entertain people, they'd throw things at you—or worse. So Griffith got very skilled at telling stories that would grab an audience early and then not let go. 

I believe that more than anything else, this was Griffith's superpower: to be able tell a story in such a way that an audience can't stop watching. 

Find out for yourself by being part of the experience when I accompany 'Way Down East' later this month at the Town Hall Theatre in Wilton, N.H. More details in the press release pasted in below.

*    *    *

Original promotional art for 'Way Down East' (1920).

MONDAY, JAN. 6, 2025 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent film classic 'Way Down East' at Town Hall Theatre on Sunday, Jan. 26

D.W. Griffith blockbuster starring Lillian Gish, filmed partly in New England, to be screened with live music

WILTON, N.H. — The iconic image of actress Lillian Gish trapped on an ice floe and headed straight for a waterfall will once again fill the big screen when 'Way Down East' (1920) is revived on Sunday, Jan. 26, 2025 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

Live musical scoring will be provided by silent film accompanist Jeff Rapsis. Admission is free; donations are accepted, with $10 per person suggested to defray expenses.

The movie, a blockbuster melodrama directed by D.W. Griffith, is set in old-time rural New England, and was partly filmed on location in New Hampshire and Vermont. It stars Gish in an acclaimed performance as a wronged woman trying to make her way in an unforgiving world. Can she find love and redemption, or will she ride to her doom on the raging river's ice floes?

In 'Way Down East,' Gish stars as a poor New England country girl who travels to Boston to visit her rich relatives in the hopes of getting financial help. While there, she's dazzled by upper class society and romanced by a rich womanizer (Lowell Sherman) who takes advantage of her innocence by tricking her into bed with a fake marriage ceremony.

Lillian Gish on the ice-bound Connecticut River in 'Way Down East' (1920).

Convinced she's found the husband of her dreams, Gish returns home to the country, only to be abandoned. She informs her faux husband she's pregnant; he orders her to get an abortion. Instead, Gish goes into exile to have the baby, finds herself persecuted for giving birth out of wedlock, and flees into the rural countryside to seek refuge. The film was noteworthy in its time for addressing such topics as abortion and women's rights.

Modern critics hail 'Way Down East' for Gish's performance, which continues to mesmerize audiences nearly a century after the film's release. "Gish provides an abject lesson in screen acting and brings home the importance and effectiveness of seeing a film in a theater with a crowd," wrote Paul Brenner on www.filmcritic.com in 2007. "If you are not moved at the scene of Gish baptizing her dead baby, then you should check the obituaries of your local paper to see if you are listed."

The film also stars silent era heartthrob Richard Barthelmess. In the film's climax, Barthelmess must dash to rescue Gish from being carried away on the ice floes.

Lillian Gish on location near White River Junction, Vt.

Much of the acclaimed ice floe sequence was filmed in March 1920 on location on the Connecticut River in New Hampshire and the White River in Vermont, as the winter pack ice was breaking up. No process shots or post-production special effects were available to filmmakers at the time, so Griffith and his crew had no choice but to stage and shoot it all on a real river, with the players out on the ice. To get the floes to break up and float down the river, Griffith's crew dynamited pack ice upstream.

Gish later said that she suffered frostbite by following director Griffith's command to always keep one hand in the water during the shooting.

Despite such hardships, 'Way Down East' cemented Gish's reputation as one of the silent era's major stars. Gish would continue to work in films and, later, television, until the 1980s. She died in 1993 at age 99.

Accompanist Jeff Rapsis specializes in creating music that bridges the gap between an older film and the expectations of today's audiences. Using a digital synthesizer that recreates the texture of a full orchestra, he improvises scores in real time as a movie unfolds, so that the music for no two screenings is the same.

"It's kind of a high wire act, but it helps create an emotional energy that's part of the silent film experience," Rapsis said. "It's easier to follow the emotional line of the movie and the audience's reaction when I'm able to follow what's on screen, rather than be buried in sheet music," he said.

Because silent films were designed to be shown to large audiences in theaters with live music, the best way to experience them is to recreate the conditions in which they were first shown, Rapsis said.

"Films such as 'Way Down East' were created to be shown on the big screen to large audiences as a communal experience," Rapsis said. "With an audience and live music, silent films come to life in the way their makers intended. Not only are they entertaining, but they give today's audiences a chance to understand what caused people to first fall in love with the movies."

D.W. Griffith (in bowler hat) directs the cast of his blockbuster melodrama 'Way Down East' (1920).

'Way Down East' was based on a popular stage drama, for which director Griffith paid the then-astounding sum of $175,000 to turn into a movie. The picture proved to be a huge moneymaker, taking in $4.5 million, making it the fourth-highest grossing movie of the silent film era. 

'Way Down East' would be the last of Griffith's great blockbusters; tastes changed as the 1920s rolled on and Griffith's Victorian style fell out of favor. Receipts from 'Way Down East' kept Griffith's studio afloat during a subsequent series of box office flops.

"This picture was a monster hit when it was released," Rapsis said, "and it still holds up well today. As a melodrama, it's a great film for an audience to cheer on the good folks and boo and hiss the bad guys. But there's an additional level of interest now because the film captured a way of life that's long since disappeared."

'Way Down East' will be shown with live music on Sunday, Jan. 26 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

Admission is free; donations are accepted, with $10 per person suggested to defray expenses. For more information, call the theater at (603) 654-3456.

Monday, September 16, 2024

Don't miss a rare chance to see Tod Browning's rediscovered thriller 'The Show' (1927) on Sunday, Sept. 22 at Wilton, N.H.

An original lobby promoting MGM's lurid backstage thriller 'The Show' (1927)

This weekend! On Saturday, Sept. 21 at 7 p.m. I'll accompany Harold Lloyd's beloved comedy 'Speedy' (1928) in Brandon, Vt. Hope you're able to make it!

If you're here due to coverage in this week's edition of 'Seven Day,' the big Vermont alternative paper, welcome! See you at Brandon Town Hall and Community Center. Admission is free; any donations support on-going upkeep and restoration of the circa 1860 Town Hall building.
 
Then, on Sunday, Sept. 22 at 2 p.m., it's 'The Show' (1927), a twisted backstage drama from director Tod Browning, which I'll accompany at the Town Hall Theatre in Wilton, N.H. Hope you can join us!
 
Below, I'm pasting in a press release about the rare screening of 'The Show,' which I've never done music for. Hope you can join us! Here goes...

*  *  *
 
Silent thriller 'The Show' revived at Town Hall Theatre on Sunday, Sept. 22
 
Twisted backstage drama stars John Gilbert, Lionel Barrymore; to be screened with live musical accompaniment.
 
WILTON, N.H.—A bizarre silent thriller featuring a cast of notables makes a rare return to the silver screen this month at the Town Hall Theatre.
 
'The Show,' (1927), a backstage drama featuring top MGM stars John Gilbert, Renée Adorée, and Lionel Barrymore, will be screened on Sunday, Sept. 22 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.
 
Admission is free; donations are accepted, with $10 per person suggested to defray expenses.
The screening, the latest in the venue's silent film series, will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.
 
Directed by Tod Browning, 'The Show' explores the world of a Budapest carnival sideshow, where performers encounter love, greed, and murder.
 
John Gilbert and Renée Adorée in 'The Show' (1927).
 
Cock Robin (John Gilbert) is a sideshow barker in Budapest. He also participates in one of the acts; his former girlfriend Salome (Renée Adorée) dances before Herod in exchange for the head of "Jokanaan". As Jokanaan, Robin has his head seemingly chopped off and presented to the dancer on a platter, much to the audience's delight.
 
As 'The Show' unfolds, Salome yearns to get back together with Robin, but he has his sights set on Lena (Gertrude Short), the daughter of a well-off sheep merchant. He lets the smitten Lena buy him things.
 
The Greek (Lionel Barrymore), Salome's current boyfriend, becomes angered when he learns of her feelings. The Greek and his henchman, the Ferret, also try to steal Lena's father's money, but things get complicated when murder enters the picture.
 
'The Show' is the latest in a monthly series of silent films presented with live music at the Town Hall Theatre. The series provides local audiences the opportunity to experience silent film as it was intended to be shown: on the big screen, in good-looking prints, with live music, and with an audience.
 
"Put those elements together like we do at the Town Hall Theatre, and films from the silent era spring right back to life in a way that helps you understand why people first fell in love with the movies," Rapsis said.
 
Tod Browning's twisted thriller 'The Show' will be shown on Sunday, Sept. 22 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.
 
Admission is free; donations are accepted, with $10 per person suggested to defray expenses. For more information, call the theater at (603) 654-3456.

Saturday, March 2, 2024

Thoughts on how we all need a Topeka, plus 'Why Worry?' in Wilton, N.H. on Sunday, 3/3

Harold Lloyd has big shoes to fill in 'Why Worry?' (1923).

Today's headlines getting you down? Then see a film from yesterday called 'Why Worry?' (1923), which I'm accompanying on Sunday, March 3 at 2 p.m. at the Town Hall Theatre in Wilton, N.H.

Lots more info about this Harold Lloyd comedy in the press release pasted in below. With silent film, the audience is an important part of the show, so hope to see you there!

For now, here's a report from this year's Kansas Silent Film Festival, which took place on Friday, Feb. 23 and Saturday, Feb. 24 on the campus of Washburn University in Topeka, Kansas. 

This was the 25th consecutive year I've attended this festival, which includes the pandemic year of 2021 when I staged my own version of it, "The Kansas Silent Film Festival in New Hampshire." 

Why have I done this for so many years? Well, besides the films and the people, I think it represents hope and renewed possibilities, at least on a personal level.

Setting up: Larry Stendebach and Brian Sanders hang the banner on the White Concert Hall.

I first attended it quite by random in the year 2000, just prior to co-founding a successful publishing business that's been a big part of my life ever. Something about the accidental nature of it all triggered something in me to move ahead with all this.

And not long afterwards, the Kansas festival prompted me to embark on my own silent film journey—one that's involved creating music for silent film screenings for nearly 20 years now. 

For a lot of us, our life path involves finding our own way to what we become. And for some of us, the path has to include random detours to make it uniquely our own. 

It's one thing to follow a good example and learn from the paths that others have taken, to stand on the shoulders of those who came before you. But it's such a human thing to want to explore and find your own way—to pioneer, to discover, to learn and experience for yourself.

So returning to Topeka once a year in late February has become something of a pilgrimage for me, with its own interior rituals such as fried pickles on Saturday morning at the Hanover Pancake House—itself a symbol of renewal, having risen from the rubble of the F5 tornado that roared through town in June 1966.

(Interesting fact: a local TV reporter in Topeka at the time the tornado hit is credited with saving lives by sternly warning viewers, "For God's sake, take cover!" The reporter was a young Bill Kurtis, today the announcer for NPR's 'Wait Wait, Don't Tell Me.')

And for me, Topeka has become a sort of Midwest version of Brigadoon: a distant community conjured out of the mist just once a year, a place where like-minded people gather to celebrate something most people don't understand or appreciate—and a place where I can pause and ponder what I've done, and what I can still do, to be the best version of myself. 

We all need a Topeka. In my case, it actually happens to be Topeka.

Well.

For a comprehensive round-up of this year's films, I point you to a wonderfully detailed write-up by longtime attendee Bruce Calvert of Texas. 

Accompanist Ben Model provides music for 'Mabel's Blunder' (1914), a short Keystone comedy.

For me, among the highlights was getting to hear other accompanists do their stuff for a wide range of films, and with large and appreciative audiences. 

A special treat was to finally meet and hear Donald Sosin, one of the big names in the field, who was making his first appearance in Kansas.

I had the privilege of chauffeuring Donald to the Kansas City Airport (at 5 a.m.!), and we got chatting about a wide range of topics. I was surprised to find Donald was in the audience for my stuff, and he shared some useful observations.

And then just like that, it was over—until next year. 

But until then, I'll continue with my own little circus, including Harold Lloyd's comedy 'Why Worry?' on Sunday, March 3 at the Town Hall Theatre in Wilton.

More info below!

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A vintage lobby card promoting Harold Lloyd's comedy 'Why Worry?' (1923).
 
TUESDAY, FEB. 20, 2024 / FOR IMMEDIATE RELEASE
Contact Jeff Rapsis • (603) 236-9237 • jeffrapsis@gmail.com

Silent comedy 'Why Worry?' with live music at Town Hall Theatre on Sunday, March 3

Harold Lloyd finds himself caught up in south-of-the-border revolutionary hilarity in inventive 1920s farce

WILTON, N.H.— He was the bespectacled young man next door whose road to success was often plagued by perilous detours.

He was Harold Lloyd, whose fast-paced comedies made him the most popular movie star of Hollywood's silent film era.

See for yourself why Lloyd was the top box office attraction of the 1920s in a revival of 'Why Worry?' (1923), one of his top-grossing comedies.

'Why Worry?' will be screened with live music on Sunday, March 3, 2024 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

The screening was originally scheduled for Sunday, Feb. 18, but was moved to Sunday, March 3 due to a scheduling conflict.

Admission is free; donations are accepted, with $10 per person suggested to defray expenses.

The screening, the latest in the venue's silent film series, will feature live accompaniment by Jeff Rapsis, a New Hampshire-based composer who specializes in creating music for silent films.

Lloyd's go-getter character proved immensely popular throughout the 1920s, with fans following him from one adventure to the next.

Lloyd searches for footwear in 'Why Worry?' (1923).
 
In the political satire 'Why Worry?', Harold plays a wealthy hypochondriac traveling abroad who gets caught up in a local uprising.

Thrown into prison, Harold is forced to use his wits to escape and rescue his nurse from the clutches of a dangerous revolutionary leader.

Regarded as one of Lloyd's most surreal movies, 'Why Worry?' features a cast that includes an actual real-life giant—8-foot-tall John Aasen, discovered in Minnesota during a national talent search.

Rapsis will improvise a musical score for 'Why Worry?' as the film screens. In creating accompaniment for the Lloyd movies and other vintage classics, Rapsis tries to bridge the gap between silent film and modern audiences.

"Creating the music on the spot is a bit of a high-wire act, but it contributes a level of energy that's really crucial to the silent film experience," Rapsis said.

'Why Worry?' (1923) will be screened with live music on Sunday, March 3, 2024 at 2 p.m. at the Town Hall Theatre, 40 Main St., Wilton, N.H.

Admission is free; donations are accepted, with $10 per person suggested to defray expenses. For more information, call the theater at (603) 654-3456.